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Karana Dance
Karanas are the 108 key transitions in the classical Indian dance described in 4th Chapter named "Tandava Lakshana" of Natya Shastra. ''Karana'' is a Sanskrit verbal noun, meaning "doing". Description Natya Shastra states that Karanas are the framework for the "margi" (pan-Indian classical) productions which are supposed to spiritually enlighten the spectators, as opposed to the "desi" (regional folk or pop dance) productions which can only entertain the spectators. "One who performs well this Karana dance created by Maheswara will go free from all sins to the abode of this deity," states Natya ShastraNatya Shastra translated by Manmohan Ghosh 2002 Chowkhamba Press, Varanasi - Page 75. Some of the well-known interpretations of karanas are by Dr.Padma Subramanyam that were based on 108 brief movement phrases describing specific leg, hip, body, and arm movements accompanied by hasta mudras described in the Natya shastra and other scriptures, and from depictions of the moveme ...
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Kadavul Tandavas
''Kadavul'' () is a 1997 Tamil language film directed by Velu Prabhakaran. The film stars Velu Prabhakaran, Manivannan, C. Arunpandian, Arun Pandiyan, Mansoor Ali Khan (actor), Mansoor Ali Khan and Roja Selvamani, Roja. The film, produced by H. Anraaj, had musical score by Ilaiyaraaja and was released on 5 December 1997. Despite having controversial themes, the film was well received. Plot Parvathi (Roja Selvamani, Roja), a young woman, is a goddess believer while her father (V. Gopalakrishnan) is the priest of a temple. After a quarrel between two castes during a Hindu festival, the temple was closed off. Five years later, the temple reopens. Muthu (Rahul) and Thenmozhi (Nandhini) are in love but they are not of the same caste. Velusamy (Karikalan), Thenmozhi's uncle, finds out their love and forces her to marry him. K. Shanmugam (Mansoor Ali Khan (actor), Mansoor Ali Khan), a corrupt Member of the Legislative Assembly (India), MLA, kills a girl and blames Thamizharasan (C. A ...
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Vempati Chinna Satyam
Vempati Chinna Satyam (15 October 1929 – 29 July 2012) was an Indian dancer and a guru of the Kuchipudi dance form. Chinna Satyam was born in a brahmin family at Kuchipudi, Andhra Pradesh. He was taught by Vedantam Lakshmi Narayana Sastry. He then refined his art by learning from Sri Tadepally Perrayya Sastry and later was trained by his elder brother Sri Vempati Pedda Satyam in expressions. As he learnt the nuances of this style of dance, he was successful in propagating the Kuchipudi dance form all over the world. He died of old age related problems at the age of 83 on 29 July 2012. Dance Chinna Satyam sublimated and systematised Kuchipudi, giving it a more classical basis. He refined the art form, bringing it closer to the standards of ''Natya Shastra'' and gave it a whole new perspective and introduced new elements, e.g. chari (leg movements) of Natya Shastra that are significantly different from the interpretations of other dance authorities, such as Padma Subrahmanya ...
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Dance In India
Dance in India comprises numerous styles of dances, generally classified as Indian classical dance, classical or Folk dance in India, folk. As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country. Sangeet Natya Academy, the national academy for performing arts in India, recognizes eight traditional dances as Indian classical dances, while other sources and scholars recognize more. These have roots in the Sanskrit text ''Natya Shastra'',, Quote: "the Natyashastra remains the ultimate authority for any dance form that claims to be 'classical' dance, rather than 'folk' dance". and the Religion, religious performance arts of Hinduism., Quote: Hindu classical dance-forms, like Hindu music, are associated with worship. References to dance and music are found in the vedic literature, (...)"., Quote: All of the dances considered to b ...
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Kuchipudi
Kuchipudi () ( Telugu: ) is one of the eight major Indian classical dances. It originates from a village named Kuchipudi in the Indian state of Andhra Pradesh. Kuchipudi is a dance-drama performance, with its roots in the ancient Hindu Sanskrit text of Natya Shastra. It developed as a religious art linked to traveling bards, temples and spiritual beliefs, like all major classical dances of India. Evidence of Kuchipudi's existence in an older version are found in copper inscriptions of the 10th century, and by the 15th century in texts such as the ''Machupalli Kaifat''. Kuchipudi tradition holds that Tirtha Narayana Yati – a sanyassin of Advaita Vedanta persuasion,Krishna Chaitanya (1987), "Arts of India.", pages.74 and his disciple, an orphan named Siddhendra Yogi, founded and systematized the modern version of Kuchipudi in the 17th century. Kuchipudi largely developed as a Krishna-oriented Vaishnavism tradition, and it is known by the name of Bhagavata Mela in Thanjavu ...
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Odissi
Odissi (), also referred to as Orissi in old literature, is a major ancient Indian classical dance that originated in the Hindu temple, temples of Odisha – an eastern coastal state of India.Odissi
''Encyclopædia Britannica'' (2013)
Odissi, in its history, was performed predominantly by women, and expressed religious stories and spirital ideas, particularly of Vaishnavism through songs written and composed according to the ''ragas'' & ''talas'' of Odissi music by ancient poets of the state. Odissi performances have also expressed ideas of other traditions such as those related to Hindu Gods Shiva and Surya, as well as Hindu Goddesses (Shaktism)., Quote: "There are other temples too in Odisha where the ''maharis'' used to dance. Besides the temple of ...
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Devadasi
In India, a devadasi was a female artist who was dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication took place in a ceremony that was somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learned and practiced classical Indian artistic traditions such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their social status was high as dance and music were an essential part of temple worship. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period royal patrons provided them with gifts of land, property, and jewellery. After becoming Devadasis, the women would spend their time learning religious rites, rituals, and dances. Devadasis were expected to live a life of celibacy, however, there have been instances of exceptions. D ...
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Bala Devi Chandrashekar
Bala Devi Chandrashekar is a Bharatanatyam dancer and teacher based in Princeton, New Jersey, United States. She was trained under Dr. Padma Subrahmanyam. Bala Devi Chandrashekar is a Professor of practice in Asian performing arts. Her approach is interdisciplinary, involving lecturing and research. Bala Devi's unique well researched productions include Nandanar Charithram, Krishnaarpnam and Uddhava Gita. Career Bala Devi Chandrashekar is the artistic director of the New Jersey Bharatanatyam school Shree Padma Nrityam Academy of performing Arts Inc., with head office in Princeton, New Jersey. The school provides Bharatanatyam classes to aspiring dancers and also serves as a facilitator for cultural preservation, presentation, and exchange of ideas for South Asian Performing Arts with a primary focus on Indian classical dance - Bharatanatyam. Bala works as a Bharatanatyam teacher, lecturer & researcher and a performer. She is a performing soloist and has developed her own dance ...
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Adyar Lakshman
Adyar K. Lakshman (16 December 1933 – 19 August 2014) was a noted Indian Bharatnatyam dancer, choreographer and guru. Early life Born on 16 December 1933, Adyar K. Lakshman hails from Kuppam in Chittoor district of Andhra Pradesh. His father, Krishnaraja Rao, was posted there as a school teacher. Lakshman and his brother Rama Rao were discovered at a young age by P.D. Doraiswamy Iyer, a representative of Smt. Rukmini Devi Arundale, the founder of the world acclaimed fine arts college Kalakshetra. The young boys showed unusual musical and rhythmic talent, and were offered a thorough education in the Fine Arts. Lakshman's father was only too happy to accept the offer made by Kalakshetra. Early education and training Adyar Lakshman began his education at Kalakshetra in 1944 at the young age of 11 years. He underwent vigorous training in vocal music, Bharatha Natyam, Mridangam and Nattuvangam under the able tutelage of eminent teachers. He had the good fortune to receive his ear ...
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Bharatanatyam
Bharatanatyam () is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of Shaivism and in general of Hinduism.Bharata-natyam
''Encyclopædia Britannica''. 2007
A description of Bharatanatyam from the 2nd century CE can be found in the ancient Tamil epic ''Silappatikaram'', while temple sculptures of the 6th to 9th century CE suggest it was a highly refined performance art by the mid-1st millennium CE. Bharatanatyam is the oldest classical dance tradition in India. Bharatanatyam is the state dance form of Tamil Nadu. Bharatanatyam contains different types of ''baanis''. ''Ba ...
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