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Yvonne Drewry
Yvonne Drewry (18 February 1918 – 9 August 2007) was an English artist and art teacher, noted for her work in and around Suffolk. Early life and education Yvonne Marjorie Drewry was born in Brentford, Middlesex, to Alfred F. Vere Drewry (1888-1980) and his wife Ada, née Anniss (1883-1965). Her father ran a motor parts shop on Deansgate in Manchester. Her uncle James Sidney Drewry was an engineer and co-founder of Shelvoke and Drewry, one of the UK's largest manufacturers of municipal waste wagons and fire engines. After studying at Southport College of Art, in 1939 Drewry won an Andrew Grant scholarship of £120 a year for three years to train at the Edinburgh College of Art, where she studied under William George Gillies, John Maxwell and book illustrator Joan Hassall. Work Drewry was a prolific artist, working in oil, watercolour, and pen and ink. She was also a notable print-maker and typographer. Her other work included woven textiles and handicrafts. Her work was exh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suffolk
Suffolk () is a ceremonial county of England in East Anglia. It borders Norfolk to the north, Cambridgeshire to the west and Essex to the south; the North Sea lies to the east. The county town is Ipswich; other important towns include Lowestoft, Bury St Edmunds, Newmarket, and Felixstowe which has one of the largest container ports in Europe. The county is low-lying but can be quite hilly, especially towards the west. It is also known for its extensive farming and has largely arable land with the wetlands of the Broads in the north. The Suffolk Coast & Heaths and Dedham Vale are both nationally designated Areas of Outstanding Natural Beauty. History Administration The Anglo-Saxon settlement of Suffolk, and East Anglia generally, occurred on a large scale, possibly following a period of depopulation by the previous inhabitants, the Romanised descendants of the Iceni. By the fifth century, they had established control of the region. The Anglo-Saxon inhabitants later b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linocut By Yvonne Drewry
Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of woodcut in which a sheet of linoleum (sometimes mounted on a wooden block) is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press. Technique Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of woodcuts and engravings. Lino is generally diced, much easier to cut than wood, especially when heated, but the pressure of the printing process degrades the plate faster and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amberfield School
Amberfield School was a small private school in Nacton, England, coeducational up to the age of 7 years, and for girls up to the age of 16 years, which was established in 1927 and closed in 2011 due to financial problems. The last headmistress was Linda Ingram. It was set in countryside with surrounding fields and wildlife. It won the Lego League Robotics UK Championships and the World Primary Robot Dance Championship held in Suzhou, China as part of RoboCup Junior in 2008. The school occupied the site of Nacton Workhouse, near woodland where the body of one of the victims of the Ipswich 2006 serial murders, was found. The school was a member of the Girls' Schools Association. History The school was founded by sisters Gertrude, Eleanor and Margaret Roberts in 1927 from their home in Ipswich. In 1951, the school moved from Crofton Road to the former site of the House of Industry Workhouse at Nacton where it remained until the school's closure in 2011. A educational trust was form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appliqué
Appliqué is ornamental needlework in which pieces or patches of fabric in different shapes and patterns are sewn or stuck onto a larger piece to form a picture or pattern. It is commonly used as decoration, especially on garments. The technique is accomplished either by hand stitching or machine. Appliqué is commonly practised with textiles, but the term may be applied to similar techniques used on different materials. In the context of ceramics, for example, an appliqué is a separate piece of clay added to the primary work, generally for the purpose of decoration. The term originates from the Latin ''applicō'' "I apply" and subsequently from the French ''appliquer'' "attach". History The term appliqué is derived from French and Latin verbs ''appliquer'' and ''applicare'', respectively, which both mean to join or attach. Like embroidery, it has a humble beginning. The technique was used as a way to strengthen worn areas of items or to patch holes that had formed. Early ap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Print Quarterly
''Print Quarterly'' is an international academic journal devoted to the history and art of printmaking, from its origins to the twentieth and twenty-first centuries. It is published in London four times a year, in March, June, September, and December. It was founded in 1984 by the scholar, patron of the arts and business man David Landau, who served as editor for twenty-eight years. The current editor Rhoda Eitel-Porter joined the staff of the periodical in September 2010. The journal’s editorial board comprises notable academics and curators working in prints history and the graphic arts. The journal publishes recent scholarship on all things related to prints. It covers the Western tradition in the graphic arts as well as Asian, Latin-American and African printmaking. Articles consider the role and import of the print from a number of perspectives including those of social and cultural history, iconography, biography, and collecting. Reviews of recent books related to the g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Paterson (painter)
James Paterson PRSW RSA RWS (21 August 1854 – 25 January 1932), was a Scottish landscape and portrait painter associated with The Glasgow Boys movement of artists. He is best known for his landscape paintings of Dumfriesshire, where he lived, at Moniaive from 1885 to 1905. Life James Paterson was born at Blantyre, near Glasgow on 21 August 1854, the eldest son of Andrew Paterson (1819-1907) and his wife Margaret Hunter (1817-1901). The Hunter family were sewed muslin manufacturers in Glasgow. When his father was orphaned at nineteen his uncle James Hunter appointed him a foreman in his warehouse and took him into partnership two years later at the early age of twenty-one. His father was a good watercolourist as well as one of the earliest amateur photographers in Scotland and most of his family developed artistic interests. James' brother William, born 1859, later became the owner of a gallery in Bond Street, London and his youngest brother Alexander, born 1862, became a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haiku
is a type of short form poetry originally from Japan. Traditional Japanese haiku consist of three phrases that contain a ''kireji'', or "cutting word", 17 '' on'' (phonetic units similar to syllables) in a 5, 7, 5 pattern, and a ''kigo'', or seasonal reference. Similar poems that do not adhere to these rules are generally classified as ''senryū''. Haiku originated as an opening part of a larger Japanese poem called renga. These haiku written as an opening stanza were known as ''hokku'' and over time they began to be written as stand-alone poems. Haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century. Originally from Japan, haiku today are written by authors worldwide. Haiku in English and haiku in other languages have different styles and traditions while still incorporating aspects of the traditional haiku form. Non-Japanese haiku vary widely on how closely they follow traditional elements. Additionally, a minority movement withi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prothalamion
''Prothalamion'', the commonly used name of ,Cox, Michael, editor, ''The Concise Oxford Chronology of English Literature'', Oxford University Press, 2004, is a poem by Edmund Spenser (1552–1599), one of the important poets of the Tudor period in England. Published in 1596, it is a nuptial song that he composed that year on the occasion of the twin marriage of the daughters of the Earl of Worcester, Elizabeth Somerset and Katherine Somerset, to Sir Henry Guildford and William Petre, 2nd Baron Petre respectively. ''Prothalamion'' is written in the conventional form of a marriage song. The poem begins with a description of the River Thames where Spenser finds two beautiful maidens. The poet proceeds to praise them and wishing them all the blessings for their marriages. The poem begins with a fine description of the day when on which he is writing the poem: The poet is standing near the Thames River and finds a group of nymphs with baskets collecting flowers for the new brides. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Spenser
Edmund Spenser (; 1552/1553 – 13 January 1599) was an English poet best known for ''The Faerie Queene'', an epic poem and fantastical allegory celebrating the Tudor dynasty and Elizabeth I. He is recognized as one of the premier craftsmen of nascent Modern English verse and is often considered one of the greatest poets in the English language. Life Edmund Spenser was born in East Smithfield, London, around the year 1552; however, there is still some ambiguity as to the exact date of his birth. His parenthood is obscure, but he was probably the son of John Spenser, a journeyman clothmaker. As a young boy, he was educated in London at the Merchant Taylors' School and matriculated as a sizar at Pembroke College, Cambridge. While at Cambridge he became a friend of Gabriel Harvey and later consulted him, despite their differing views on poetry. In 1578, he became for a short time secretary to John Young, Bishop of Rochester. In 1579, he published ''The Shepheardes Calender'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centaur (typeface)
Centaur is a serif typeface by book and typeface designer Bruce Rogers, based on the Renaissance-period printing of Nicolas Jenson around 1470. He used it for his design of the Oxford Lectern Bible. It was given widespread release by the British branch of Monotype, paired with an italic designed by calligrapher Frederic Warde and based on the slightly later work of calligrapher and printer Ludovico Vicentino degli Arrighi. The italic has sometimes been named separately as the "Arrighi" italic. Centaur is an elegant and quite slender design, lighter on the page than Jenson's work and most other revivals, an effect possibly amplified in the digital release compared to the metal type. It has been popular in fine book printing and is often used both for printing body text and especially titles and headings. One of its most notable uses has been in the designs of Penguin Books, who have regularly used it for titling. Historical background Rogers' primary influence was Nicholas Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albion Press
The Albion press is a model of early iron hand printing press, originally designed and manufactured in London by Richard Whittaker Cope (d. 1828?) around 1820. History The Albion press worked by a simple toggle action, unlike the complex lever-mechanism of the Columbian press and the Stanhope press. Albions continued to be manufactured, in a range of sizes, until the 1930s. They were used for commercial book-printing until the middle of the nineteenth century, and thereafter chiefly for proofing, jobbing work and by private presses. Francis Meynell often used an Albion to proof pages of his designs for Nonesuch Press books, and printed some small books and ephemera using the press. Printers still predominantly using an Albion Press in the United Kingdom to publish limited fine press editions include Ian Mortimer's I.M. Imprimit, and the St James Park Press of James Freemantle. After Cope's death, Albions were manufactured by his heirs and members of the Hopkinson family (trad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Private Press
Private press publishing, with respect to books, is an endeavor performed by craft-based expert or aspiring artisans, either amateur or professional, who, among other things, print and build books, typically by hand, with emphasis on design, graphics, layout, fine printing, binding, covers, paper, stitching, and the like. Description The term "private press" is not synonymous with "fine press," " small press," or "university press" – though there are similarities. One similarity shared by all is that they need not meet higher commercial thresholds of commercial presses. Private presses, however, often have no profit motive. A similarity shared with fine and small presses, but not university presses, is that for various reasons – namely quality – production quantity is often limited. University presses are typically more automated. A distinguishing quality of private presses is that they enjoy sole discretion over literary, scientific, artistic, and aesthetic merits ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
