Shinden-zukuri
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Shinden-zukuri
''Shinden-zukuri'' (寝殿造) refers to an architectural style created in the Heian period (794-1185) in Japan and used mainly for palaces and residences of nobles. In 894, Japan abolished the ''kentōshi'' (Japanese missions to Tang China), distanced itself from Chinese culture, and brought into bloom a culture called Kokufu bunka'' (lit., national culture), which was in keeping with the Japanese climate and aesthetic sense. This style was an expression of ''Kokufu bunka'' in architecture, clearly showing the uniqueness of Japanese architecture and defining the characteristics of later Japanese architecture. Its features include an open structure with few walls that can be opened and closed with doors, ''shitomi'' and ''sudare'', a structure in which people take off their shoes and enter the house on stilts, sitting or sleeping directly on ''tatami'' mats without using chairs or beds, a roof made of laminated ''hinoki'' (Japanese cypress) bark instead of ceramic tiles, and ...
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Tatami
A is a type of mat used as a flooring material in traditional Japanese-style rooms. Tatamis are made in standard sizes, twice as long as wide, about 0.9 m by 1.8 m depending on the region. In martial arts, tatami are the floor used for training in a dojo and for competition. Tatami are covered with a weft-faced weave of (common rush), on a warp of hemp or weaker cotton. There are four warps per weft shed, two at each end (or sometimes two per shed, one at each end, to cut costs). The (core) is traditionally made from sewn-together rice straw, but contemporary tatami sometimes have compressed wood chip boards or extruded polystyrene foam in their cores, instead or as well. The long sides are usually with brocade or plain cloth, although some tatami have no edging. History The term ''tatami'' is derived from the verb , meaning 'to fold' or 'to pile'. This indicates that the early tatami were thin and could be folded up when not used or piled in layers.Kodansha Encyclope ...
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Tatami
A is a type of mat used as a flooring material in traditional Japanese-style rooms. Tatamis are made in standard sizes, twice as long as wide, about 0.9 m by 1.8 m depending on the region. In martial arts, tatami are the floor used for training in a dojo and for competition. Tatami are covered with a weft-faced weave of (common rush), on a warp of hemp or weaker cotton. There are four warps per weft shed, two at each end (or sometimes two per shed, one at each end, to cut costs). The (core) is traditionally made from sewn-together rice straw, but contemporary tatami sometimes have compressed wood chip boards or extruded polystyrene foam in their cores, instead or as well. The long sides are usually with brocade or plain cloth, although some tatami have no edging. History The term ''tatami'' is derived from the verb , meaning 'to fold' or 'to pile'. This indicates that the early tatami were thin and could be folded up when not used or piled in layers.Kodansha Encyclope ...
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Shoin-zukuri
is a style of Japanese residential architecture used in the mansions of the military, temple guest halls, and Zen abbot's quarters of the Muromachi (1336-1573), Azuchi–Momoyama (1568–1600) and Edo periods (1600–1868). It forms the basis of today's traditional-style Japanese house. Characteristics of the development were the incorporation of square posts and floors completely covered with ''tatami''.Kodansha Encyclopedia of Japan, entry for "shoin-zukuri". The style takes its name from the , a term that originally meant a study and a place for lectures on the sūtra within a temple, but which later came to mean just a drawing room or study. History The foundations for the design of today's traditional Japanese residential houses with tatami floors were established in the late Muromachi period (approximately 1338 to 1573) and refined during the ensuing Momoyama period. , a new architectural style influenced by Zen Buddhism, developed during that time from the of the ea ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ...
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List Of Partitions Of Traditional Japanese Architecture
Traditional Japanese architecture uses post-and-lintel structures – vertical posts, connected by horizontal beams. Rafters are traditionally the only structural member used in Japanese timber framing that is neither horizontal nor vertical. The rest of the structure is non-load-bearing. While fixed walls are used, a variety of movable partitions are also used to fill the spaces between the pillars. They may be free-standing, hung from lintels, or, especially in later buildings, sliding panels which can readily be removed from their grooves. Their type, number, and position is adjusted according to the weather without and the activities within. They are used to modify the view, light, temperature, humidity, and ventilation, and to divide the interior space.Formal Audience Hall (Shoin)< ...
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Kichō
A is a portable multi-paneled silk partition supported by a T-pole. It came into use in aristocratic households during and following the Heian period (794–1185) in Japan when it became a standard piece of furniture. are similar in appearance to a , but are mounted on a free-standing stand rather than a lintel beam. They are less similar to , which do not include streamers to tie them up, and are generally used in different social settings. Construction The curtain or veil () hangs via ribbons or other decorative cording from the top crosspiece () which is supported by the vertical bars () which are supported by the pedestal at the base (). The fabric is generally in two layers: a plain silk back lining, and a fabric with a design on it facing outward. Colorful ribbons of fabric are generally hung in the center of each vertical panel on top of the outer fabric. The ribbons are held in place with a (traditionally) red decorative stitching which runs horizontally a little be ...
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Byōbu
are Japanese folding screens made from several joined panels, bearing decorative painting and calligraphy, used to separate interiors and enclose private spaces, among other uses. History are thought to have originated in Han dynasty China and are thought to have been imported to Japan in the 7th or 8th century (Nara period). The oldest surviving produced in Japan, the , produced in the 8th century, is kept in the Shōsōin Treasure Repository. Nara-period retained their original form of a single, free-standing, legged panel. In the 8th century, multi-paneled made their appearance, and were used as furnishings in the imperial court, mainly in important ceremonies. The six-paneled were the most common in the Nara period, and were covered in silk and connected with leather or silk cords. The painting on each panel was framed by a silk brocade, and the panel was bound with a wood frame. By the Heian period (794–1185), particularly by the 9th century, were indispens ...
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Misu (sudare Blind)
are traditional Japanese screens or blinds, made of horizontal slats of decorative wood, bamboo, or other natural material, woven together with simple string, colored yarn, or other decorative material to make nearly solid blinds can be either rolled or folded up out of the way. They are also sometimes called , particularly if they have a green fabric hem. , non-hanging , are made of vertical slats of common reed and used as screen. are used in many Japanese homes to shield the verandah and other openings of the building from sunlight, rain, and insects. They are normally put up in spring and taken down again in autumn. Their light structure allows breezes to pass through, a benefit in the hot Japanese summers. Since the building materials are easy to find, can be made cheaply. Elaborate for palaces and villas used high-quality bamboo, with expensive silk and gold embroidery worked in. Sometimes they featured paintings, most often on the inside; some Chinese screens had ...
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Hajitomi
''Shitomi'' (蔀), also called hajitomi (半蔀) are square-lattice shutters or doors found on older-style Japanese buildings. They are characteristic of the Shinden style, and the Heian Period (794-1185). They were used in aristocrats' palaces, and more rarely occur in temple buildings. They were replaced by sliding panels in the Shoin style. They are usually split and hinged horizontally; when open, the upper shutter was held up at 90 degrees to the wall with hooks, and the lower half could either be lifted out or folded parallel to the upper shutter. This allows the entire wall to be removed, leaving only the pillars. They are occasionally referenced in modern architecture. Extant examples *Ujigami Shrine *Osaka Temmangu Shrine *Kinkaku-ji *Ninna-ji *Hōryū-ji Gallery File:G323-HR07-sd2.jpg, Hook for suspending upper half. File:G353-41JR-08.jpg, Shitomi, with only the top half opened. There are shōji behind. File:G322-HR07-14.jpg, Hajitomi are split, and hinged, horizontall ...
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JAANUS
Japanese Architecture and Art Net Users System, or JAANUS, is an online dictionary of Japanese architecture and art terms compiled by Dr. Mary Neighbour Parent. It contains approximately eight thousand entries. It is searchable in both English and romaji and contains many hyperlinks and illustrations. See also * Japanology Japanese studies ( Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanes ... References External links * Japanese studies Architecture in Japan Japanese art {{Japan-art-stub ...
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Baldachin
A baldachin, or baldaquin (from it, baldacchino), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall. A cloth of honour is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth. "''Baldachin''" was originally a luxurious type of cloth from Baghdad, from which name the word is ultimately derived, appearing in English as "''baudekin ...
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