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Yōkai In Anime And Manga
are a class of supernatural entities and spirits in Japanese folklore. The word is composed of the kanji for "attractive; calamity" and "apparition; mystery; suspicious." are also referred to as , or . Despite often being translated as such, are not literally demons in the European folklore, Western sense of the word, but are instead Spirit (animating force), spirits and entities. Their behavior can range from malevolent or mischievous to benevolent to humans. often have animal features (such as the , depicted as appearing similar to a turtle, and the , commonly depicted with wings), but may also appear humanoid in appearance, such as the . Some resemble inanimate objects (such as the ), while others have no discernible shape. are typically described as having spiritual or supernatural abilities, with shapeshifting being the most common trait associated with them. that shapeshift are known as or . Japanese folkloristics, folklorists and historians explain as personi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to the Tok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyakkai Zukan
is a picture scroll by Edo period Japanese artist Sawaki Suushi. Completed in 1737, this scroll is a supernatural bestiary, a collections of ghosts, spirits and monsters (Yōkai), which Suushi based on literature, folklore, other artwork. These images had a profound influence on subsequent ''yōkai'' imagery in Japan for generations. Scroll gallery Image:Suushi Mikoshi-nyudo.jpg, Image:Suushi_Shokera.jpg, Image:Suushi Hyosube.jpg, Image:Suuhi Nure-onna.jpg, Image:Suushi_Kappa.jpg, Image:Suushi_Gagoze.jpg, Image:Suuhi Nurarihyon.jpg, Image:Suuhi Kasha.jpg, Image:Suuhi Ubume.jpg, Image:Suushi_Nuppeppo.jpg, Image:Suushi_Waira.jpg, Image:Suushi_Otoroshi.jpg, Image:Suushi Yama-biko.jpg, Image:Suushi_Nuribotoke.jpg, Image:Suushi Ouni.jpg, Image:Suushi_Yume-no-seirei.jpg, Image:Suushi Yama-uba.jpg, Image:Suushi Inugami.jpg, Image:Suushi_Nukekubi.jpg, Image:Suuhi Yama-warau.jpg, Image:Suuhi Uwan.jpg, Image:Suushi Akakuchi.jpg, Image:Suuhi Ushioni.jpg, Image:Mehi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nekomata
''Nekomata'' (original form: , later forms: , , ) are a kind of cat ''yōkai'' described in Japanese folklore, classical kaidan, essays, etc. There are two very different types: those that live in the mountains and domestic cats that have grown old and transformed into ''yōkai''. (2000)、170–171。 ''Nekomata'' are often confused with ''bakeneko''. Mountain ''nekomata'' ''Nekomata'' appear in stories even earlier than in Japan. In the Sui dynasty, the words and described mysterious cats. In Japanese literature, the ''nekomata'' first appeared in the Meigetsuki by Fujiwara no Teika in the early Kamakura period: in the beginning of Tenpuku (1233), August 2, in Nanto (now Nara Prefecture), a nekomata () was said to have killed and eaten several people in one night. The nekomata was described as a mountain beast: according to the Meigetsuki, "They have eyes like a cat, and have a large body like a dog." The essay Tsurezuregusa from the late Kamakura period (circa 1331) asse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Kuniyoshi
Utagawa Kuniyoshi ( ja, 歌川 国芳, ; January 1, 1798 – April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting.Nussbaum, Louis Frédéric ''et al'' (2005). "Kuniyoshi" in He was a member of the Utagawa school.Nussbaum, "Utagawa-ryū" in The range of Kuniyoshi's subjects included many genres: landscapes, beautiful women, Kabuki actors, cats, and mythical animals. He is known for depictions of the battles of legendary samurai heroes.Lubow, Arthur "Everything But the Robots: A Kuniyoshi Retrospective Reveals the Roots of Manga,"''New York Magazine.'' March 7, 2010. His artwork incorporated aspects of Western representation in landscape painting and caricature. Life Kuniyoshi was born on January 1, 1798, the son of a silk-dyer, Yanagiya Kichiyemon,Robinson (1961), p. 5 originally named Yoshisaburō. Apparently he assisted his father's business as a pattern designer, and some have suggested that this experience influ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kidōmaru
Kidōmaru (鬼童丸, 鬼同丸) is an oni that appears in the Kamakura period collection of setsuwa, the '' Kokon Chomonjū'', among other sources. Concept As described in the ''Kokon Chomonjū'', Minamoto no Yorimitsu is known for the slaying of Shuten-dōji. When he went to the home of his brother Minamoto no Yorinobu, Kidōmaru was caught at the toilet. Yorimitsu said that Yorinobu was careless, so they should restrain the oni with chains, and stayed at Yorinobu's house for that night. Kidōmaru easily tore off those chains, and with a grudge against Yorimitsu, looked at his bed and kept watch. Yorimitsu noticed this and told a servant, "tomorrow, I will make a visit to the Kurama temple." Kidōmaru then went ahead to Kurama, killed one free-ranging cattle at the Ichihara field, hid inside its body, and waited for Yorimitsu to come. However, Yorimitsu saw through this, and Watanabe no Tsuna upon receiving command from Yorimitsu shot through the cattle with a bow and arrow. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katsushika Hokusai
, known simply as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. He is best known for the woodblock print series '' Thirty-Six Views of Mount Fuji'', which includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and ''Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a variety of mediums including painting and book illustration. Starting as a young child, he continued working and improving his style u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chōchin-obake
' is a Japanese ''yōkai'' of ''chōchin'' (a type of lantern), ''"[the] lantern-spook (chochinobake) ... a stock character in the pantheon of ghouls and earned mention in the definitive demonology of 1784."'' They can also be called simply ''chōchin'', ''bake-chōchin'', ''obake-chōchin'', and ''chōchin-kozō''. They appear in the ''kusazōshi'', ''omocha-e'', and ''karuta'' card games like ''obake karuta'' starting from the Edo period to the early 20th century (and still in use today), as well as in Meiji and Taishō toys, children's books, and haunted house attractions. Description An old ''chōchin'' would split upwards and downwards, and the part that got split would become a mouth and stick out a long tongue, and the ''chōchin obake'' is commonly considered not to have one eye in its upper half, but two. Sometimes, the ''chōchin'' would also grow a face, hands, a torso, and wings. In pictures from the Edo Period, both bucket-shaped and cylindrical ''chōchin'' were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emakimono
or is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period (710–794 CE) Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls. As in the Chinese and Korean scrolls, combine calligraphy and illustrations and are painted, drawn or stamped on long rolls of paper or silk sometimes measuring several metres. The reader unwinds each scroll little by little, revealing the story as seen fit. are therefore a narrative genre similar to the book, developing romantic or epic stories, or illustrating religious texts and legends. Fully anchored in the style, these Japanese works are above all an everyday art, centered on the human being and the sensations conveyed by the artist. Although the very first 8th-century were copies of Chin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitama
The Japanese word refers to the spirit of a ''kami'' or the soul of a dead person. It is composed of two characters, the first of which, , is simply an honorific. The second, means "spirit". The character pair 神霊, also read ''mitama'', is used exclusively to refer to a ''kami's'' spirit. Significantly, the term is a synonym of ''shintai'', the object which in a Shinto shrine houses the enshrined ''kami''. Early Japanese definitions of the ''mitama'', developed later by many thinkers like Motoori Norinaga, maintain it consists of several "souls", relatively independent one from the other. The most developed is the , a Shinto theory according to which the of both ''kami'' and human beings consists of one ''whole'' spirit and four ''sub'' souls.* The four souls are the , the , the and the . According to the theory, each of the souls making up the spirit has a character and a function of its own; they all exist at the same time, complementing each other. In the '' Nihon S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
