|
Lauda (song)
The ''lauda'' (Italian pl. ''laude'') or ''lauda spirituale'' was the most important form of vernacular sacred song in Italy in the late medieval era and Renaissance. ''Laude'' remained popular into the nineteenth century. The lauda was often associated with Christmas, and so is in part equivalent to the English carol, French noel, Spanish villancico, and like these genres occupies a middle ground between folk and learned lyrics. Origin and spread of the lauda Originally, the ''lauda'' was a monophonic (single-voice) form, but a polyphonic type developed in the early fifteenth century. The early ''lauda'' was probably influenced by the music of the troubadours, since it shows similarities in rhythm, melodic style, and especially notation. Many troubadours had fled their original homelands, such as Provence, during the Albigensian Crusade in the early 13th century, and settled in northern Italy where their music was influential in the development of the Italian secular style. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vernacular
A vernacular or vernacular language is in contrast with a "standard language". It refers to the language or dialect that is spoken by people that are inhabiting a particular country or region. The vernacular is typically the native language, normally spoken informally rather than written, and seen as of lower status than more codified forms. It may vary from more prestigious speech varieties in different ways, in that the vernacular can be a distinct stylistic register, a regional dialect, a sociolect, or an independent language. Vernacular is a term for a type of speech variety, generally used to refer to a local language or dialect, as distinct from what is seen as a standard language. The vernacular is contrasted with higher-prestige forms of language, such as national, literary, liturgical or scientific idiom, or a ''lingua franca'', used to facilitate communication across a large area. According to another definition, a vernacular is a language that has not develope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scandinavia
Scandinavia; Sámi languages: /. ( ) is a subregion#Europe, subregion in Northern Europe, with strong historical, cultural, and linguistic ties between its constituent peoples. In English usage, ''Scandinavia'' most commonly refers to Denmark, Norway, and Sweden. It can sometimes also refer more narrowly to the Scandinavian Peninsula (which excludes Denmark but includes part of Finland), or more broadly to include all of Finland, Iceland, and the Faroe Islands. The geography of the region is varied, from the Norwegian fjords in the west and Scandinavian mountains covering parts of Norway and Sweden, to the low and flat areas of Denmark in the south, as well as archipelagos and lakes in the east. Most of the population in the region live in the more temperate southern regions, with the northern parts having long, cold, winters. The region became notable during the Viking Age, when Scandinavian peoples participated in large scale raiding, conquest, colonization and trading mostl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Da Bologna
Jacopo da Bologna ( fl. 1340 – c. 1386) was an Italian composer of the Trecento, the period sometimes known as the '' Italian ars nova''. He was one of the first composers of this group, making him a contemporary of Gherardello da Firenze and Giovanni da Firenze. He concentrated mainly on madrigals, including both canonic (caccia-madrigal) and non-canonic types, but also composed a single example each of a caccia, lauda-ballata, and motet. His setting of ''Non al suo amante'', written about 1350, is the only known contemporaneous setting of Petrarch's poetry. Jacopo's ideal was "suave dolce melodia" (sweet, gentle melody). His style is marked by fully texted voice parts that never cross. The untexted passages which connect the textual lines in many of his madrigals are also noteworthy. He is well represented in the Squarcialupi Codex, the large collection of 14th-century music long owned by the Medici family; twenty-nine compositions of his are found in that source, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bobbio Abbey
Bobbio Abbey (Italian: ''Abbazia di San Colombano'') is a monastery founded by Irish Saint Columbanus in 614, around which later grew up the town of Bobbio, in the province of Piacenza, Emilia-Romagna, Italy. It is dedicated to Saint Columbanus. It was famous as a centre of resistance to Arianism and as one of the greatest libraries in the Middle Ages. The abbey was dissolved under the French administration in 1803, although many of the buildings remain in other uses. History Foundation The background to the foundation of the abbey was the Lombard invasion of Italy in 568. The Lombard king Agilulf married the devout Roman Catholic Theodelinda in 590 and under her influence and that of the Irish missionary Columbanus, he was persuaded to accept conversion to Christianity. As a base for the conversion of the Lombard people Agilulf gave Columbanus a ruined church and wasted lands known as Ebovium, which, before the Lombards seized them, had formed part of the lands of the papacy. Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Frederick Littledale
Richard Frederick Littledale (1833–1890) was an Anglo-Irish clergyman and writer. Life The fourth son of John Littledale, an auctioneer, he was born in Dublin on 14 September 1833. On 15 October 1850 he entered Trinity College Dublin, was elected a Scholar in 1852, graduated B.A. as a first class in classics, and in 1855 obtained the senior Berkeley gold medal and the first divinity prize. He proceeded at Dublin M.A. in 1858, and LL.B. and LL.D. in 1862, and at Oxford on 5 July 1862 D.C.L. ''comitatis causa''. He was curate of St. Matthew in Thorpe Hamlet, Norfolk, from 1856 to 1857. From 1857 to 1861 he was curate of St Mary the Virgin, Crown Street, Soho, London, where he took an interest in the House of Charity. Throughout the remainder of his life he suffered from chronic ill-health, took little part in any parochial duties, and devoted himself mainly to writing. Until his death he continued to act as a father confessor, and next to Edward Pusey is said to have heard mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bianco Da Siena
Bianco di Santi alias Bianco da Siena or Bianco da Lanciolina (Anciolina, 1350 circa - Venice, 1399) was an Italian mystic poet and an imitator of Jacopone da Todi. He wrote several religiously-inspired poems ( lauda) that were popular in the Middle Ages. First a wool carder, he eventually became a member of the poor Jesuates, founded by Giovanni Colombini. Biography According to Feo Belcari, Bianco da Siena was native of Lanciolina di Valdarno (at present Anciolina, in the province of Arezzo), but he worked as a wool carder at Siena. His date of birth is uncertain, but probably took place around 1350, since Belcari defines him as very young in 1367, when he entered the Jesuates. This company was founded towards 1360 by Colombini and his friend Francesco Vincenti: they proposed a life of poverty and penitence. In May 1367, Bianco da Siena entered the company and left Siena with them to ask the approval of Pope Urban V. The Jesuates were received with benevolence at Viterbo, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Council Of Trent
The Council of Trent ( la, Concilium Tridentinum), held between 1545 and 1563 in Trento, Trent (or Trento), now in northern Italian Peninsula, Italy, was the 19th ecumenical council of the Catholic Church. Prompted by the Protestant Reformation, it has been described as the embodiment of the Counter-Reformation."Trent, Council of" in Cross, F. L. (ed.) ''The Oxford Dictionary of the Christian Church'', Oxford University Press, 2005 (). The Council issued condemnations of what it defined to be Heresy, heresies committed by proponents of Protestantism, and also issued key statements and clarifications of the Church's doctrine and teachings, including scripture, the biblical canon, sacred tradition, original sin, Justification (theology), justification, salvation, the Sacraments of the Catholic Church, sacraments, the Mass (liturgy), Mass, and the Veneration, veneration of saints.Wetterau, Bruce. ''World History''. New York: Henry Holt and Company, 1994. The Council met for twenty- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counter-Reformation
The Counter-Reformation (), also called the Catholic Reformation () or the Catholic Revival, was the period of Catholic resurgence that was initiated in response to the Protestant Reformation. It began with the Council of Trent (1545–1563) and largely ended with the conclusion of the European wars of religion in 1648. Initiated to address the effects of the Protestant Reformation, the Counter-Reformation was a comprehensive effort composed of apologetic and polemical documents and ecclesiastical configuration as decreed by the Council of Trent. The last of these included the efforts of Imperial Diets of the Holy Roman Empire, heresy trials and the Inquisition, anti-corruption efforts, spiritual movements, and the founding of new religious orders. Such policies had long-lasting effects in European history with exiles of Protestants continuing until the 1781 Patent of Toleration, although smaller expulsions took place in the 19th century. Such reforms included the foundation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains highly u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
