Petenera
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Petenera
The Petenera is a flamenco palo in a 12-beat metre, with strong beats distributed as follows: 2'' 2] '' 5] '' '' '' '' 0'' 1 It is therefore identical with the 16th century Spanish dances zarabanda and the jácara. The lyrics are in 4-line stanzas. It is believed to be a very old style of song, as it was already mentioned by writer Serafín Estébanez Calderón in the mid 19th century, and the adherence to the rhythm of the old zarabanda seems to confirm its age. Several theories have been suggested as to its origin, although there is not enough evidence to sustain any of them unerringly: * Theory of Paterna. This popular theory sustains that this ''palo'' originated in the town of Paterna de Rivera in the Province of Cádiz. According to a legend, the name of the song refers to a ''cantaora'' (woman singer) called "La Petenera", who was born there. She was reported to be, owing to her seduction power, the "damnation of men". The name "Petenera" would be a phonetic corruption o ...
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Flamenco
Flamenco (), in its strictest sense, is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia. In a wider sense, it is a portmanteau term used to refer to a variety of both contemporary and traditional musical styles typical of southern Spain. Flamenco is closely associated to the gitanos of the Romani ethnicity who have contributed significantly to its origination and professionalization. However, its style is uniquely Andalusian and flamenco artists have historically included Spaniards of both gitano and non-gitano heritage. The oldest record of flamenco music dates to 1774 in the book ''Las Cartas Marruecas'' by José Cadalso. The development of flamenco over the past two centuries is well documented: "the theatre movement of sainetes (one-act plays) and tonadillas, popular song books and song sheets, customs, studies of ...
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Palo (flamenco)
A ''palo'' () or cante is the name given in flamenco for the different traditional musical forms. The word ''palo'', in Spanish, has several meanings, the main one being "stick", "pole" "rod" or "Tree", but in this case it has the sense of " suit of cards" i.e. category or classification. Identifying palos Each ''palo'' is identified by a variety of musical features such as its rhythmic pattern, its mode, its characteristic motifs, the type of stanza used for the lyrics, and its origin. The concept of ''palo'' is not straightforward or rigorous. It is a popular, sometimes inconsistent way of classifying songs according to similar characteristics. For example, to determine that a song belongs to the ''palo'' called Bulerías, only the rhythm is taken into consideration, no matter its mode or stanza. Fandangos, on the other hand, include a variety of forms in or , but later it developed "free" forms (that is, with no determined rhythm). Most ''palos'' include dozens of tradit ...
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Metre (music)
In music, metre ( Commonwealth spelling) or meter (American spelling) refers to regularly recurring patterns and accents such as bars and beats. Unlike rhythm, metric onsets are not necessarily sounded, but are nevertheless implied by the performer (or performers) and expected by the listener. A variety of systems exist throughout the world for organising and playing metrical music, such as the Indian system of '' tala'' and similar systems in Arabic and African music. Western music inherited the concept of metre from poetry, where it denotes: the number of lines in a verse; the number of syllables in each line; and the arrangement of those syllables as long or short, accented or unaccented. The first coherent system of rhythmic notation in modern Western music was based on rhythmic modes derived from the basic types of metrical unit in the quantitative metre of classical ancient Greek and Latin poetry. Later music for dances such as the pavane and galliard consisted of m ...
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Beat (music)
In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the ''mensural level'' (or ''beat level''). The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be technically incorrect (often the first multiple level). In popular use, ''beat'' can refer to a variety of related concepts, including pulse, tempo, meter, specific rhythms, and groove. Rhythm in music is characterized by a repeating sequence of stressed and unstressed beats (often called "strong" and "weak") and divided into bars organized by time signature and tempo indications. Beats are related to and distinguished from pulse, rhythm (grouping), and meter: Metric levels faster than the beat level are division levels, and slower levels are multiple levels. Beat has always been an important part of music. Some music genres such as fu ...
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Spain
, image_flag = Bandera de España.svg , image_coat = Escudo de España (mazonado).svg , national_motto = ''Plus ultra'' (Latin)(English: "Further Beyond") , national_anthem = (English: "Royal March") , image_map = , map_caption = , image_map2 = , capital = Madrid , coordinates = , largest_city = Madrid , languages_type = Official language , languages = Spanish language, Spanish , ethnic_groups = , ethnic_groups_year = , ethnic_groups_ref = , religion = , religion_ref = , religion_year = 2020 , demonym = , government_type = Unitary state, Unitary Parliamentary system, parliamentary constitutional monarchy , leader_title1 = Monarchy of Spain, Monarch , leader_name1 = Felipe VI , leader_title2 = Prime Minister of Spain ...
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Zarabanda
The sarabande (from es, zarabanda) is a dance in triple metre, or the music written for such a dance. History The Sarabande evolved from a Spanish dance with Arab influences, danced by a lively double line of couples with castanets. A dance called ''zarabanda'' is first mentioned in 1539 in Central America in the poem ''Vida y tiempo de Maricastaña'', written in Panama by Fernando de Guzmán Mejía. In 1596, Alonso López, "el Pinciano", traces its origins even to the Dionysian cult. The dance seems to have been especially popular in the 16th and 17th centuries, initially in Spain and in the Spanish colonies. The Jesuit priest Juan de Mariana thought it indecent, describing it in his ''Tratato contra los juegos públicos'' (Treatise Against Public Amusements, 1609) as "a dance and song so loose in its words and so ugly in its motions that it is enough to excite bad emotions in even very decent people".Jane Bellingham, "Sarabande", ''The Oxford Companion to Music'', edited by Al ...
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Jácara
''Jácaras'' are Spanish songs which are accompanied with instruments and are performed during the entr'acte of a theatrical performance and also as an accompaniment to many types of dance. Etymology There are different explanations for the origin of the term. Corominas (1954) gives the origin as an Arabic word for chess, other sources give the origin as Arabic for bellowing or making someone angry. Texts The form may be textless, as in the compositions of Santiago de Murcia. The words of a secular ''jácara'' are often about a prankster and his adventures and frequently use vulgar language. Dramatists Calderón de la Barca, Francisco de Quevedo cultivated the genre. During the late baroque the jácara could also be set to a semi-sacred vernacular text, such as ''Al arma, al arma valientes'' for 8 voices for Saint Ignatius of Loyola composed by the chapelmaster of Sucre Cathedral The Metropolitan Cathedral of Sucre, also called Cathedral Basilica of Our Lady of Guadalupe is a ...
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Lyrics
Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a "librettist". The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression. Rappers can also create lyrics (often with a variation of rhyming words) that are meant to be spoken rhythmically rather than sung. Etymology The word ''lyric'' derives via Latin ' from the Greek ('), the adjectival form of '' lyre''. It first appeared in English in the mid-16th century in reference to the Earl of Surrey's translations of Petrarch and to his own sonnets. Greek lyric poetry had been defined by the manner in which it was sung accompanied by the lyre or cithara, as opposed to the chanted forma ...
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Paterna De Rivera
Paterna de Rivera is a small town located in the province of Cádiz, Spain. According to the 2005 census, it had a population of 5,354. Demographics References External linksPaterna de Rivera- Sistema de Información Multiterritorial de Andalucía Municipalities of the Province of Cádiz {{Andalusia-geo-stub ...
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Province Of Cádiz
Cádiz is a Provinces of Spain, province of southern Spain, in the southwestern part of the Autonomous communities of Spain, autonomous community of Andalusia. It is the southernmost part of mainland Spain, as well as the southernmost part of continental Europe. It is bordered by the Spanish provinces of Province of Huelva, Huelva, Province of Seville, Seville, and Province of Málaga, Málaga, as well as the Atlantic Ocean, the Mediterranean Sea, the Strait of Gibraltar and the British overseas territory of Gibraltar. Its area is . Its Capital city, capital is the city of Cádiz, which has a population of 114,244. As of 2021, the largest city is Jerez de la Frontera with 212,801 inhabitants. Algeciras, which surpassed Cádiz with 122,982 inhabitants is the second most populated city. The entire province had a population of 1,245,960 (as of 2021), of whom about 600,000 live in the Bay of Cádiz (comarca), Bay of Cádiz area (including Jerez), making it the third most populous provi ...
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Demófilo
Antonio Machado Álvarez, better known by his pseudonym Demófilo (Santiago de Compostela, 1848 – Seville, 4 February 1893), was a writer, anthropologist, and Spanish folklorist. He was the son of the noted Spanish folklorist, Cipriana Álvarez Durán. Biography His mother, Cipriana Álvarez, was the niece of the writer Agustín Durán, author of a collection of Spanish narrative ballads (''romanzas'') of the 19th century. His father, Antonio Machado, was a university professor of Natural Sciences at the University of Seville. Machado spent a large part of his life in Seville, where he studied philosophy and justice. His teacher, Federico de Castro, instilled in him an interest in evolution and the philosophical ideas of Karl Christian Friedrich Krause; later he became inclined toward the utilitarist social philosophy of Herbert Spencer. He temporarily occupied the chair of Metaphysics at the University of Seville and held office as a magistrate. He was appointed professo ...
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Sephardi Jews
Sephardic (or Sephardi) Jews (, ; lad, Djudíos Sefardíes), also ''Sepharadim'' , Modern Hebrew: ''Sfaradim'', Tiberian: Səp̄āraddîm, also , ''Ye'hude Sepharad'', lit. "The Jews of Spain", es, Judíos sefardíes (or ), pt, Judeus sefarditas or Hispanic Jews, are a Jewish diaspora population associated with the Iberian Peninsula. The term, which is derived from the Hebrew ''Sepharad'' (), can also refer to the Mizrahi Jews of Western Asia and North Africa, who were also influenced by Sephardic law and customs. Many Iberian Jewish exiles also later sought refuge in Mizrahi Jewish communities, resulting in integration with those communities. The Jewish communities of the Iberian Peninsula prospered for centuries under the Muslim reign of Al-Andalus following the Umayyad conquest of Hispania, but their fortunes began to decline with the Christian ''Reconquista'' campaign to retake Spain. In 1492, the Alhambra Decree by the Catholic Monarchs of Spain called for the expulsi ...
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