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Hiranyagarbha
Hiraṇyagarbha (Sanskrit: हिरण्यगर्भः ; literally the 'golden womb', poetically translated as 'universal womb') is the source of the creation of universe or the manifested cosmos in Vedic philosophy. It finds mention in one hymn of the Rigveda (Mandala 10, RV 10.121), known as the Hiraṇyagarbha Sūkta, suggesting a single creator deity (verse 8: ', Griffith: "He is the God of gods, and none beside him."), identified in the hymn as Prajapati, Prajāpati. The concept of the "golden womb" is first mentioned in the Vishvakarma Sūkta (RV 10.82.5,6) which picturized the "primeval womb" as being rested set upon the navel of Vishvakarman. This imagery was later transferred to Vishnu and Surya. The Upanishads, Upanishad calls it the Soul of the Universe or Brahman, and elaborates that Hiraṇyagarbha floated around in emptiness and the darkness of the non-existence for about a year, and then broke into two halves which formed the ''Svarga'' and the ''Prithvi, P ...
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Hiraṇyagarbha Sūkta
The Hiranyagarbha Sukta (Sanskrit: हिरण्यगर्भ सुक्ता) is the 121st hymn of the tenth mandala of the Rigveda. In this sukta, Hiranyagarbha is mentioned as the God of the gods and there is no one like Him. The Hiranyagarbha Sukta declares that God manifested Himself from the beginning as the Creator of the universe, including everything, including His own everything, the collective totality, as it were, to make it the chief intelligence of the whole creation. Sage Hiranyagarbha is the author of Hiranyagarbha Sukta. The deity of the hymn is the Prajāpati. Shaunak, in his book 'Brihaddevata', presents the verses of Rigveda in 3 formats in the form of sages and sages' worshipers, sage-devbachi (conversant with sage or deity) and self-compliant. The Upanishad calls it the Soul of the Universe or Brahman In Hinduism, ''Brahman'' ( sa, ब्रह्मन्) connotes the highest universal principle, the ultimate reality in the universe.P. T. Ra ...
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Mandala 10
The tenth mandala of the Rigveda has 191 hymns. Together with Mandala 1, it forms the latest part of the Rigveda, containing much mythological material, including the Purusha sukta (10.90) and the dialogue of Sarama with the Panis (10.108), and notably containing several dialogue hymns. The subjects of the hymns cover a wider spectrum than in the other books, dedicated not only to deities or natural phenomena, including deities that are not prominent enough to receive their own hymns in the other books ( Nirrti 10.59, Asamati 10.60, Ratri 10.127, Aranyani 10.146, Indrani 10.159), but also to objects like dice (10.34), herbs (10.97), press-stones (for Soma, 10.94, 175) and abstract concepts like liberality (towards the rishi, 10.117), creation (10.129 (the Nasadiya Sukta), 130, 190), knowledge (10.71), speech, spirit (10.58), faith (10.151), a charm against evil dreams (10.164). 10.15, dedicated to the forefathers, contains a reference to the emerging rite of cremation in verse 1 ...
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Kapila
Kapila ( sa, कपिल), also referred to as Cakradhanus, is a sage in Hindu tradition. According to Bhagavata Purana, he is the son of the sage Kardama and Devahuti, the daughter of the Svayambhuva Manu. Kardama had nine daughters, who were very learned and went ahead to marry Marici, as well as other great sages. When he came of age, Kapila is most well-known as the founder of the Samkhya school of Hindu philosophy., Quote:"Kapila (fl. 550 BC), Vedic sage and founder of the system of Samkhya, one of the six schools of Vedic philosophy." Kapila of Samkhya fame is considered a Vedic sage, estimated to have lived in the 6th-century BCE, or the 7th-century BCE. His home was in Mithila. His influence by Buddha and Buddhism have long been the subject of scholarly studies. According to the Brahmanda Purana, Kapila is described to be an incarnation of Vishnu: "Bhagavān Nārāyaṇa will protect us all. The Lord of the universe has now been born in the world as Kapilācārya." ...
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Brahma
Brahma ( sa, ब्रह्मा, Brahmā) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu, and Shiva.Jan Gonda (1969)The Hindu Trinity Anthropos, Bd 63/64, H 1/2, pp. 212–226. He is associated with creation, knowledge, and the ''Vedas''. Brahma is prominently mentioned in creation legends. In some ''Puranas'', he created himself in a golden embryo known as the Hiranyagarbha. Brahma is frequently identified with the Vedic god Prajapati.;David Leeming (2005), The Oxford Companion to World Mythology, Oxford University Press, , page 54, Quote: "Especially in the Vedanta Hindu Philosophy, Brahman is the Absolute. In the Upanishads, Brahman becomes the eternal first cause, present everywhere and nowhere, always and never. Brahman can be incarnated in Brahma, in Vishnu, in Shiva. To put it another way, everything that is, owes its existence to Brahman. In this sense, Hinduism is ultimately monotheistic or m ...
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Prajapati
Prajapati ( sa, प्रजापति, Prajāpati, lord and protector of creation) is a Vedic deity of Hinduism. In later literature, Prajapati is identified with the creator god Brahma, but the term also connotes many different gods, depending on the Hindu text, ranging from being the creator god to being same as one of the following: Viswakarma, Agni, Indra, Daksha, and many others, reflecting the diverse Hindu cosmology. In classical and medieval era literature, Prajapati is equated to the metaphysical concept called Brahman as Prajapati-Brahman (Svayambhu Brahman), or alternatively Brahman is described as one who existed before Prajapati. Etymology Prajapati (Sanskrit: ) is a compound of "praja" (creation, procreative powers) and "pati" (lord, master). The term means "lord of creatures", or "lord of all born beings". In the later Vedic texts, Prajapati is a distinct Vedic deity, but whose significance diminishes. Later, the term is synonymous with other gods, particular ...
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Mahapralaya
Pralaya ( sa, प्रलय, , Apocalypse or the Annihilation of the Universe, translit=Pralaya) is a concept in Hindu eschatology. Generally referring to four different phenomena, it is most commonly used to indicate the event of the dissolution of the entire universe that follows a ''kalpa'' (a period of 4.32 billion years) called the ''Brahmapralaya''. Pralaya also refers to ''Nityapralaya'', the continuous destruction of all animate and inanimate beings that occurs on a daily basis, ''Prakritapralaya'', the great flood produced by Prakriti (Nature) that ends all of creation after the completion of the Chaturyuga (four-age) cycle, and ''Atyantikapralaya'', the dissolution of one's Atman (Self) due to its union with Brahman (Ultimate Reality). A concept that has been referenced in literature since the Upanishads, the concept of pralaya has been widely discussed in Hindu cosmology as well as philosophy. Description Hindu cosmology posits an endless cycle of the perio ...
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Vishvakarman
Vishvakarma or Vishvakarman ( sa, विश्वकर्मा, Viśvakarmā, all maker) is a craftsman deity and the divine architect of the devas in contemporary Hinduism. In the early texts, the craftsman deity was known as Tvastar and the word "Vishvakarma" was originally used as an epithet for any powerful deity. However, in many later traditions, Vishvakarma became the name of the craftsman god. Vishvakarma crafted all of the chariots of the devas and weapons including the ''Vajra'' of the god Indra. Vishvakarma was related to the sun god Surya through his daughter Samjna. According to the legend, when Samjna left her house due to Surya's energy, Vishvakarma reduced the energy and created various other weapons using it. Vishvakarma also built various cities like Lanka, Dvaraka, and Indraprastha. According to the epic ''Ramayana'', the ''vanara'' (forest-man or monkey) Nala was the son of Vishvakarma, created to aid the avatar Rama. Literature and legends Vedas The ...
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Narayana
Narayana (Sanskrit: नारायण, IAST: ''Nārāyaṇa'') is one of the forms and names of Vishnu, who is in yogic slumber under the celestial waters, referring to the masculine principle. He is also known as Purushottama, and is considered the Supreme Being in Vaishnavism. Etymology L. B. Keny proposes that Narayana was associated with the Dravidian, and ultimately, the Indus Valley Civilisation, prior to his syncretism with Vishnu. To this end, he states that the etymology of the deity is associated with the Dravidian ''nara'', meaning water, ''ay'', which in Tamil means "to lie in a place", and ''an'', which is the masculine termination in Dravidian languages. He asserts that this is also the reason why Narayana is represented as lying on a serpent in the sea. He quotes, "This Nārāyana of the Āryan pantheon seems to be the supreme being of the Mohenjo-Darians, a god who was probably styled Ān, a name still kept in Tamil literature as Āndivanam, the prototype ...
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Yoga
Yoga (; sa, योग, lit=yoke' or 'union ) is a group of physical, mental, and spiritual practices or disciplines which originated in ancient India and aim to control (yoke) and still the mind, recognizing a detached witness-consciousness untouched by the mind ('' Chitta'') and mundane suffering (''Duḥkha''). There is a wide variety of schools of yoga, practices, and goals in Hinduism, Buddhism, and Jainism,Stuart Ray Sarbacker, ''Samādhi: The Numinous and Cessative in Indo-Tibetan Yoga''. SUNY Press, 2005, pp. 1–2.Tattvarthasutra .1 see Manu Doshi (2007) Translation of Tattvarthasutra, Ahmedabad: Shrut Ratnakar p. 102. and traditional and modern yoga is practiced worldwide. Two general theories exist on the origins of yoga. The linear model holds that yoga originated in the Vedic period, as reflected in the Vedic textual corpus, and influenced Buddhism; according to author Edward Fitzpatrick Crangle, this model is mainly supported by Hindu scholars. According ...
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Svarga
Svarga (), also known as Indraloka and Svargaloka, is the celestial abode of the devas in Hinduism. Svarga is one of the seven higher lokas ( esoteric planes) in Hindu cosmology. Svarga is often translated as heaven, though it is regarded to be not the equivalent of the Abrahamic Heaven. Description Svargaloka is a set of celestial worlds located on and above Mount Meru, where those who had led righteous lives by adhering to the scriptures delight in pleasures, before their next birth on earth. It is described to have been built by the deity Tvashtar, the Vedic architect of the devas. The king of the devas, Indra, is the ruler of Svarga, ruling it with his consort, Indrani. His palace in the abode is called Vaijayanta. This palace holds the famous hall, Sudharma, unrivalled among all the princely courts. The capital of Svarga is Amaravati, and its entrance is guarded by the legendary elephant, Airavata. Svarga is described to be the home of Kamadhenu, the cow of plenty, as w ...
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Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcend ...
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The Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the ''Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and com ...
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