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Chakravyuha
The Padmavyūha ( sa, पद्मव्यूह) or Chakravyūha ( sa, चक्रव्यूह) is a military formation used to surround enemies, depicted in the Hindu epic ''Mahabharata''. It resembles a labyrinth of multiple defensive walls. Background The Padmavyūha is a multi-tiered defensive formation that looks like a blooming lotus ( ) or disc ( ) when viewed from above. The warriors at each interleaving position would be in an increasingly tough position to fight against. The formation was used in the battle of Kurukshetra by Dronacharya, who became commander-in-chief of the Kaurava army after the fall of Bhishma Pitamaha. The various vyūhas (military formations) were studied by the Kauravas and Pandavas alike. Most of them can be beaten using a counter-measure targeted specifically against that formation. In the form of battle described in the ''Mahabharata'', it was important to place powerful fighters in positions where they could inflict maximum damage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padmavyuha
The Padmavyūha ( sa, पद्मव्यूह) or Chakravyūha ( sa, चक्रव्यूह) is a military formation used to surround enemies, depicted in the Hindu epic ''Mahabharata''. It resembles a labyrinth of multiple defensive walls. Background The Padmavyūha is a multi-tiered defensive formation that looks like a blooming Lotus (plant), lotus ( ) or disc ( ) when viewed from above. The warriors at each interleaving position would be in an increasingly tough position to fight against. The formation was used in the battle of Kurukshetra by Dronacharya, who became commander-in-chief of the Kaurava army after the fall of Bhishma Pitamaha. The various vyūhas (military formations) were studied by the Kauravas and Pandavas alike. Most of them can be beaten using a counter-measure targeted specifically against that formation. In the form of battle described in the ''Mahabharata'', it was important to place powerful fighters in positions where they could inflict m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhimanyu
Abhimanyu is a legendary warrior from the ancient Hindu history ''Mahabharata''. He was born to the third Pandava prince Arjuna and the Yadu princess Subhadra, who was Krishna's younger sister. The ''Sambhava Parva'' of the Adi Parva states that he was an incarnation of Varchas, son of Soma. Soma was reluctant to part with his son, agreeing to do so solely on the condition that Varchas would return to him after he turned sixteen. Abhimanyu was raised by his mother and her relatives as his father Arjuna, along with his brothers and their common wife Draupadi, had been exiled for thirteen years. After his father's return Abhimanyu married Uttarā, the princess of the Matsya Kingdom. During the Kurukshetra War, Abhimanyu fought for the Pandavas. On the thirteenth day of the war, the mightiest Kaurava warriors came together and formed the Chakravyuha to trap the Pandavas, Arjuna having been enticed to another side of the battlefield. The young Abhimanyu was able to br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drona
Droṇa ( sa, द्रोण, Droṇa), also referred to as Dronacharya ( sa, द्रोणाचार्य, Droṇācārya), is a major character of the Hindu epic Mahabharata. In the epic, he serves as the royal preceptor of the Kauravas and the Pandavas. He is one of the primary counsellors and warriors featured in the epic. He is a friend of Sukracharya, the guru of the asuras, as well as Mahabali. He is described to be the son of the sage Bharadvaja, and a descendant of the sage Angirasa. The preceptor is a master of advanced military arts, including the divine weapons known as astras. He serves as the second commander-in-chief of the Kaurava army, from the 11th day to the 15th day. The acharya fails four times in capturing Yudhishthira (The 11th day, 12th day, 14th day, and the 14th night). He is beheaded by Dhrishtadyumna when he meditates to release his soul on the battlefield. It is said that Drona is an incarnation of Brihaspati. He is guru to the Pandavas, Kau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Labyrinth
In Greek mythology, the Labyrinth (, ) was an elaborate, confusing structure designed and built by the legendary artificer Daedalus for King Minos of Crete at Knossos. Its function was to hold the Minotaur, the monster eventually killed by the hero Theseus. Daedalus had so cunningly made the Labyrinth that he could barely escape it after he built it. Although early Cretan coins occasionally exhibit branching (multicursal) patterns, the single-path (unicursal) seven-course "Classical" design without branching or dead ends became associated with the Labyrinth on coins as early as 430 BC, and similar non-branching patterns became widely used as visual representations of the Labyrinth – even though both logic and literary descriptions make it clear that the Minotaur was trapped in a complex branching maze. Even as the designs became more elaborate, visual depictions of the mythological Labyrinth from Roman times until the Renaissance are almost invariably unicursal. Branching ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pradyumna
Pradyumna ( sa, प्रद्युम्न) is the eldest son of the Hindu deities Krishna and his chief consort, Rukmini. He is considered to be one of the four vyuha avatars of Vishnu. According to the Bhagavata Purana, Pradyumna was the rebirth of Kamadeva, the god of love. The Mahabharata states that Pradyumna was a portion of Sanat Kumara. The Harivamsa describes the chatur-vyuha, consisisting of the Vrishni heroes Vasudeva, Sankarsana, Pradyumna, and Aniruddha, that would later be the basis for the Vaishnava concept of primary quadrupled expansion, or avatara. Pradyumna is also a name of the Hindu god Vishnu, mentioned to be one of the 24 Keshava Namas (names). Birth and early life Pradyumna was the son of Krishna and the sixty-first grandson of Adinarayana. His mother was Rukmini, whom Krishna had eloped with from Vidarbha during her swayamvara on her request. Pradyumna was born in Dvaraka. He was the reincarnation of the demigod Kamadeva, the deity having pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arjuna
Arjuna (Sanskrit: अर्जुन, ), also known as Partha and Dhananjaya, is a character in several ancient Hindu texts, and specifically one of the major characters of the Indian epic Mahabharata. In the epic, he is the third among Pandavas, the five sons of Pandu. The family formed part of the royal line of the Kuru Kingdom. In the Mahabharata War, Arjuna was a key warrior from the Pandava side and slew many warriors including Karna and Bhisma. Before the beginning of the war, his mentor, Krishna, gave him the supreme knowledge of Bhagavad Gita to overcome his moral dilemmas. Arjuna was born when Indra, the god of rain, blessed Kunti and Pandu with a son. From childhood, Arjuna was a brilliant student and was favoured by his beloved teacher, Drona. Arjuna is depicted as a skilled archer, winning the hands of Draupadi, who married the five brothers because of Kunti's misunderstanding and Mahadeva boons. Arjuna is twice exiled, first for breaking a pact with his brothers; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Historicity Of The Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the ''Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and compos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akshauhini
An ''akshauhini'' ( sa, अक्षौहिणी ''akṣauhiṇī'') is described in the Mahabharata (Adi Parva 2.15-23) as a battle formation consisting of 21,870 chariots (Sanskrit ''ratha''); 21,870 elephants (Sanskrit ''gaja''); 65,610 horses (Sanskrit ''turaga'') and 109,350 infantry (Sanskrit ''pada sainyam''). Thus one akshauhini consisted of 218,700 warriors (not including the charioteers, who didn't fight). The ratio is 1 chariot : 1 elephant : 3 cavalry : 5 infantry soldiers. In each of these large number groups (65,610, etc.), the digits add up to 18. It is mentioned in the ''Mahabharata'' that in the Kurukshetra War the Pandava army consisted of seven ''akshauhinis'' (1,530,900 warriors), and the Kaurava army had eleven ''akshauhinis'' (2,405,700 warriors). Composition :Patti (company) : 1 Elephant (Gaja) + 1 Chariot (Ratha) + 3 Horse (Ashwa) + 5 Foot Soldiers (Padati)=10 Warriors :Senamukha = (3 x Patti) : 3 Elephant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Razmnama
The ''Razmnāma'' (Book of War) (رزم نامہ) is a Persian translation of the Sanskrit epic Mahabharata, commissioned by the Mughal Emperor Akbar. In 1574, Akbar started a Maktab Khana or "House of Translation" in his new capital at Fatehpur Sikri. He assigned a group to translate the Sanskrit books ''Rajatarangini'', ''Ramayana'' and ''Mahabharata'' into the Persian language, the literary language of the Mughal court. Akbar's court translations were made in several steps: the meaning was explained by Hindu scholars and a first draft was made by the Muslim theologian Naqib Khan into Persian and this was then improved upon by Faizi into elegant prose or verse. In Persian, “Razm” means “war” and "nama" means "tale", "history", or "epic"; the name Razmnamah, therefore, means a tale of war. Four illustrated Mughal manuscripts are known, one complete, made between 1584 and 1586, and now in Jaipur, with 176 paintings of which 147 were reproduced in 1884 by Thomas Holbein H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharmayuddha
Dharma-yuddha is a Sanskrit word made up of two roots: ''dharma'' (धर्म) meaning righteousness, and ''yuddha'' (युद्ध) meaning warfare. In the Hindu Scriptures, dharma-yuddha refers to a war that is fought while following several rules that make the war fair. For instance, in a righteous war, equals fight equals. Chariot warriors are not supposed to attack cavalry and infantry, those on elephants are not supposed to attack infantry, and so on. The rules also forbid the usage of celestial weapons (divine weapons bestowed by the gods) on ordinary soldiers (as opposed to soldiers of noble birth). The build-up of weapons and armies is done with the full knowledge of the opposing side and no surprise attacks are made. The rules of engagement also set out how warriors were to deal with noncombatants. No one should attack an enemy who has temporarily lost or dropped their weapon. The lives of women, prisoners of war, and farmers were also sacred. Pillaging the land wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishna
Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one of the most popular and widely revered among Indian divinities. Krishna's birthday is celebrated every year by Hindus on Krishna Janmashtami according to the lunisolar Hindu calendar, which falls in late August or early September of the Gregorian calendar. The anecdotes and narratives of Krishna's life are generally titled as ''Krishna Leela''. He is a central character in the ''Mahabharata'', the '' Bhagavata Purana'', the ''Brahma Vaivarta Purana,'' and the '' Bhagavad Gita'', and is mentioned in many Hindu philosophical, theological, and mythological texts. They portray him in various perspectives: as a god-child, a prankster, a model lover, a divine hero, and the universal supreme being. Quote: "Krsna's various appearances as a di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
