|
Saynète
A sainete (farce or titbit) was a popular Spanish comic opera piece, a one-act dramatic vignette, with music. It was often placed at the end of entertainments, or between other types of performance. It was vernacular in style, and used scenes of low life. Active from the 18th to 20th centuries, it superseded the entremés. Among its most prolific composers were Ramón de la Cruz and Antonio Soler. The genre, known as the ' was also found in Catalonia, with composers such as Josep Ribas contributing Catalan-language . Sainetes began to be developed into zarzuelas in Cuba around 1850.Carpentier, Alejo 2001 945 ''Music in Cuba''. Minneapolis MN. p232 See also * Cuban musical theatre Cuban musical theatre has its own distinctive style and history. From the 18th century (at least) to modern times, popular theatrical performances included music and often dance as well. Many composers and musicians had their careers launched in the ... References Musical theatre Theatrical genres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vernacular
A vernacular or vernacular language is in contrast with a "standard language". It refers to the language or dialect that is spoken by people that are inhabiting a particular country or region. The vernacular is typically the native language, normally spoken informally rather than written, and seen as of lower status than more codified forms. It may vary from more prestigious speech varieties in different ways, in that the vernacular can be a distinct stylistic register, a regional dialect, a sociolect, or an independent language. Vernacular is a term for a type of speech variety, generally used to refer to a local language or dialect, as distinct from what is seen as a standard language. The vernacular is contrasted with higher-prestige forms of language, such as national, literary, liturgical or scientific idiom, or a ''lingua franca'', used to facilitate communication across a large area. According to another definition, a vernacular is a language that has not develope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entremés
Entremés, is a short, comic theatrical performance of one act, usually played during the interlude of a performance of a long dramatic work, in the 16th and 17th centuries in Spain. Later it became the sainete. Dictionary of the Literature of the Iberian Peninsula 0313287325 Germán Bleiberg, Maureen Ihrie, Janet Pérez - 1993 Benavente's role in the development of the entremes was comparable to that of Lope de 'Vega in drama. Besides writing more entremeses than any of his contemporaries (150 are attributed to him), Quinones de Benavente was the major . When the genre begun it was written both in prose and verse (poetry), but after Luis Quiñones de Benavente (1600–1650) defined the genre, all works were written in verse. The usual characters of the entremés were the common people; the plot usually satirized the customs and the occupations of the characters, subjects that couldn't be treated in the dramatic works during which the entremés works were played. Sometimes t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramón De La Cruz
Ramón de la Cruz (28 March 1731 – 5 March 1794) was a Spanish neoclassical dramatist. Born in Madrid, he was a clerk in the ministry of finance. He is the author of three hundred ''sainete A sainete (farce or titbit) was a popular Spanish comic opera piece, a one-act dramatic vignette, with music. It was often placed at the end of entertainments, or between other types of performance. It was vernacular in style, and used scenes of lo ...s'', little farcical sketches of city life, written to be played between the acts of a longer play. He published a selection in ten volumes (Madrid, 1786–1791). The best of his pieces, such as ''Las Tertulias de Madrid'', are specimens of satiric observation. References * External links * 1731 births 1794 deaths Writers from Madrid Spanish dramatists and playwrights Spanish male dramatists and playwrights Clerks Spanish opera librettists 18th-century Spanish writers 18th-century dramatists and playwrights 18th-century male w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Soler
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catalonia
Catalonia (; ca, Catalunya ; Aranese Occitan: ''Catalonha'' ; es, Cataluña ) is an autonomous community of Spain, designated as a ''nationality'' by its Statute of Autonomy. Most of the territory (except the Val d'Aran) lies on the northeast of the Iberian Peninsula, to the south of the Pyrenees mountain range. Catalonia is administratively divided into four provinces: Barcelona, Girona, Lleida, and Tarragona. The capital and largest city, Barcelona is the second-most populated municipality in Spain and the fifth-most populous urban area in the European Union.Demographia: World Urban Areas – Demographia, April 2018 Current day Catalonia comprises most of the medieval and early modern Principality o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josep Ribas
Josep Ribas (1882–1934) was a Catalan composer. He is best remembered today for the Catalan-language sainet A sainete (farce or titbit) was a popular Spanish comic opera piece, a one-act dramatic vignette, with music. It was often placed at the end of entertainments, or between other types of performance. It was vernacular in style, and used scenes of lo ... ''Pel teu amor'' 1922,Revista d'estudis catalans Deutsch-Katalanische Gesellschaft - 1996 Poal-Aregall, Miguel: Pel teu amor. Sainet liric en dos actes, el segon dividit en dos quadres. Música: josep Ribas. Estr: Barcelona, Teatre del Tivoli, 21.12.1922. Barcelona, Publicacions Rafóls, 1922. Ubi: BNE: T/27.585. Pous, Joseph Maria: of which the aria ''Rosó'' is one of the favoured songs of José Carreras. References Composers from Catalonia 1882 births 1934 deaths Spanish composers {{Catalonia-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zarzuela
() is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance. The etymology of the name is uncertain, but some propose it may derive from the name of a royal hunting lodge, the Palace of Zarzuela, near Madrid, where that type of entertainment was allegedly first presented to the court. The palace in turn was named after the brambles () that grew there. There are two main forms of ''zarzuela'': Baroque ''zarzuela'' (c. 1630–1750), the earliest style, and Romantic ''zarzuela'' (c. 1850–1950). Romantic zarzuelas can be further divided into two main subgenres, ''género grande'' and ''género chico'', although other sub-divisions exist. ''Zarzuela'' spread to the Spanish dominions, and many Spanish-speaking countries – notably Cuba – developed their own traditions. ''Zarzuela'' is also a strong tradition in the Philippines, where it is also referred to in certain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Musical Theatre
Cuban musical theatre has its own distinctive style and history. From the 18th century (at least) to modern times, popular theatrical performances included music and often dance as well. Many composers and musicians had their careers launched in the theatres, and many compositions got their first airing on the stage. In addition to staging some European operas and operettas, Cuban composers gradually developed ideas which better suited their creole audience. Characters on stages began to include elements from Cuban life, and the music began to reflect a fusion between African and European contributions. Sound recording and reproduction, Recorded music was to be the conduit for Cuban music to reach the world. The most recorded artist in Cuba up to 1925 was a singer at the ''Alhambra'', Adolfo Colombo. Records show he recorded about 350 numbers between 1906 and 1917. The first theatre in Havana opened in 1775, called the ''Coliseo'', and later the ''Teatro Principal''. The first Cuban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical Genres
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
