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Cultural Transformation Theory
Cultural transformation theory proposes that societies used to follow a “partnership model” of civilization but over time, it gave way to today's current “dominator model” of civilization. This theory was first proposed by Riane Eisler, a cultural scholar, in her book “The Chalice and the Blade”. Eisler affirms that societies exist on a partnership-domination continuum but we as a species have moved away from our former partnership orientation to a more domination orientation by uplifting masculine ideals over feminine ideals. She insists that people don't have to live in a society based on the rule of one gender class over the other. There is historical evidence that another type of society, where all individuals are equal, is possible. The partnership model centers on an egalitarian arrangement. A society where each individual is accepted as equal and feminine values are given just as much importance as masculine values. The hierarchy of power in these societies is ver ...
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Riane Eisler
Riane Tennenhaus Eisler (born 22 July 1931) is an Austrian-born American systems scientist and author who writes about the effect of gender politics historically on society. She is most known for her 1987 book ''The Chalice and the Blade'', in which she coined the terms "partnership" and "dominator". Life Eisler was born in Vienna in 1931 before her family fled from the Nazis in 1939 to Cuba. She and her parents lived in a slum in Havana for seven years, after which they emigrated to the United States, to Miami, New York, and Chicago before finally settling in Los Angeles. Eisler has degrees in sociology and law from the University of California. She is an attorney, legal scholar and author. She has published thirteen books, including one memoir, ''The Gate'', published in 2000. Her first book, published in 1977, was ''Dissolution: No-Fault Divorce, Marriage, and the Future of Women''. Her second book, published in 1979, was on the Equal Rights Amendment. In her third book ''T ...
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Arthur Evans
Sir Arthur John Evans (8 July 1851 – 11 July 1941) was a British archaeologist and pioneer in the study of Aegean civilization in the Bronze Age. He is most famous for unearthing the palace of Knossos on the Greek island of Crete. Based on the structures and artifacts found there and throughout the eastern Mediterranean, Evans found that he needed to distinguish the Minoan civilisation from Mycenaean Greece. Evans was also the first to define Cretan scripts Linear A and Linear B, as well as an earlier pictographic writing. Biographical background Family Arthur Evans was born in Nash Mills, Hemel Hempstead, Hertfordshire, England, the first child of John Evans (1823–1908) and Harriet Ann Dickinson (born 1824), the daughter of John's employer, John Dickinson (1782–1869), the inventor and founder of Messrs John Dickinson, a paper mill. John Evans came from a family of men who were both educated and intellectually active but undistinguished by either wealth or aristocratic ...
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Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ...
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Artemis
In ancient Greek mythology and religion, Artemis (; grc-gre, Ἄρτεμις) is the goddess of the hunt, the wilderness, wild animals, nature, vegetation, childbirth, care of children, and chastity. She was heavily identified with Selene, the Moon, and Hecate, another Moon goddess, and was thus regarded as one of the most prominent lunar deities in mythology, alongside the aforementioned two.Smiths.v. Artemis/ref> She would often roam the forests of Greece, attended by her large entourage, mostly made up of nymphs, some mortals, and hunters. The goddess Diana is her Roman equivalent. In Greek tradition, Artemis is the daughter of the sky god and king of gods Zeus and Leto, and the twin sister of Apollo. In most accounts, the twins are the products of an extramarital liaison. For this, Zeus' wife Hera forbade Leto from giving birth anywhere on land. Only the island of Delos gave refuge to Leto, allowing her to give birth to her children. Usually, Artemis i ...
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Hephaestus
Hephaestus (; eight spellings; grc-gre, Ἥφαιστος, Hḗphaistos) is the Greek god of blacksmiths, metalworking, carpenters, craftsmen, artisans, sculptors, metallurgy, fire (compare, however, with Hestia), and volcanoes.Walter Burkert, ''Greek Religion'' 1985: III.2.ii; see coverage of Lemnos-based traditions and legends at Mythic Lemnos Hephaestus's Roman counterpart is Vulcan. In Greek mythology, Hephaestus was either the son of Zeus and Hera or he was Hera's parthenogenous child. He was cast off Mount Olympus by his mother Hera because of his lameness, the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall rather than the reason for it). As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly Athen ...
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Poseidon
Poseidon (; grc-gre, Ποσειδῶν) was one of the Twelve Olympians in ancient Greek religion and myth, god of the sea, storms, earthquakes and horses.Burkert 1985pp. 136–139 In pre-Olympian Bronze Age Greece, he was venerated as a chief deity at Pylos and Thebes. He also had the cult title "earth shaker". In the myths of isolated Arcadia he is related with Demeter and Persephone and he was venerated as a horse, however, it seems that he was originally a god of the waters.Seneca quaest. Nat. VI 6 :Nilsson Vol I p.450 He is often regarded as the tamer or father of horses, and with a strike of his trident, he created springs which are related to the word horse.Nilsson Vol I p.450 His Roman equivalent is Neptune. Poseidon was the protector of seafarers, and of many Hellenic cities and colonies. Homer and Hesiod suggest that Poseidon became lord of the sea when, following the overthrow of his father Cronus, the world was divided by lot among Cronus' three sons; Zeus w ...
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Zeus
Zeus or , , ; grc, Δῐός, ''Diós'', label=Genitive case, genitive Aeolic Greek, Boeotian Aeolic and Doric Greek#Laconian, Laconian grc-dor, Δεύς, Deús ; grc, Δέος, ''Déos'', label=Genitive case, genitive el, Δίας, ''Días'' () is the sky father, sky and thunder god in ancient Greek religion, who rules as king of the gods on Mount Olympus. His name is cognate with the first element of his ancient Roman religion, Roman interpretatio graeca, equivalent Jupiter (mythology), Jupiter.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. His mythology and powers are similar, though not identical, to those of Indo-European deities such as Jupiter, Perkūnas, Perun, Indra, Dyaus, and Zojz (deity), Zojz. Entry: "Dyaus" Zeus is the child of Cronus and Rhea (mythology), Rhea, the youngest of his siblings to be born, though sometimes reckoned the eldest as the others required disgorging from Cronus's stomach. In most traditions, he is m ...
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Mycenaean Greece
Mycenaean Greece (or the Mycenaean civilization) was the last phase of the Bronze Age The Bronze Age is a historic period, lasting approximately from 3300 BC to 1200 BC, characterized by the use of bronze, the presence of writing in some areas, and other early features of urban civilization. The Bronze Age is the second pri ... in Ancient Greece, spanning the period from approximately 1750 to 1050 BC.. It represents the first advanced and distinctively Greek civilization in mainland Greece with its palatial states, urban organization, works of art, and writing system.Lazaridis, Iosif et al.Genetic origins of the Minoans and Mycenaeans. ''Nature'', 2017Supplementary Information "The Mycenaeans", pp. 2–3).. The Mycenaeans were mainland Greeks, Greek peoples who were likely stimulated by their contact with insular Minoan civilization, Minoan Crete and other Mediterranean Sea, Mediterranean cultures to develop a more sophisticated sociopolitical culture of their own. The ...
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Minoan Eruption
The Minoan eruption was a catastrophic Types of volcanic eruptions, volcanic eruption that devastated the Aegean Islands, Aegean island of Thera (also called Santorini) circa 1600 BCE. It destroyed the Minoan civilization, Minoan settlement at Akrotiri (prehistoric city), Akrotiri, as well as communities and agricultural areas on nearby islands and the coast of Crete with subsequent earthquakes and tsunamis. With a Volcanic Explosivity Index, VEI magnitude between 6 and 7, resulting in an ejection of approximately of dense-rock equivalent (DRE), the eruption was List of known large volcanic eruptions, one of the largest volcanic events on Earth in human history. Since tephra from the Minoan eruption serves as a marker horizon in nearly all archaeological sites in the Eastern Mediterranean, its precise date is of high importance and has been fiercely debated among archaeologists and volcanologists for decades, without coming to a definite conclusion. Although there are no clear ...
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Spyridon Marinatos
Spyridon Nikolaou Marinatos ( el, Σπυρίδων Νικολάου Μαρινάτος; November 4, 1901 – October 1, 1974) was a Greek archaeologist, best known for leading excavations at Akrotiri on Santorini (1967–74), where he died and is buried. He specialized in the Bronze Age Minoan and Mycenaean civilizations. His daughter Nanno Marinatos (born 1950) is also a scholar of Minoan culture, and Head of the Classics and Mediterranean Studies Department at University of Illinois at Chicago. Career Marinatos began his career in Crete as director of the Heraklion Museum along with Georgia Andrea in 1929 where he met Sir Arthur Evans. He conducted several excavations on Crete at Dreros, Arkalochori, Vathypetro and Gazi, all of which resulted in spectacular finds. In 1937, he became director of the Antiquities service in Greace for the first time. Shortly afterwards, he became professor at the University of Athens. He turned his attention to the Mycenaeans next, regarding ...
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Venus Of Laussel
The Venus of Laussel is an limestone bas-relief of a nude woman. It is painted with red ochre and was carved into the limestone of a rock shelter (''Abri de Laussel'') in the commune of Marquay, in the Dordogne department of south-western France. The carving is associated with the Gravettian Upper Paleolithic culture (approximately 25,000 years old). It is currently displayed in the Musée d'Aquitaine in Bordeaux, France. Description The figure holds a bison horn, or possibly a cornucopia, in one hand, which has thirteen notches. She has large breasts, a great stomach, and wide hips. There is a "Y" on her thigh and her faceless head is turned toward the horn. The lower relief was covered in red ochre. Discovery and display The relief was discovered in 1911 by Jean-Gaston Lalanne, a physician. It was carved into large block of limestone in a rock shelter (''abri de Laussel'') at the commune of Marquay in the Dordogne department of south-western France. The limestone block f ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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