History Of Comics
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History Of Comics
The history of comics has followed different paths in different parts of the world. It can be traced back to early precursors such as Trajan's Column, in Rome, Egyptian hieroglyphs and the Bayeux Tapestry. Early narratives in art Examples of early sequential art can be found in Egyptian hieroglyphs, Greek friezes, Rome's Trajan's Column (dedicated in 110 AD), Maya script, medieval tapestries such as the Bayeux Tapestry and illustrated Christian manuscripts. In medieval paintings, multiple sequential scenes of the same story (usually a Biblical one) appear simultaneously in the same painting. An ancient tradition in India, possibly dating back to at least 700 BCE, had picture showmen narrating stories that were simultaneously presented in painted pictures (also the origin of shadow play with jointed puppets).Fan Pen Chen (2003)Shadow Theaters of the World Asian Folklore Studies, Vol. 62, No. 1 (2003), pp. 25-64 It took the invention of modern printing techniques to bring the ...
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Comics
a medium used to express ideas with images, often combined with text or other visual information. It typically the form of a sequence of panels of images. Textual devices such as speech balloons, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus amongst theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartooning and other forms of illustration are the most common image-making means in comics; '' fumetti'' is a form that uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comic albums, and ' have become increasingly common, while online webcomics have proliferated in the 21st century. The histo ...
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Society
A society is a group of individuals involved in persistent social interaction, or a large social group sharing the same spatial or social territory, typically subject to the same political authority and dominant cultural expectations. Societies are characterized by patterns of relationships (social relations) between individuals who share a distinctive culture and institutions; a given society may be described as the sum total of such relationships among its constituent of members. In the social sciences, a larger society often exhibits stratification or dominance patterns in subgroups. Societies construct patterns of behavior by deeming certain actions or concepts as acceptable or unacceptable. These patterns of behavior within a given society are known as societal norms. Societies, and their norms, undergo gradual and perpetual changes. Insofar as it is collaborative, a society can enable its members to benefit in ways that would otherwise be difficult on an individua ...
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George Cruikshank
George Cruikshank (27 September 1792 – 1 February 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience. Early life Cruikshank was born in London. His father, Edinburgh-born Isaac Cruikshank, was one of the leading caricaturists of the late 1790s and Cruikshank started his career as his father's apprentice and assistant. His older brother, Isaac Robert, also followed in the family business as a caricaturist and illustrator. Cruikshank's early work was caricature; but in 1823, at the age of 31, he started to focus on book illustration. He illustrated the first, 1823 English translation (by Edgar Taylor and David Jardine) of ''Grimms' Fairy Tales'', published in two volumes as ''German Popular Stories''. On 16 October 1827, he married Mary Ann Walker (1807–1849). Two years after her death, on 7 March 1851, he m ...
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Speech Balloon
Speech balloons (also speech bubbles, dialogue balloons, or word balloons) are a graphic convention used most commonly in comic books, comics, and cartoons to allow words (and much less often, pictures) to be understood as representing a character's speech or thoughts. A formal distinction is often made between the balloon that indicates speech and the one that indicates thoughts; the balloon that conveys thoughts is often referred to as a thought bubble or conversation cloud. History One of the earliest antecedents to the modern speech bubble were the "speech scrolls", wispy lines that connected first-person speech to the mouths of the speakers in Mesoamerican art between 600 and 900 AD. Earlier, paintings, depicting stories in subsequent frames, using descriptive text resembling bubbles-text, were used in murals, one such example witten in Greek, dating to the 2nd century, found in Capitolias, today in Jordan. In Western graphic art, labels that reveal what a pictur ...
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Comic Strip
A comic strip is a sequence of drawings, often cartoons, arranged in interrelated panels to display brief humor or form a narrative, often serialized, with text in balloons and captions. Traditionally, throughout the 20th and into the 21st century, these have been published in newspapers and magazines, with daily horizontal strips printed in black-and-white in newspapers, while Sunday papers offered longer sequences in special color comics sections. With the advent of the internet, online comic strips began to appear as webcomics. Strips are written and drawn by a comics artist, known as a cartoonist. As the word "comic" implies, strips are frequently humorous. Examples of these gag-a-day strips are '' Blondie'', ''Bringing Up Father'', ''Marmaduke'', and ''Pearls Before Swine''. In the late 1920s, comic strips expanded from their mirthful origins to feature adventure stories, as seen in ''Popeye'', ''Captain Easy'', ''Buck Rogers'', ''Tarzan'', and ''Terry and the Pira ...
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A True Narrative Of The Horrid Hellish Popish Plot
"A True Narrative of the Horrid Hellish Popish Plot" is a late seventeenth-century English Broadside (music), broadside ballad telling the story of the contemporary anti-Catholic scare in England known as the Popish Plot. ''A True Narrative of the Horrid Hellish Popish Plot'' is also the title of an early picture-story and prototypical comic strip with speech balloons, created by Francis Barlow (artist), Francis Barlow in c. 1682 and based on the same historical event. Synopsis The narrator of the ballad begins by placing theirself firmly on the side of the anti-Catholics by declaring to tell They then go on to tell the murder of the knight Sir Edmund Berry Godfrey, a member of Parliament and a staunch Protestant. The narrator describes as a fitting place for the murder a back-court of Somerset House, presumably because many people gather there, making it easier to disguise a murder. Godfrey's body is handled very roughly by his murderers: When his body begins to decay, and ...
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Francis Barlow (artist)
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator. He ranks among the most prolific book-illustrators and printmakers of the 17th century, working across several genres: natural history, hunting and recreation, politics, and decoration and design. Barlow is known as "the father of British sporting painting"; he was Britain's first wildlife painter, beginning a tradition that reached a high-point a century later, in the work of George Stubbs. He was furthermore a pioneer in the history of comics by creating ''A True Narrative of the Horrid Hellish Popish Plot'' (c. 1682), a picture story about the life of Titus Oates and the Popish Plot, which is told in a series of illustrated sequences where the story is written underneath them and the characters depicted on those images use speech balloons to talk. While it is not the first example of its kind in history, it is one of the oldest which is signed. Life Barlow was born c. 1626 in Lincolns ...
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Cartoon
A cartoon is a type of visual art that is typically drawn, frequently animated, in an unrealistic or semi-realistic style. The specific meaning has evolved over time, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a '' cartoonist'', and in the second sense they are usually called an '' animator''. The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in ''Punch'' magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it began to refer to animate ...
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Industrial Revolution
The Industrial Revolution was the transition to new manufacturing processes in Great Britain, continental Europe, and the United States, that occurred during the period from around 1760 to about 1820–1840. This transition included going from hand production methods to machines, new chemical manufacturing and iron production processes, the increasing use of steam power and water power, the development of machine tools and the rise of the mechanized factory system. Output greatly increased, and a result was an unprecedented rise in population and in the rate of population growth. Textiles were the dominant industry of the Industrial Revolution in terms of employment, value of output and capital invested. The textile industry was also the first to use modern production methods. The Industrial Revolution began in Great Britain, and many of the technological and architectural innovations were of British origin. By the mid-18th century, Britain was the world's leadi ...
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A Rake's Progress
''A Rake's Progress'' (or ''The Rake's Progress'') is a series of eight paintings by 18th-century English artist William Hogarth. The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735. The series shows the decline and fall of Tom Rakewell, the spendthrift son and heir of a rich merchant, who comes to London, wastes all his money on luxurious living, prostitution and gambling, and as a consequence is imprisoned in the Fleet Prison and ultimately Bethlem Hospital (Bedlam). The original paintings are in the collection of Sir John Soane's Museum in London, where they are normally on display for a short period each day. The filmmaker Alan Parker has described the works as an ancestor to the storyboard. Paintings I – ''The Heir'' In the first painting, Tom has come into his fortune on the death of his miserly father. While the servants mourn, he is measured for new clothes. Although he has had a common-law marriage with her, he now ...
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William Hogarth
William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, engraver, pictorial satirist, social critic, editorial cartoonist and occasional writer on art. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series ''A Harlot's Progress'', ''A Rake's Progress'' and '' Marriage A-la-Mode''. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian". Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge. Influenced by French and Italian painting and engraving, Hogarth's works are mostly sat ...
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Spanish Fury
A Spanish Fury (or the Spanish Terror) was one of a number of violent sackings of cities in the Low Countries, mostly by Spanish Habsburg armies, that occurred in the years 1572–1579 during the Dutch Revolt. In some cases the sack did not follow the taking of a city. In others the sack was ordered, or at least not restrained, by Spanish commanders after the fall of a city. The most notorious Spanish Fury was the Sack of Antwerp in November 1576. In English this, or the mutinous campaign of 1576 in general, tend to be what is meant by "Spanish Fury". In Dutch the term can include a wider range of sackings, in particular the city punishments of 1572.Krüger: ''"Die 'Spaanse Furie' wütete über mehrere Jahre: Mecheln, Zutphen und Naarden wurden geplündert, ebenso Haarlem, Oudewater und Bommende. Am Schlimmsten aber traf es Antwerpen"'' The events of the Spanish Fury contributed to the creation of an anti-Spanish sentiment in many parts of Europe. Background: A decade of uphea ...
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