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Cardinality Equals Variety
The musical operation of scalar transposition shifts every note in a melody by the same number of scale steps. The musical operation of chromatic transposition shifts every note in a melody by the same distance in pitch class space. In general, for a given scale S, the scalar transpositions of a line L can be grouped into categories, or transpositional set classes, whose members are related by chromatic transposition. In diatonic set theory cardinality equals variety when, for any melodic line L in a particular scale S, the number of these classes is equal to the number of distinct pitch classes in the line L. For example, the melodic line C-D-E has three distinct pitch classes. When transposed diatonically to all scale degrees in the C major scale, we obtain three interval patterns: M2-M2, M2-m2, m2-M2. Melodic lines in the C major scale with ''n'' distinct pitch classes always generate ''n'' distinct patterns. The property was first described by John Clough and Gera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cardinality Equals Variety Diatonic Scale Thirds In The Chromatic Circle
In mathematics, the cardinality of a set is a measure of the number of elements of the set. For example, the set A = \ contains 3 elements, and therefore A has a cardinality of 3. Beginning in the late 19th century, this concept was generalized to infinite sets, which allows one to distinguish between different types of infinity, and to perform arithmetic on them. There are two approaches to cardinality: one which compares sets directly using bijections and injections, and another which uses cardinal numbers. The cardinality of a set is also called its size, when no confusion with other notions of size is possible. The cardinality of a set A is usually denoted , A, , with a vertical bar on each side; this is the same notation as absolute value, and the meaning depends on context. The cardinality of a set A may alternatively be denoted by n(A), , \operatorname(A), or \#A. History A crude sense of cardinality, an awareness that groups of things or events compare with other groups ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transposition (music)
In music, transposition refers to the process or operation of moving a collection of notes ( pitches or pitch classes) up or down in pitch by a constant interval. For example, one might transpose an entire piece of music into another key. Similarly, one might transpose a tone row or an unordered collection of pitches such as a chord so that it begins on another pitch. The transposition of a set ''A'' by ''n'' semitones is designated by ''T''''n''(''A''), representing the addition ( mod 12) of an integer ''n'' to each of the pitch class integers of the set ''A''. Thus the set (''A'') consisting of 0–1–2 transposed by 5 semitones is 5–6–7 (''T''5(''A'')) since , , and . Scalar transpositions In scalar transposition, every pitch in a collection is shifted up or down a fixed number of scale steps within some scale. The pitches remain in the same scale before and after the shift. This term covers both chromatic and diatonic transpositions as follows. Chromatic transpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch Class
In music, a pitch class (p.c. or pc) is a set of all pitches that are a whole number of octaves apart; for example, the pitch class C consists of the Cs in all octaves. "The pitch class C stands for all possible Cs, in whatever octave position." Important to musical set theory, a pitch class is "all pitches related to each other by octave, enharmonic equivalence, or both." Thus, using scientific pitch notation, the pitch class "C" is the set : = . Although there is no formal upper or lower limit to this sequence, only a few of these pitches are audible to humans. Pitch class is important because human pitch-perception is periodic: pitches belonging to the same pitch class are perceived as having a similar quality or color, a property called "octave equivalence". Psychologists refer to the quality of a pitch as its "chroma". A ''chroma'' is an attribute of pitches (as opposed to ''tone height''), just like hue is an attribute of color. A ''pitch class'' is a set of all pit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Set Theory (music)
Musical set theory provides concepts for categorizing musical objects and describing their relationships. Howard Hanson first elaborated many of the concepts for analyzing tonal music. Other theorists, such as Allen Forte, further developed the theory for analyzing atonal music, drawing on the twelve-tone theory of Milton Babbitt. The concepts of musical set theory are very general and can be applied to tonal and atonal styles in any equal temperament tuning system, and to some extent more generally than that. One branch of musical set theory deals with collections ( sets and permutations) of pitches and pitch classes (pitch-class set theory), which may be ordered or unordered, and can be related by musical operations such as transposition, melodic inversion, and complementation. Some theorists apply the methods of musical set theory to the analysis of rhythm as well. Mathematical set theory versus musical set theory Although musical set theory is often thought to involve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic Set Theory
Diatonic set theory is a subdivision or application of musical set theory which applies the techniques and analysis of discrete mathematics to properties of the diatonic collection such as maximal evenness, Myhill's property, well formedness, the deep scale property, cardinality equals variety, and structure implies multiplicity. The name is something of a misnomer as the concepts involved usually apply much more generally, to any periodically repeating scale. Music theorists working in diatonic set theory include Eytan Agmon, Gerald J. Balzano, Norman Carey, David Clampitt, John Clough, Jay Rahn, and mathematician Jack Douthett. A number of key concepts were first formulated by David Rothenberg (the Rothenberg propriety), who published in the journal ''Mathematical Systems Theory'', and Erv Wilson, working entirely outside of the academic world. See also * Bisector *Diatonic and chromatic *Generic and specific intervals Further reading *Balzano, Gerald, "The Pitch Set as a Leve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scale Degree
In music theory, the scale degree is the position of a particular note on a scale relative to the tonic, the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor. In the most general sense, the scale degree is the number given to each step of the scale, usually starting with 1 for tonic. Defining it like this implies that a tonic is specified. For instance, the 7-tone diatonic scale may become the major scale once the proper degree has been chosen as tonic (e.g. the C-major scale C–D–E–F–G–A–B, in which C is the tonic). If the scale has no tonic, the starting degree must be chosen arbitrarily. In set theory, for instance, the 12 degrees of the chromatic scale usually are numbered starting from C=0, the twelve pitch classes being numbered from 0 to 11. In a more specific sense, scale degrees are given names that indicate their particul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cardinality Equals Variety CDE
In mathematics, the cardinality of a set is a measure of the number of elements of the set. For example, the set A = \ contains 3 elements, and therefore A has a cardinality of 3. Beginning in the late 19th century, this concept was generalized to infinite sets, which allows one to distinguish between different types of infinity, and to perform arithmetic on them. There are two approaches to cardinality: one which compares sets directly using bijections and injections, and another which uses cardinal numbers. The cardinality of a set is also called its size, when no confusion with other notions of size is possible. The cardinality of a set A is usually denoted , A, , with a vertical bar on each side; this is the same notation as absolute value, and the meaning depends on context. The cardinality of a set A may alternatively be denoted by n(A), , \operatorname(A), or \#A. History A crude sense of cardinality, an awareness that groups of things or events compare with other groups ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Clough
John Clough (born 13 September 1984 in St. Helens) is a former rugby league footballer playing over 250 games for Salford City Reds (2001–06), London Broncos, Halifax (2006), Leigh Centurions (2007), Blackpool Panthers (2007-10), Oldham (2011-14) and Oxford (2015) as a . John Clough is a former Lancashire and Great Britain Academy representative. Genealogical information John Clough is brother of the rugby league footballer, Paul Clough Paul Clough (born 27 September 1987), also known by the nickname of "Cloughy", is an English professional rugby league footballer who plays as a or forward for Widnes Vikings in the RFL Championship and the England Knights at international le .... References External linksStatistics at rugbyleagueproject.org 1984 births Living people Blackpool Panthers players English rugby league players Halifax R.L.F.C. players Leigh Leopards players London Broncos players Oldham R.L.F.C. players Oxford Rugby League players Rugby artic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerald Myerson
Gerald is a male Germanic given name meaning "rule of the spear" from the prefix ''ger-'' ("spear") and suffix ''-wald'' ("rule"). Variants include the English given name Jerrold, the feminine nickname Jeri and the Welsh language Gerallt and Irish language Gearalt. Gerald is less common as a surname. The name is also found in French as Gérald. Geraldine is the feminine equivalent. Given name People with the name Gerald include: Politicians * Gerald Boland, Ireland's longest-serving Minister for Justice * Gerald Ford, 38th President of the United States * Gerald Gardiner, Baron Gardiner, Lord Chancellor from 1964 to 1970 * Gerald Häfner, German MEP * Gerald Klug, Austrian politician * Gerald Lascelles (other), several people * Gerald Nabarro, British Conservative politician * Gerald S. McGowan, US Ambassador to Portugal * Gerald Wellesley, 7th Duke of Wellington, British diplomat, soldier, and architect Sports * Gerald Asamoah, Ghanaian-born German football player * Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic Collection
In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale. This pattern ensures that, in a diatonic scale spanning more than one octave, all the half steps are maximally separated from each other (i.e. separated by at least two whole steps). The seven pitches of any diatonic scale can also be obtained by using a chain of six perfect fifths. For instance, the seven natural pitch classes that form the C-major scale can be obtained from a stack of perfect fifths starting from F: :F–C–G–D–A–E–B Any sequence of seven successive natural notes, such as C–D–E–F–G–A–B, and any transposition thereof, is a diatonic scale. Modern musical keyboards are designed so that the white notes form a diatonic scale, though transpositions of this dia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic Scale
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be confu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Myhill's Property
In diatonic set theory a generic interval is the number of scale Step (music), steps between note (music), notes of a Set (music), collection or scale (music), scale. The largest generic interval (music), interval is one less than the number of scale members. (Johnson 2003, p. 26) A specific interval is the clockwise distance between pitch classes on the chromatic circle (interval class), in other words the number of half steps between note (music), notes. The largest specific interval (music), interval is one less than the number of "chromatic" pitches. In twelve tone equal temperament the largest specific interval is 11. (Johnson 2003, p. 26) In the diatonic collection the generic interval is one less than the corresponding diatonic interval: * Adjacent intervals, Major second, seconds, are 1 * Major third, Thirds = 2 * Perfect fourth, Fourths = 3 * Perfect fifth, Fifths = 4 * Major sixth, Sixths = 5 * Major seventh, Sevenths = 6 The largest generic interval in the dia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
