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Iconostas
In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the "veil of the temple". Only the High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian churches and is still most demonstratively ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconostasis In Moscow
In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the "veil of the temple". Only the High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian churches and is still most demonstratively pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Templon
A templon (from Greek τέμπλον meaning "temple", plural ''templa'') is a feature of Byzantine churches consisting of a barrier separating the nave from the sanctuary near the altar. The solid templon first appeared in Christian churches around the 5th century and is still found in many Eastern Christian churches. Initially it was a low barrier probably not much different from the altar rails of many Western churches. It eventually evolved into the modern iconostasis, still found in Orthodox churches today. It is usually composed of carved wood or marble colonnettes supporting an architrave (a beam resting on top of columns). Three doors, a large central one and two smaller flanking ones, lead into the sanctuary. The templon did not originally obscure the view of the altar, but as time passed, icons were hung from the beams, curtains were placed in between the colonnettes, and the templon became more opaque. In modern Orthodox churches, it is common for the openings of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of Saint Sava
The Temple of Saint Sava ( sr-Cyrl, Храм Светог Саве, Hram Svetog Save, lit='The Temple of Saint Sava') is a Serbian Orthodox church which sits on the Vračar plateau in Belgrade, Serbia. It was planned as the bishopric seat and main cathedral of the Serbian Orthodox Church. The church is dedicated to Saint Sava, the founder of the Serbian Orthodox Church and an important figure in medieval Serbia. It is built on the presumed location of St. Sava's grave. His coffin had been moved from Mileševa Monastery to Belgrade. The coffin was placed on a pyre and burnt in 1595 by Ottoman Grand Vizier Sinan Pasha. Bogdan Nestorović and Aleksandar Deroko were finally chosen to be the architects in 1932 after a second revised competition in 1926–27 (for which no first award was granted, Nestorović being runner up). This sudden decision instigated an important debate in interwar Yugoslavia which centered around the temple's size, design and symbolic national function.Aleksa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People's Salvation Cathedral
The People's Salvation Cathedral ( ro, Catedrala Mântuirii Neamului), also known as the National Cathedral ( ro, Catedrala Națională, link=no), is an Eastern Orthodox cathedral under construction in Bucharest to serve as the patriarchal cathedral of the Romanian Orthodox Church. It is located in central Bucharest on Spirea's Hill (Arsenal Square), facing the same courtyard as the Palace of Parliament which is the heaviest building in the world, the cathedral having a tenth of its weight and about 24% of its volume. Situated behind the Palace of Parliament, this will make it 50 metres taller than the Palace, and will help to make the cathedral an iconic landmark in the city. The People's Salvation Cathedral is above sea level, and at height (ground-cross), holds a dominant position in Bucharest's cityscape, being visible from all approaches to the city. It is the tallest and largest Eastern Orthodox church building by volume, and area,Saint Isaac's Cathedral in Saint Peter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon
An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most common subjects include Christ, Mary, saints and angels. Although especially associated with portrait-style images concentrating on one or two main figures, the term also covers most religious images in a variety of artistic media produced by Eastern Christianity, including narrative scenes, usually from the Bible or the lives of saints. Icons are most commonly painted on wood panels with egg tempera, but they may also be cast in metal, carved in stone, embroidered on cloth, done in mosaic or fresco work, printed on paper or metal, etc. Comparable images from Western Christianity can be classified as "icons", although "iconic" may also be used to describe a static style of devotional image. In the Greek language, the term for icon paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambon (liturgy)
The ambon or ambo ( gr, ἄμβων, meaning "pulpit"; Slavonic: ''amvón'') in its modern usage is a projection coming out from the soleas (the walkway in front of the iconostasis) in an Eastern Orthodox, Oriental Orthodox and Eastern Catholic church. The ambon stands directly in front of the Holy Doors. It may be either rounded or square and has one, two, or three steps leading up to it. History Originally the ambon was an elevated platform, somewhat variable in location within the church (but typically found toward the center of the nave, or somewhat forward from there), where the scriptures were read during the Divine Liturgy. It is still so used for celebrations of the Liturgy of St James. It is a development from the bimah in the Jewish synagogue. In the Russian Orthodox Church, during Hierarchical services, the bishop will stand upon a raised platform ( ''kafedra'') in the center of the nave like the bimah of old. Originally used in both the East and West, the structu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Belgrade
Belgrade ( , ;, ; Names of European cities in different languages: B, names in other languages) is the Capital city, capital and List of cities in Serbia, largest city in Serbia. It is located at the confluence of the Sava and Danube rivers and the crossroads of the Pannonian Basin, Pannonian Plain and the Balkan Peninsula. Nearly 1,166,763 million people live within the administrative limits of the City of Belgrade. It is the third largest of all List of cities and towns on Danube river, cities on the Danube river. Belgrade is one of the List of oldest continuously inhabited cities, oldest continuously inhabited cities in Europe and the world. One of the most important prehistoric cultures of Europe, the Vinča culture, evolved within the Belgrade area in the 6th millennium BC. In antiquity, Thracians, Thraco-Dacians inhabited the region and, after 279 BC, Celts settled the city, naming it ''Singidunum, Singidūn''. It was Roman Serbia, conquered by the Romans under the reign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emperor
An emperor (from la, imperator, via fro, empereor) is a monarch, and usually the sovereignty, sovereign ruler of an empire or another type of imperial realm. Empress, the female equivalent, may indicate an emperor's wife (empress consort), mother (empress dowager), or a woman who rules in her own right and name (empress regnant). Emperors are generally recognized to be of the highest monarchic honour, honor and royal and noble ranks, rank, surpassing kings. In Europe, the title of Emperor has been used since the Middle Ages, considered in those times equal or almost equal in dignity to that of Pope due to the latter's position as visible head of the Church and spiritual leader of the Catholic part of Western Europe. The Emperor of Japan is the only currently List of current sovereign monarchs, reigning monarch whose title is translated into English as "Emperor". Both emperors and kings are monarchs or sovereigns, but both emperor and empress are considered the higher monarch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narthex
The narthex is an architectural element typical of early Christian and Byzantine basilicas and churches consisting of the entrance or lobby area, located at the west end of the nave, opposite the church's main altar. Traditionally the narthex was a part of the church building, but was not considered part of the church proper. In early Christian churches the narthex was often divided into two distinct parts: an esonarthex (inner narthex) between the west wall and the body of the church proper, separated from the nave and aisles by a wall, arcade, colonnade, screen, or rail, and an external closed space, the exonarthex (outer narthex), a court in front of the church facade delimited on all sides by a colonnade as in the first St. Peter's Basilica in Rome or in the Basilica of Sant'Ambrogio in Milan. The exonarthex may have been either open or enclosed with a door leading to the outside, as in the Byzantine Chora Church. By extension, the narthex can also denote a covered porch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analogion
An analogion ( el, Ἀναλόγιον) is a lectern or slanted stand on which icons or the Gospel Book are placed for veneration by the faithful in the Eastern Orthodox Church and Eastern Catholic Churches. It may also be used as a lectern to read from liturgical books during the divine services. Design The analogion is normally slanted slightly, to make it easier for the one standing in front of it to see the icon or book laid on it. The analogion may have four legs or only one in the center. It is often covered with rich cloth ( antipendium) which either partially or completely covers the analogion on all sides. Some analogia are made so they fold for easy portability, some are intricately carved of fine wood, and some are simple framework intended to be completely covered with cloth. They are normally light enough to be moved without too much difficulty. There is also a type of analogion which is used in the kliros by the chanters. This often has two or three sides ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekphonesis
Ecphonesis ( el, ἐκφώνησις) is an emotional, exclamatory phrase (exclamation) used in poetry, drama, or song. It is a rhetorical device that originated in ancient literature. A Latin example is "O tempora! O mores!" ("Oh, the times! Oh, the morals!"). A modern example is "Young man!" from the song YMCA by the Village People. Edgar Allan Poe used ecphonesis in “The Tell-Tale Heart:” "Almighty God!--no, no! They heard!--they suspected!--they knew!--they were making a mockery of my horror!--this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! and now--again!--hark! louder! louder! louder! louder! "'Villains!' I shrieked, 'dissemble no more! I admit the deed!--tear up the planks! here, here!--It is the beating of his hideous heart!'"Other examples of ecphonesis include when Homer Simpson said "No! No-no-no-no-no-no! We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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