Cardinality Equals Variety
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The musical operation of scalar transposition shifts every note in a melody by the same number of scale steps. The musical operation of chromatic transposition shifts every note in a melody by the same distance in
pitch class In music, a pitch class (p.c. or pc) is a set of all pitches that are a whole number of octaves apart; for example, the pitch class C consists of the Cs in all octaves. "The pitch class C stands for all possible Cs, in whatever octave positio ...
space. In general, for a given scale S, the scalar transpositions of a line L can be grouped into categories, or transpositional set classes, whose members are related by chromatic transposition. In
diatonic set theory Diatonic set theory is a subdivision or application of musical set theory which applies the techniques and analysis of discrete mathematics to properties of the diatonic collection such as maximal evenness, Myhill's property, well formedness, the ...
cardinality equals variety when, for any melodic line L in a particular scale S, the number of these classes is equal to the number of distinct pitch classes in the line L. For example, the melodic line C-D-E has three distinct pitch classes. When transposed diatonically to all
scale degree In music theory, the scale degree is the position of a particular note on a scale relative to the tonic, the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and ...
s in the C major scale, we obtain three interval patterns: M2-M2, M2-m2, m2-M2. Melodic lines in the C major scale with ''n'' distinct pitch classes always generate ''n'' distinct patterns. The property was first described by John Clough and
Gerald Myerson Gerald is a male Germanic given name meaning "rule of the spear" from the prefix ''ger-'' ("spear") and suffix ''-wald'' ("rule"). Variants include the English given name Jerrold, the feminine nickname Jeri and the Welsh language Gerallt and Irish ...
in "Variety and Multiplicity in Diatonic Systems" (1985) (Johnson 2003, p. 68, 151). Cardinality equals variety in the
diatonic collection In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, ...
and the
pentatonic scale A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancien ...
, and, more generally, what Carey and Clampitt (1989) call "nondegenerate well-formed scales." "Nondegenerate well-formed scales" are those that possess
Myhill's property In diatonic set theory a generic interval is the number of scale Step (music), steps between note (music), notes of a Set (music), collection or scale (music), scale. The largest generic interval (music), interval is one less than the number of sc ...
.


See also

*
Structure implies multiplicity In diatonic set theory structure implies multiplicity is a quality of a collection or scale. This is that for the interval series formed by the shortest distance around a diatonic circle of fifths between members of a series indicates the number of ...


Sources

*Johnson, Timothy (2003). ''Foundations of Diatonic Theory: A Mathematically Based Approach to Music Fundamentals''. Key College Publishing. .


Further reading

*Clough, John and Myerson, Gerald (1985). "Variety and Multiplicity in Diatonic Systems", ''Journal of Music Theory'' 29: 249-70. *Carey, Norman and Clampitt, David (1989). "Aspects of Well-Formed Scales", ''Music Theory Spectrum'' 29: 249-70. *Agmon, Eytan (1989). "A Mathematical Model of the Diatonic System", ''Journal of Music Theory'' 33: 1-25. *Agmon, Eytan (1996). "Coherent Tone-Systems: A Study in the Theory of Diatonicism", ''Journal of Music Theory'' 40: 39-59. {{Set theory (music) Diatonic set theory