|
Entremés
In 16th- and 17th-century Spanish drama, an entremés (plural entremeses) was a short, comedy, comic theatrical performance of one act (drama), act, usually played during the interlude of a performance of a long dramatic work. The ''entremés'' form later evolved into the ''sainete''. Dictionary of the Literature of the Iberian Peninsula 0313287325 Germán Bleiberg, Maureen Ihrie, Janet Pérez - 1993 Benavente's role in the development of the entremes was comparable to that of Lope de 'Vega in drama. Besides writing more entremeses than any of his contemporaries (150 are attributed to him), Quinones de Benavente was the major . When the genre begun, it was written both in prose and verse (poetry), but after Luis Quiñones de Benavente (1600–1650) defined the genre, all works were written in verse. The usual characters of the entremés were the common people; the plot usually satire, satirized the customs and the occupations of the characters, subjects that couldn't be treated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Hurtado De Mendoza
Antonio Hurtado de Mendoza (158622 September 1644) was a Spanish dramatist. Biography Hurtado was born in Castro Urdiales, Cantabria. He became page to the count de Saldaña (son of the duke de Lerma), and was recognized as a rising poet by Miguel de Cervantes in the ''Viaje del Parnaso'' (1614). He attended the Medrano Academy, under the direction of the founder and president Sebastian Francisco de Medrano, Sebastián Francisco de Medrano, from 1616–1622. He rose rapidly into favor under Philip IV of Spain, Philip IV, who appointed him private secretary, commissioned from him ''comedias palaciegas'' for the royal theatre at Aranjuez, and in 1623 conferred on him the orders of Order of Santiago, Santiago and Order of Calatrava, Calatrava. Most of his contemporaries and rivals paid court to ''el discreto de palacio'', and Mendoza seems to have lived on the friendliest terms with all his brother dramatists except Ruiz de Alarcón. He is said to have been involved in the fall of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sainete
A sainete (farce or titbit) was a popular Spanish comic opera piece, a one-act dramatic vignette, with music. It was often placed at the end of entertainments, or between other types of performance. It was vernacular in style, and used scenes of low life. Active from the 18th to 20th centuries, it superseded the entremés. Among its most prolific composers were Ramón de la Cruz and Antonio Soler. The genre, known as the ' was also found in Catalonia Catalonia is an autonomous community of Spain, designated as a ''nationalities and regions of Spain, nationality'' by its Statute of Autonomy of Catalonia of 2006, Statute of Autonomy. Most of its territory (except the Val d'Aran) is situate ..., with composers such as Josep Ribas contributing Catalan-language . Sainetes began to be developed into zarzuelas in Cuba around 1850. See also * Cuban musical theatre References Musical theatre Theatrical genres History of theatre {{theatre-hist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entremet
An entremet or entremets (; ; from Old French, literally meaning "between servings") in Medieval French cuisine referred to dishes served between the courses of the meal, often illusion foods and edible scenic displays. The term additionally referred to performances and entertainments presented between the courses. After the mid-17th century, the term referred to certain types of savory and sweet culinary preparations, and to the stage of the meal in “Classical Service” when they were served. Since the early 20th century, the term has more commonly referred only to the sweet preparations of the entremets stage of the meal. In the Late Middle Ages and the early modern period, an ''entremet'' marked the end of a course of the meal and could be a culinary preparation like frumenty (a type of wheat porridge) that was brightly colored and flavored with exotic and expensive spices, or elaborate models of castles complete with wine fountains, musicians, and food modeled into alle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baile (Spanish Play)
A baile (which means 'dance' in Spanish) or baile entremesado is a short theatrical piece in the Spanish Golden Age (Siglo de Oro) tradition. It consists of an elaborate production number with singing and dancing, and is used between the acts of a ''comedia''. Bailes were humorous performances featuring elaborate choreography and acrobatics. Their themes were usually unrelated to the main performance during whose intermission they occurred. Baile is closely related to ''entremés In 16th- and 17th-century Spanish drama, an entremés (plural entremeses) was a short, comedy, comic theatrical performance of one act (drama), act, usually played during the interlude of a performance of a long dramatic work. The ''entremés'' form ...'' and '' mojiganga''. References Theatrical genres Spanish Golden Age literary genres {{Europe-theat-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguel De Cervantes
Miguel de Cervantes Saavedra ( ; ; 29 September 1547 (assumed) – 22 April 1616 Old Style and New Style dates, NS) was a Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists. He is best known for his novel ''Don Quixote'', a work considered as the first modern novel. The novel has been labelled by many well-known authors as the "best book of all time" and the "best and most central work in world literature". Much of his life was spent in relative poverty and obscurity, which led to many of his early works being lost. Despite this, his influence and literary contribution are reflected by the fact that Spanish is often referred to as "the language of Cervantes". In 1569, Cervantes was forced to leave Spain and move to Rome, where he worked in the household of a Cardinal (Catholic Church), cardinal. In 1570, he enlisted in a Spanish Marine Infantry, Spanish Navy infantry regiment, and was badly wounded at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerónimo De Cáncer
Jerónimo de Cáncer y Velasco (c. 1599 – 1655) was a Spanish poet and playwright of the Spanish Golden Age The Spanish Golden Age (Spanish language, Spanish: ''Siglo de Oro'', , "Golden Century"; 1492 – 1681) was a period of literature and the The arts, arts in Spain that coincided with the political rise of the Spanish Empire under the Catholic M .... Born into nobility in Barbastro, Spain (1594), little is known about his early life beyond his association with the counts of Moon and fog. He was a contemporary of prominent playwrights like Moreto, Pedro Rosete Niño, and Antonio Huerta. He was intelligent and an improviser. He used surprising play on words in conceptually daring ways. Fray Andrés Ferro de Valdecebo described him as "the first to make puns with soul." He wrote only two plays without foreign collaboration: Baldovinos, prohibited by the Inquisition in 1790, death and the mocedades del Cid, burlesque tone 2. The rest of his plays were written in coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanish Literature
Spanish literature is literature ( Spanish poetry, prose, and drama) written in the Spanish language within the territory that presently constitutes the Kingdom of Spain. Its development coincides and frequently intersects with that of other literary traditions from regions within the same territory, particularly Catalan literature, Galician intersects as well with Latin, Jewish, and Arabic literary traditions of the Iberian Peninsula. The literature of Spanish America is an important branch of Spanish literature, with its own particular characteristics dating back to the earliest years of Spain’s conquest of the Americas (see Latin American literature). Overview The Roman conquest and occupation of the Iberian Peninsula beginning in the 3rd century BC brought a Latin culture to Spanish territories. The Muslim conquest in 711 CE brought the cultures of West Asia and the North Africa to the peninsula, creating Andalusi literary traditions. In medieval Spanish literature, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Genres
A literary genre is a category of literature. Genres may be determined by literary technique, tone, content, or length (especially for fiction). They generally move from more abstract, encompassing classes, which are then further sub-divided into more concrete distinctions. The distinctions between genres and categories are flexible and loosely defined, and even the rules designating genres change over time and are fairly unstable. Genres can all be in the form of prose or poetry. Additionally, a genre such as satire, allegory or pastoral might appear in any of the above, not only as a subgenre (see below), but as a mixture of genres. They are defined by the general cultural movement of the historical period in which they were composed. History of genres Aristotle The concept of genre began in the works of Aristotle, who applied biological concepts to the classification of literary genres, or, as he called them, "species" (eidē). These classifications are mainly discusse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Theatre
The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment, and ''theatrical'' or ''performative'' elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens in the 5th century BC, vibrant traditions of theatre have flourished in cultures across the world. Origins There is no conclusive evidence that theater evolved from ritual, despite the similarities between the performance of ritual actions and theatre and the significance of this relationship.Cohen and Sherman (2020, ch. 7). This similarity of early theatre to ritual is negatively attested by Aristotle, who in his ''Poetics'' defined theatre in contrast to the performances of Greco-Roman mysteries, sacred mysteries: theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatrical Genres
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors to present experiences of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical termino ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Bances Candamo
Francisco Antonio de Bances y López-Candamo (April 26, 1662 – September 8, 1704) was a playwright of the Spanish Golden Age. Bances Candamo was born in the mountains of Asturia. His father was a tailor, who died when Bances Candamo was eleven months old, and at the age of ten he moved into the care of a maternal uncle who was a canon in Seville, Antonio López-Candamo. After the death of his uncle, in his early twenties, Bances Candamo moved to Madrid, where he gained fame for his erudition and eloquence. His theatrical career began in 1685 with the premiere of his play ''Por su rey y por su dama de él'', and he was soon appointed he was appointed as dramaturg to the royal court by Charles II of Spain Charles II (6 November 1661 – 1 November 1700) was King of Spain from 1665 to 1700. The last monarch from the House of Habsburg, which had ruled Spain since 1516, he died without an heir, leading to a European Great Power conflict over the succ .... References 1662 b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agustín Moreto
Agustín is a Spanish given name and sometimes a surname. It is related to Augustín. People with the name include: Given name * Agustín Adorni (born 1990), Argentine footballer * Agustín Allione (born 1994), Argentine footballer * Agustín Almendra (born 2000), Argentine footballer * Agustín Auzmendi (born 1997), Argentine footballer * Agustín Bouzat (born 1994), Argentine footballer * Agustín Calleri (born 1976), Argentine tennis player * Agustín Canapino (born 1990), Argentine racing driver * Agustín Cañete (1844–1902), Paraguayan politician and military officer * Agustín Cárdenas (1927–2001), Afro-Cuban sculptor * Agustín Cejas (1945–2015), Argentine footballer * Agustín de Iturbide (1783–1824), First Emperor of Mexico * Agustín de Rojas Villandrando (1572–1618), Spanish writer and actor * Agustín Destribats (born 1997), Argentine freestyle wrestler * Agustín Díaz (born 1988), Argentine footballer * Agustín Escobar (died 2025), Spani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
