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Tandava
Tandava (also spelled as ) also known as , is a divine dance performed by Hindu god Shiva. Shiva is depicted as dancing the Tandava in his form of Nataraja. The ''Natya Shastra'', a Sanskrit treatise on the performing arts describes various aspects of the Tandava. Description Tandava, as performed in the sacred dance-drama of India, has vigorous, brisk movements. Performed with joy, the dance is called '' Ananda Tandava''. Performed in a violent mood, the dance is called ''Raudra'' or ''Rudra Tandava''. The types of Tandava found in the Hindu texts are: Ananda Tandava, Tripura Tandava, Sandhya Tandava, Samhara Tandava, Kali (Kalika) Tandava, Uma Tandava, Shiva Tandava, Krishna Tandava and Gauri Tandava. Shivani Tandava is described as a vigorous dance that is the source of the cycle of creation, preservation and dissolution. While the ''Rudra Tandava'' depicts his violent nature, first as the creator and later as the destroyer of the universe, even of death itself, the ''An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva Tandava Stotram
''Shiva Tandava Stotra'' ( sa, शिवताण्डवस्तोत्र, śiva-tāṇḍava-stotra) is a Sanskrit ''stotra'' (hymn) that is dedicated to the Hindu deity, Shiva. Its authorship is traditionally attributed to Ravana, the King of Lanka, who is considered to be a great devotee of Shiva, composed during his plea for moksha. Etymology ''Shiva'' refers to the name of the destroyer deity, ''Tandava'' or ''Tandavam'' refers to a frantic dance, and ''Stotra'' or ''Stotram'' refers to a panegyric, a hymn of praise. This Sanskrit hymn is also referred to as ''Shiva Tandava Stotram'' in English. Verse The stotra has 16 syllables per line of the quatrain, with ''laghu'' (short syllable) and ''guru'' (long syllable) characters alternating; the poetic meter is iambic octameter by definition. There are 17 quatrains in total. Both the ninth and tenth quatrains of this hymn conclude with lists of Shiva's epithets as destroyer, even the destroyer of death itself. Alli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva As The Lord Of Dance LACMA Edit
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nataraja
Nataraja () also known as Adalvallaan () is a depiction of the Hindu god Shiva as the divine cosmic dancer. His dance is called Tandava.''Encyclopædia Britannica'' (2015) The pose and artwork are described in many Hindu texts such as the ''Tevaram'', ''Thiruvasagam'' in Tamil and ''Anshumadbhed agama'' and ''Uttarakamika agama'' in Sanskrit and Grantha texts, the dance murti featured in all major Hindu temples of Shaivism, and is a well-known sculptural symbol in India and popularly used as a symbol of Indian culture, in particular as one of the finest illustrations of Hindu art. He is commonly referred as Koothan(), Sabesan() and Ambalavanan () in various Tamil texts. The sculpture is symbolic of Shiva as the lord of dance and dramatic arts, with its style and proportions made according to Hindu texts on arts. Tamil Devotional texts such as Tirumurai (The twelve books of Southern Shaivism) speaks that Nataraja is the form of Shiva in which he does Creation, destruction, Pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sati (goddess)
Sati (, sa, सती, , ), also known as Dakshayani (Sanskrit: दाक्षायणी, IAST: ''Dākṣāyaṇī'', lit. 'daughter of Daksha'), is the Hindu goddess of marital felicity and longevity, and is worshipped as an aspect of the mother goddess Shakti. She is generally considered the first wife of Shiva, the other being Parvati, who was Sati's reincarnation after her death. The earliest mentions of Sati are found in the time of the Ramayana and the Mahabharata, but details of her story appear in the Puranas. Legends describe Sati as the favourite child of Daksha, who marries Shiva against her father's wishes. After Daksha humiliates her and her husband, Sati kills herself in the yajna (Fire-Sacrifice) to protest against him, and uphold the honour of her husband. In Hinduism, both Sati and Parvati, successively play the role of bringing Shiva away from ascetic isolation into creative participation with the world. Sati's story plays an important part in shaping the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natya Shastra
The ''Nāṭya Śāstra'' (, ''Nāṭyaśāstra'') is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The ''Nāṭya Śāstra'' is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic Rasa (aesthetics), "Rasa" theory, which asserts that entertainment is a desired effect of performa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karana Dance
Karanas are the 108 key transitions in the classical Indian dance described in 4th Chapter named "Tandava Lakshana" of Natya Shastra. ''Karana'' is a Sanskrit verbal noun, meaning "doing". Description Natya Shastra states that Karanas are the framework for the "margi" (pan-Indian classical) productions which are supposed to spiritually enlighten the spectators, as opposed to the "desi" (regional folk or pop dance) productions which can only entertain the spectators. "One who performs well this Karana dance created by Maheswara will go free from all sins to the abode of this deity," states Natya ShastraNatya Shastra translated by Manmohan Ghosh 2002 Chowkhamba Press, Varanasi - Page 75. Some of the well-known interpretations of karanas are by Dr.Padma Subramanyam that were based on 108 brief movement phrases describing specific leg, hip, body, and arm movements accompanied by hasta mudras described in the Natya shastra and other scriptures, and from depictions of the moveme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parvati
Parvati ( sa, पार्वती, ), Uma ( sa, उमा, ) or Gauri ( sa, गौरी, ) is the Hindu goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. She is a physical representation of Mahadevi in her complete form. She is also revered in her appearances as Durga and Kali.Suresh Chandra (1998), Encyclopedia of Hindu Gods and Goddesses, , pp 245–246 She is one of the central deities of the goddess-oriented sect called Shaktism, and the chief goddess in Shaivism. Along with Lakshmi and Saraswati, she forms the Tridevi. Parvati is the wife of the Hindu god Shiva. She is the reincarnation of Sati, the first wife of Shiva who immolated herself during a yajna (fire-sacrifice).Edward Balfour, , The Encyclopaedia of India and of Eastern and Southern Asia, pp 153 Parvati is the daughter of the mountain-king Himavan and queen Mena.H.V. Dehejia, Parvati: Goddess of Love, Mapin, , pp 11 Parvati is the mother of the Hindu deities Ganesha and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lasya
The term Lāsya , in the context of Hindu mythology, describes the dance performed by the goddess Parvati as it expresses happiness and is filled with grace and beauty. She is believed to have danced the Lāsya in response to the male energy of the cosmic dance of Tandava performed by Lord Shiva. In a literal sense, Lāsya means beauty, happiness, enchanting, and grace. Professor Inayat Khan in his book ''Munqar Musicar'' (1912) wrote: "Women and men both perform this dance and there are a number of recognized masters (ustad) of it in India. Lasya is accompanied by two sarangi players and a tabid, and sometimes a manjira The taal, manjira (also spelled manjīrā or manjeera), jalra, karatala, kartal or gini is a pair of clash cymbals, originating in the Indian subcontinent, which make high-pitched percussion sounds. In its simplest form, it consists of a pai ... (small indian cymbals). It is danced by one woman, or by two together". Lāsya is an element which is graceful, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ravana
Ravana (; , , ) is a rakshasa king of the island of Lanka, and the chief antagonist of the Hindu epic ''Ramayana'' and its adaptations. In the ''Ramayana'', Ravana is described to be the eldest son of sage Vishrava and rakshasi Kaikesi. He abducted Prince Rama's wife Sita and took her to his kingdom of Lanka, where he held her in the Ashoka Vatika. Later, Rama, with the support of vanara King Sugriva and his army of vanaras, launched an invasion against Ravana in Lanka. Ravana was subsequently slain and Rama rescued his beloved wife Sita. Ravana is widely portrayed to be an evil character, though he also has many qualities that make him a learned scholar. He was well-versed in the six shastras and the four Vedas. Ravana is also considered to be the most revered devotee of Shiva. Images of Ravana are seen associated with Shiva at some temples. He also appears in the Buddhist Mahayana text ''Laṅkāvatāra Sūtra'', in Buddhist Ramayanas and Jatakas, as well as in Jain Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ānanda (Hindu Philosophy)
''Ānanda'' (Sanskrit: आनन्द) literally means bliss or happiness. In the Hindu Vedas, Upanishads and Bhagavad gita, ānanda signifies eternal bliss which accompanies the ending of the rebirth cycle. Those who renounce the fruits of their actions and submit themselves completely to the divine will, arrive at the final termination of the cyclical life process (''saṃsāra'') to enjoy eternal bliss (''ānanda'') in perfect union with the godhead. The tradition of seeking union with God through loving commitment is referred to as ''bhakti'', or devotion. Etymology ''Ānanda'' is a Sanskrit word regarded as a verbal noun ''nanda'' prefixed with ''ā''. ''ā'' indicates the place where the verbal action occurs; for example, ''āsrama'', where one toils, ''ārama'', where one enjoys oneself, ''ākara'', where things are scattered, etc. The word ''ānanda'' thus implies a locus, that in which one finds bliss, be it a son, the fulfillment of a wish, the knowledge of ''brahma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indra
Indra (; Sanskrit: इन्द्र) is the king of the devas (god-like deities) and Svarga (heaven) in Hindu mythology. He is associated with the sky, lightning, weather, thunder, storms, rains, river flows, and war. volumes/ref> Indra's myths and powers are similar to other Indo-European deities such as Jupiter, Perun, Perkūnas, Zalmoxis, Taranis, Zeus, and Thor, part of the greater Proto-Indo-European mythology. Indra is the most referred deity in the ''Rigveda''. He is celebrated for his powers, and as the one who killed the great evil (a malevolent type of asura) named Vritra, who obstructed human prosperity and happiness. Indra destroys Vritra and his "deceiving forces", and thereby brings rains and sunshine as the saviour of mankind. He is also an important deity worshipped by the Kalash people, indicating his prominence in ancient Hinduism. Indra's significance diminishes in the post-Vedic Indian literature, but he still plays an important role in various m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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