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Barbotine
Barbotine is the French for ceramic slip, or a mixture of clay and water used for moulding or decorating pottery. In English the term is used for three different techniques of decorating pottery, though in all cases mainly for historical works. For clarity, these types are numbered here as A-C (which are not standard terms). A: Piped slip decoration In the first, common from the Ancient World onwards, the barbotine is piped onto the object rather as cakes are decorated with icing, using a quill, horn, or other kind of nozzle. The slip would normally be in a contrasting colour to the rest of the vessel, and forms a pattern, or inscription, that is slightly raised above the main surface. This is normally called slip-trailing in English today, and for English pottery (such as the works of Thomas Toft, d. 1698), but "barbotine" remains common in archaeology. The first barbotine technique in pottery styling was in use in the ancient world. The Egyptians were known to have use ...
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Roman Pottery Barbotine Cup (cropped)
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμαá ...
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Slipcasting
Slip casting, or slipcasting, is a ceramic forming technique for pottery and other ceramics, especially for shapes not easily made on a wheel. In this method, a liquid clay body slip (usually mixed in a blunger) is poured into plaster moulds and allowed to form a layer, the cast, on the inside walls of the mould. The process usually takes at least 24 hours per piece. It gives very precise and consistent shapes, and is now the most common technique used for commercial mass-produced pottery, although it began in Europe as a technique for fine wares such as porcelain by the 1750s. The type of clay body suited for slip casting differs from that for throwing. It is essential to make a good quality casting slip to get an intended result. The behavior of the slip will depend on multiple factors, including the types and proportions of water, clay, other chemicals, and deflocculant used; temperature, humidity and other local conditions; and the amount of energy involved in mixin ...
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Watcombe Pottery
The Aller Vale Pottery was formed in 1865 on the northern edge of the village of Kingskerswell in South Devon, England on the likely site of a medieval pottery. It became well known for the creation of art pottery at the end of the 19th century and gained Royal patronage, but declined thereafter, closing on this site in about 1924. The name continued in use until 1962 related to the production of mass-produced motto ware for the tourist market. History There had probably been a pottery on the site in medieval times, as evidenced by the excavation of medieval tiles there. The pottery was founded in 1865 in the hamlet of Aller between the village of Kingskerswell and the town of Newton Abbot and had originally produced simple kitchenware. In 1868 it was taken over by John Phillips (born 1835 in Shaugh Prior), a clay merchant who lived in Newton Abbot. Phillips changed the focus of the company to make builders' earthenware—drainpipes, roof tiles, chimney pots and the like. The comp ...
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Auteuil, Paris
Auteuil () is the westernmost quarter of Paris, France, located in the 16th arrondissement, on the Right Bank. It is adjacent to Passy to the northeast (administratively part of la Muette), Boulogne-Billancourt to the southwest, and the Bois de Boulogne to the northwest. History Auteuil was originally a hamlet named ''Attolium'' on the outskirts of Paris, built between the thirteenth and seventeenth centuries; it became a fashionable country retreat for French elites during the reign of Louis XV. Passy was dependent on the parish of Auteuil until 1761. After the French Revolution, Auteuil became a commune of Seine. It was absorbed into Paris along with several other communities in 1860. Auteuil was incorporated into the city of Paris in 1859–60 by the Law of 16 June 1859. At that time, it was planned that Auteuil and Passy would form a new arrondissement that would be numbered the 13th arrondissement, but "The rich and powerful moving in did not like the number. They pulled ...
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Limoges Porcelain
Limoges porcelain is hard-paste porcelain produced by factories in and around the city of Limoges, France beginning in the late 18th century, but does not refer to a particular manufacturer. By about 1830, Limoges, which was close to the areas where suitable clay was found, had replaced Paris as the main centre for private porcelain factories, although the state-owned Manufacture nationale de Sèvres, Sèvres porcelain near Paris remained dominant at the very top of the market. Limoges has maintained this position to the present day. History Limoges had strong antecedents in the production of decorative objects. The city was the most famous European centre of vitreous enamel production in the 12th century, and Limoges enamel was known as ''Opus de Limogia'' or ''Labor Limogiae''. Limoges had also been the site of a minor industry producing plain faience earthenware since the 1730s. The manufacturing of hard-paste porcelain Hard-paste porcelain, sometimes "true porcelain", is ...
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Centennial Exposition
The Centennial International Exhibition of 1876, the first official World's Fair to be held in the United States, was held in Philadelphia, Pennsylvania, from May 10 to November 10, 1876, to celebrate the 100th anniversary of the signing of the Declaration of Independence in Philadelphia. Officially named the International Exhibition of Arts, Manufactures, and Products of the Soil and Mine, it was held in Fairmount Park along the Schuylkill River on fairgrounds designed by Herman J. Schwarzmann. Nearly 10 million visitors attended the exposition, and 37 countries participated in it. Precursor The Great Central Fair on Logan Square in Philadelphia, Pennsylvania, in 1864 (also known as the Great Sanitary Fair), was one of the many United States Sanitary Commission's Sanitary Fairs held during the Civil War. They provided a creative and communal means for ordinary citizens to promote the welfare of Union soldiers and dedicate themselves to the survival of the nation, and the ...
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Philadelphia
Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City. Since 1854, the city has been coextensive with Philadelphia County, the most populous county in Pennsylvania and the urban core of the Delaware Valley, the nation's seventh-largest and one of world's largest metropolitan regions, with 6.245 million residents . The city's population at the 2020 census was 1,603,797, and over 56 million people live within of Philadelphia. Philadelphia was founded in 1682 by William Penn, an English Quaker. The city served as capital of the Pennsylvania Colony during the British colonial era and went on to play a historic and vital role as the central meeting place for the nation's founding fathers whose plans and actions in Philadelphia ultimately inspired the American Revolution and the nation's inde ...
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American Art Pottery
American art pottery (sometimes capitalized) refers to aesthetically distinctive hand-made ceramics in earthenware and stoneware from the period 1870-1950s. Ranging from tall vases to tiles, the work features original designs, simplified shapes, and experimental glazes and painting techniques. Stylistically, most of this work is affiliated with the modernizing Arts and Crafts (1880-1910), Art Nouveau (1890–1910), or Art Deco (1920s) movements, and also European art pottery. Art pottery was made by some 200 studios and small factories across the country, with especially strong centers of production in Ohio (the Cowan, Lonhuda, Owens, Roseville, Rookwood, and Weller potteries) and Massachusetts (the Dedham, Grueby, Marblehead, and Paul Revere potteries). Most of the potteries were forced out of business by the economic pressures of competition from commercial mass-production companies as well as the advent of World War I followed a decade later by the Great Depression. Hist ...
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Impasto
''Impasto'' is a technique used in painting, where paint is laid on an area of the surface thickly, usually thick enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture; the paint appears to be coming ''out'' of the canvas. Origins The word ''impasto'' is Italian in origin; in which it means "dough" or "mixture"; related to the verb , "to knead", or "to paste". Italian usage of includes both a painting and a potting technique. According to Webster's ''New World College Dictionary'', the root noun of is , whose primary meaning in Italian is "paste". Mediums Oil paint is the traditional medium for impasto painting, due to its thick consistency and slow drying time. Acrylic paint can also be used for impasto by adding heavy body acrylic gels. Impasto is generally not used in watercolor or tempera without the addition of thickening agent due to the inherent thinness of these media. An artist ...
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Art Pottery
Art pottery is a term for pottery with artistic aspirations, made in relatively small quantities, mostly between about 1870 and 1930. Typically, sets of the usual tableware items are excluded from the term; instead the objects produced are mostly decorative vessels such as vases, jugs, bowls and the like which are sold singly. The term originated in the later 19th century, and is usually used only for pottery produced from that period onwards. It tends to be used for ceramics produced in factory conditions, but in relatively small quantities, using skilled workers, with at the least close supervision by a designer or some sort of artistic director. Studio pottery is a step up, supposed to be produced in even smaller quantities, with the hands-on participation of an artist-potter, who often performs all or most of the production stages. But the use of both terms can be elastic. Ceramic art is often a much wider term, covering all pottery that comes within the scope of art history, ...
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Haviland & Co
Haviland can refer to: People * Aslaug Haviland (1913–2003), deaf and blind Norwegian woman and motivational speaker * Chris Haviland (born 1952), Australian politician * David B. Haviland (born 1961), Swedish-American physicist * Edna Haviland (1896-1981), Canadian chemist * Frank Burty Haviland (1886–1971), French Cubist painter * George Darby Haviland (1857-1901), British surgeon and naturalist * James W. Haviland (1911-2007), American doctor and specialist in Internal Medicine * John Haviland, professor of Linguistics and Anthropology * John Haviland (physician) (1785–1851), professor of medicine at Cambridge * John Kenneth Haviland, American pilot who flew for the Royal Air Force during the Battle of Britain * Laura Smith Haviland (1808–1898), American abolitionist, suffragette and social reformer * Mike Haviland (born 1967), American ice hockey coach * Paul Haviland (1880–1950), French-American photographer, writer and arts critic * Stanley Haviland (1899–197 ...
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Ernest Chaplet
Ernest Chaplet (1835 in Sèvres – 1909 in Choisy-le-Roi) was a French designer, sculptor and ceramist. He was a key figure in the French art pottery movement, and his works are held in international public collections such as the Musée d'Orsay, Paris. Having worked in industry for over 30 years, he opened an atelier with the sculptor Albert-Louis Dammouse in 1882, producing stoneware often influenced by Japanese designs and Chinese prototypes. From 1875 he worked with Félix Bracquemond.Ernest Chaplet
. . Retrieved 10 October 2015
Chaplet became head of the Parisian workshops of
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