Canopic Chest
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Canopic Chest
Canopic chests are cases used by ancient Egyptians to contain the internal organs removed during the process of mummification. Once canopic jars began to be used in the late Fourth Dynasty, the jars were placed within canopic chests. Although the first proven canopic burials date from the Fourth Dynasty reign of Sneferu, there is evidence to suggest that there were canopic installations at Saqqara dating from the Second Dynasty.Dodson, Aidan, "Canopic Jars and Chests", in Redford, Donald B. (ed) (2001). ''The Oxford Encyclopedia of Ancient Egypt'', vol. II, Oxford University Press. pp. 231–235 Connections to Ancient Egyptian culture Canopic chests had an important place in Egyptian culture. Canopic chests contained the internal organs (viscera) of mummies, so they relate to the Egyptian belief that the afterlife is just as important as life on earth. Egyptians believed that everything had to be perfectly preserved to journey into the land after life and as part of the mummifi ...
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Cano Ja 49 Tut
CANO, a Canadian progressive rock band of the 1970s and 1980s, was the most successful popular musical group in Franco-Ontarian history. Origins CANO evolved out of the ''Coopérative des artistes du Nouvel-Ontario'' (''Artists' Cooperative of Northern Ontario''), an artists' collective established in Sudbury, Ontario in 1970.Kuzyk, Jane. "That Band from Sudbury." ''The Globe and Mail'', November 30, 1977. The cooperative was responsible for developing many of the current cultural institutions of the city's Franco-Ontarian community. The Galerie du Nouvel-Ontario, Prise de Parole publishing house, Théâtre du Nouvel-Ontario, La Nuit sur l'étang and CANO-Musique, as the band was then called, all evolved out of projects launched by artists associated with the cooperative. While based in Sudbury, the cooperative bought an abandoned 320-acre farm in Earlton that became an artists' haven and buffalo ranch. Musical group The group consisted of singer-guitarists André Paiement and ...
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Gesso
Gesso (; "chalk", from the la, gypsum, from el, γύψος) is a white paint mixture consisting of a binder mixed with chalk, gypsum, pigment, or any combination of these. It is used in painting as a preparation for any number of substrates such as wood panels, canvas and sculpture as a base for paint and other materials that are applied over it. Description "''Gesso''", also known "glue gesso" or "Italian gesso", is a traditional mix of an animal glue binder (usually rabbit-skin glue), chalk, and white pigment, used to coat rigid surfaces such as wooden painting panels or masonite as a permanent absorbent primer substrate for painting. The colour of gesso is usually white or off-white. Its absorbency makes it work with all painting media, including water-based media, different types of tempera and oil paint. It is also used as a base on three-dimensional surfaces for the application of paint or gold leaf. Mixing and applying it is a craft in itself, as it is usually applie ...
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Art Of Ancient Egypt
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It is also very conservative: the art style changed very little over time. Much of the surviving art comes from tombs and monuments, giving more insight into the ancient Egyptian afterlife beliefs. The ancient Egyptian language had no word for "art". Artworks served an essentially functional purpose that was bound with religion and ideology. To render a subject in art was to give it permanence. Therefore, ancient Egyptian art portrayed an idealized, unrealistic view of the world. There was no significant tradition of individual artistic expression since art served a wider and cosmic purpose of maintaining order (Ma'at). Art of Pre-Dynastic Egypt (6 ...
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Isis
Isis (; ''Ēse''; ; Meroitic: ''Wos'' 'a''or ''Wusa''; Phoenician: 𐤀𐤎, romanized: ʾs) was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom () as one of the main characters of the Osiris myth, in which she resurrects her slain brother and husband, the divine king Osiris, and produces and protects his heir, Horus. She was believed to help the dead enter the afterlife as she had helped Osiris, and she was considered the divine mother of the pharaoh, who was likened to Horus. Her maternal aid was invoked in healing Spell (paranormal), spells to benefit ordinary people. Originally, she played a limited role in royal rituals and temple rites, although she was more prominent in funerary practices and magical texts. She was usually portrayed in art as a human woman wearing a throne-like hieroglyph on her head. During the New Kingdom (), as she took on traits that originally belo ...
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Tyet
The tyet ( egy, tjt), sometimes called the knot of Isis or girdle of Isis, is an ancient Egyptian symbol that came to be connected with the goddess Isis. Its hieroglyphic depiction is catalogued as V39 in Gardiner's sign list. In many respects the ''tyet'' resembles an ankh, except that its arms curve down. Its meaning is also reminiscent of the ankh, as it is often translated to mean "welfare" or "life". The ''tyet'' resembles a knot of cloth and may have originally been a bandage used to absorb menstrual blood.Griffiths 2001, p. 190 An early example of a ''tyet'' sign comes from a First Dynasty tomb at Helwan, excavated by Zaki Saad in the 1940s. This example predates the first written references to Isis and may not have been connected with her at the time. In later times, it came to be linked with her and with the healing powers that were an important aspect of her character. ''Tyet'' amulets came to be buried with the dead in the early New Kingdom of Egypt (c. 1550–1070 ...
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Horus
Horus or Heru, Hor, Har in Ancient Egyptian, is one of the most significant ancient Egyptian deities who served many functions, most notably as god of kingship and the sky. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom and Roman Egypt. Different forms of Horus are recorded in history, and these are treated as distinct gods by Egyptologists."The Oxford Guide: Essential Guide to Egyptian Mythology", Edited by Donald B. Redford, Horus: by Edmund S. Meltzer, pp. 164–168, Berkley, 2003, . These various forms may be different manifestations of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner falcon or peregrine falcon, or as a man with a falcon head. The earliest recorded form of Ho ...
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Ra-Horakhty
Ra (; egy, wikt:rꜥ, rꜥ; also transliterated ; cuneiform: ''ri-a'' or ''ri-ia''; Phoenician language, Phoenician: 𐤓𐤏,Corpus Inscriptionum Semiticarum, CIS I 3778 romanized: rʿ) or Re (; cop, ⲣⲏ, translit=Rē) was the ancient Egyptian solar deity, deity of the sun. By the Fifth Dynasty of Egypt, Fifth Dynasty, in the 25th and 24th centuries BC, he had become one of the most important gods in ancient Egyptian religion, identified primarily with the noon, noon-day sun. Ra ruled in all parts of the created world: the sky, the earth, and the Duat, underworld. He was the god of the sun, order, kings and the sky. Ra was portrayed as a falcon and shared characteristics with the sky-god Horus. At times the two deities were merged as Ra-Horakhty, "''Ra, who is Horus of the Two Horizons''". In the New Kingdom, when the god Amun rose to prominence he was fused with Ra as Amun-Ra. The cult of the Mnevis bull (mythology), bull, an embodiment of Ra, had its center ...
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Osiris
Osiris (, from Egyptian ''wsjr'', cop, ⲟⲩⲥⲓⲣⲉ , ; Phoenician: 𐤀𐤎𐤓, romanized: ʾsr) is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother, Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire. Osiris was at times considered the eldest son of the earth god Geb and the sky goddess Nut, as well as being brother and husband of Isis, and brother of Set, Nephthys, and Horus the Elder, with Horus the Younger ...
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Seker
Seker (; also spelled Sokar, and in Greek, Sokaris or Socharis) is a falcon god of the Memphite necropolis in the Ancient Egyptian religion. Name Although the meaning of his name remains uncertain, the Egyptians in the Pyramid Texts linked his name to the anguished cry of Osiris to Isis 'Sy-k-ri' ('hurry to me'),The Routledge Dictionary of Egyptian Gods and Goddesses, George Hart or possibly ''skr,'' meaning "cleaning the mouth". In the underworld, Seker is strongly linked with two other gods, Ptah the Creator god and chief god of Memphis, and Osiris the god of the dead. In later periods, this connection was expressed as the triple god Ptah-Seker-Osiris. The Faiyumic Coptic form ⲥⲓⲭⲟⲗ is possibly preserved in a personal name ⲥⲉⲛⲥⲓⲭⲟⲗ "daughter of Sokar". Appearance Seker was usually depicted as a mummified hawk and sometimes as a mound from which the head of a hawk appears. Here he is called 'he who is on his sand'. Sometimes he is shown on his ...
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Ancient Egyptian Religion
Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals that formed an integral part of ancient Egyptian culture. It centered on the Egyptians' interactions with many deities believed to be present in, and in control of the world. Rituals such as prayer and offerings were provided to the gods to gain their favor. Formal religious practice centered on the pharaohs, the rulers of Egypt, believed to possess divine powers by virtue of their positions. They acted as intermediaries between their people and the gods, and were obligated to sustain the gods through rituals and offerings so that they could maintain Ma'at, the order of the cosmos, and repel Isfet, which was chaos. The state dedicated enormous resources to religious rituals and to the construction of temples. Individuals could interact with the gods for their own purposes, appealing for help through prayer or compelling the gods to act through magic. These practices were distinct from, but closel ...
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