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Zarzuela
() is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance. The etymology of the name is uncertain, but some propose it may derive from the name of a royal hunting lodge, the Palace of Zarzuela, near Madrid, where that type of entertainment was allegedly first presented to the court. The palace in turn was named after the brambles () that grew there. There are two main forms of ''zarzuela'': Baroque ''zarzuela'' (c. 1630–1750), the earliest style, and Romantic ''zarzuela'' (c. 1850–1950). Romantic zarzuelas can be further divided into two main subgenres, ''género grande'' and ''género chico'', although other sub-divisions exist. ''Zarzuela'' spread to the Spanish dominions, and many Spanish-speaking countries – notably Cuba – developed their own traditions. ''Zarzuela'' is also a strong tradition in the Philippines, where it is also referred to in certain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palace Of Zarzuela
The Zarzuela Palace ( es, Palacio de la Zarzuela ) is the residence and working offices of the reigning monarch of Spain (King Felipe VI), although the official residence of the Spanish royal family is the Royal Palace of Madrid. The Zarzuela Palace is on the outskirts of Madrid, near the Royal Palace of El Pardo, which accommodates visiting heads of state. The palace is owned by the Spanish government and administered by a state agency named Patrimonio Nacional (National Heritage). The Zarzuela Palace was the home of King Juan Carlos I from May 1962 until his departure to live abroad, following allegations of financial impropriety, in August 2020. It has not been announced whether it will remain the home of his wife, Queen Sofía, who did not accompany Juan Carlos abroad. Although King Felipe VI has his office in the palace, he and his family live in the Pabellón del Príncipe on the grounds just east of the Zarzuela Palace. History During the 17th century, King Felipe IV of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joaquín Gaztambide
Joaquín Romualdo Gaztambide y Garbayo (Tudela, Navarre, 7 February 1822 – Madrid, 18 March 1870) was one of the most prominent Spanish composers of zarzuela in the mid-nineteenth century. His contribution to the revival of the genre was highly significant; and although during the last century his work virtually disappeared from the Spanish musical scene, the early 21st century has reversed this trend. Of Italianate quality in the manner of Gaetano Donizetti, his music nonetheless makes use of Spanish rhythms and dance forms. Among other renowned works (many in opéra comique form), his ''La Mensajera'' (1849), ''El valle de Andorra'' (1851), ''El sueño de una noche de verano'', ''Catalina'' (1854), ''Los magiares'' (1857), ''El juramento'' (1858), and the one-act classic '' Una vieja'' (1860) stand out. Biography Sent to Pamplona by his uncle to study piano and composition with Joseph Guelbenzu and Mariano Garcia, Gaztambide taught piano and played bass in the orchestra o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Género Chico
Género chico (literally, "little genre") is a Spanish genre of short, light plays with music. It is a major branch of ''zarzuela'', Spain's form of popular music theatre with dialogue, and differs from ''zarzuela grande'' and most other operatic forms both in its brevity and by being aimed at audiences of a wide social spectrum. Origin and development Historical context ''Zarzuela'' was developed during the reign of Philip IV (1605–1665, reigned from 1621), who during the 1640s began to commission musico-theatrical entertainments on mythological themes mixed with popular peasant song and dance, from the writer Calderón de la Barca working with composers such as Juan de Hidalgo. These were performed at the Royal hunting lodge, the ''Palacio de la Zarzuela''. During the next two hundred years, ''zarzuela'', as these mixed entertainments swiftly became known, became the native-language alternative to the Italian operatic form nurtured by successive monarchs. In the 19th cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juan Hidalgo De Polanco
Juan Hidalgo de Polanco (28 September 1614 – 31 March 1685) was a Spanish composer and harpist who became the most influential composer of his time in the Hispanic world writing the music for the first two operas created in Spanish. He is considered by many to be the father of Spanish opera and of the zarzuela. Hidalgo was born and died in Madrid. In either 1630 or 1631 he became a harpist at the Spanish royal chapel where he was responsible for the accompaniment of both sacred and secular music and also played for the King of Spain, King Philip IV. Around 1645 he began to serve as leader of the court's chamber musicians and chief composer of ''villancicos'', chamber songs, and music for the theatre. He personifies the origins of Spanish opera with the work '' Celos aun del aire matan'' by the illustrious playwright Calderon de la Barca, based on the story of Cephalus and Procris told in Ovid's ''Metamorphoses'', released on 5 December 1660 to celebrate the third birthday ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Cuba
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European (especially Spanish) music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century. Since the 19th-century Cuban music has been hugely popular and influential throughout the world. It has been perhaps the most popular form of regional music since the introduction of recording technology. Cuban music has contributed to the development of a wide variety of genres and musical styles around the globe, most notably in Latin America, the Caribbean, West Africa, and Eu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio De Literes
Antoni de Literes (18 June 1673 Majorca – 18 January 1747 Madrid), also known as Antonio de Literes or Antoni Literes Carrión) was a Spanish composer of '' zarzuelas''. As with other national forms of baroque opera, Literes's stage works employ a wide variety of musical forms – arias, ariettas and recitative (accompanied and unaccompanied) as well as dance movements and choruses, though here mingled with spoken verse dialogue. His use of the orchestra follows French and Italian practice in including guitars, lutes, and harpsichords amongst the continuo instruments. From 1693, after the exile of his predecessor Sebastián Durón, Literes became the Master of the Capilla Real of Madrid, playing the bass viol and soon being accounted the greatest Spanish court composer of his time. Zarzuelas His most famous work was ''Acis y Galatea'' (1708), to a libretto by José de Canizares, which enjoyed frequent performances in Madrid's Spanish court and public theatres until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Asenjo Barbieri
Francisco Asenjo Barbieri (3 August 1823 – 19 February 1894) was a well-known composer of the popular Spanish opera form, ''zarzuela.'' His works include: '' El barberillo de Lavapiés'', '' Jugar con fuego'', ''Pan y toros'', ''Don Quijote'', '' Los diamantes de la corona'', and ''El Diablo en el poder''. Career He was born and died in Madrid, appropriately, since the themes and characters of his operas are often distinctly Spanish and Madrilenian. Among the characters featured by Barbieri are bullfighters, ''manolos'' and ''manolas'', and even (in ''Pan y toros'') the famous Spanish painter, Francisco Goya. The character of much of Barbieri’s work is farcical, utilizing mistaken identity and other devices to entertain the audience. His themes deal largely with the ins and outs of love, and the relations between the upper and lower classes in nineteenth-century Spain, but there is also a distinct political character to much of his work. The ''zarzuelas'' '' El barberillo de L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acis Y Galatea
''Acis y Galatea'' is a zarzuela by Antonio de Literes to a libretto by José de Cañizares. It was first performed on 19 December 1708 in Madrid at the theatre in the Buen Retiro Palace for the 25th birthday of King Philip V. , mundoclasico.com (in English) It is based on 's story of the Acis and Galatea myth in his ''''. The aria "Confiado jilguerillo" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Rodríguez De Hita
Antonio Rodríguez de Hita (18 January 1722 – 21 February 1787) was a Spanish composer. Life Rodríguez was born at Valverde de Alcalá. He became ''maestro de capilla'' at Palencia Cathedral (c.1740-c.1757) and at the Royal Convent of La Encarnación, Madrid. His father, Marcos Rodríguez del Mercado, a schoolteacher at Corpa Madrid, him to study at the college of the Cathedral of Alcalá de Henares, where he studied Latin, music theory, plainchant, organ and composition. Early in August 1738, he was named second organist in the cathedral and in September was appointed ''maestro de capilla'' through open competition. Rodríguez took holy orders later. His earliest known works are the Vespers for 2 choirs written in the old style, 1740. In August 1744 he became ''maestro de capilla'' at Palencia Cathedral. In 1747 he was ordained priest and remained at Palencia until at death of José Mir y Lusa, maestro at the Royal Convent of La Encarnación, Madrid. While at Palencia he wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Castel
José Castel (1737 in Tudela, Navarre – 1807) was a Spanish composer. José Castel was a church musician in his native Tudela and Aragon before moving to Madrid around 1760. There, in addition to his church duties, he was active as a theatrical composer, for the Teatro del Príncipe, as well as a printer and publisher. Castel was well paid for his music, for example he received 360 reales for the music for the comedy ''El Faetón''. In 1773 he moved back to Tudela, as ''maestro de capilla'' at the Colegiata de Santa Maria, yet he continued, circa 1774-1782, to still be based in Madrid and spend more time on theatrical activities. In 1797, following the death of his wife, he was ordained a priest, dying on Sept. 2nd 1807 and being buried in Tudela Cathedral. He was particularly regarded for his tonadillas. Selected recordings * ''La fontana del placer''. Zarzuela in two acts. Compañía Teatro del Príncipe, dir. Pablo Heras-Casado Pablo Heras-Casado (born 1977) is a Spanis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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