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Yesarizade Mustafa Izzet Efendi
Yesarizade Mustafa Izzet Efendi (Modern Turkish: ''Yesârîzâde Mustafa Izzet Efendi'') (d. 1849) was an Ottoman calligrapher. Life and work Yesarizade Mustafa Izzet Efendi's date of birth is not known, but is assumed to be in the 1770s. He was born in Constantinople and was the son of the calligrapher, Mehmed Esad Yesari. After studying calligraphy with his father, he served as a Kazasker of Rumelia. Mustafa became a well known calligrapher in his own right, and taught students at the Imperial Court. His father had developed a unique style of '' ta'liq'' script called '' nesta'lik'', which was based on elements from the Persian master, Mir Emad Hassani combined with stylistic elements developed by Mehmed Esad Yesari (Yesarizade's father). Yesarizade Mustafa Izzet built on changes made by his father, making further improvements and elaborating the rules for the method. This new style was called ''celî ta'liq'' and was much better suited to Ottoman tastes. His version of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hilye Yesarizade Mustafa Izzet Efendi
The term ''hilya'' (Arabic , plural: ''ḥilan'', ''ḥulan''; tr, hilye, plural: ) denotes both a visual form in Ottoman art and a religious genre of Ottoman Turkish literature, each dealing with the physical description of Muhammad. Hilya literally means "ornament". They originate with the discipline of ''shama'il'', the study of Muhammad's appearance and character, based on hadith accounts, most notably Tirmidhi's ''al-Shama'il al-Muhamadiyyah wa al-Khasa'il al-Mustafawiyyah'' ("The Sublime Characteristics of Muhammad"). In Ottoman-era folk Islam, there was a belief that reading and possessing Muhammad's description protects the person from trouble in this world and the next, it became customary to carry such descriptions, rendered in fine calligraphy and illuminated, as amulets. In 17th-century Ottoman Turkey, ''hilyes'' developed into an art form with a standard layout, often framed and used as a wall decoration. Later ''hilyes'' were also written for the first four ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of The Ottoman Empire
Ottomans culture evolved over several centuries as the ruling administration of the Turks absorbed, adapted and modified the various native cultures of conquered lands and their peoples. There was influence from the customs and languages of Islamic societies, while Persian culture had a significant contribution through the Seljuq Turks, the Ottomans' predecessors. Despite newer added amalgamations, the Ottoman dynasty, like their predecessors in the Sultanate of Rum and the Seljuk Empire were influenced by Persian culture, language, habits and customs. Throughout its history, the Ottoman Empire had substantial subject populations of Orthodox subjects, Armenians, Jews and Assyrians, who were allowed a certain amount of autonomy under the ''millet'' system of Ottoman government, and whose distinctive cultures were adopted and adapted by the Ottoman state. As the Ottoman Empire expanded it assimilated the culture of numerous regions under its rule and beyond, being particularly i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Birth Missing
A year or annus is the orbital period of a planetary body, for example, the Earth, moving in its orbit around the Sun. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by change in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are generally recognized: spring, summer, autumn and winter. In tropical and subtropical regions, several geographical sectors do not present defined seasons; but in the seasonal tropics, the annual wet and dry seasons are recognized and tracked. A calendar year is an approximation of the number of days of the Earth's orbital period, as counted in a given calendar. The Gregorian calendar, or modern calendar, presents its calendar year to be either a common year of 365 days or a leap year of 366 days, as do the Julian calendars. For the Gregorian calendar, the average length of the calendar year (the mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1849 Deaths
Events January–March * January 1 – France begins issue of the Ceres series, the nation's first postage stamps. * January 5 – Hungarian Revolution of 1848: The Austrian army, led by Alfred I, Prince of Windisch-Grätz, enters in the Hungarian capitals, Buda and Pest. The Hungarian government and parliament flee to Debrecen. * January 8 – Hungarian Revolution of 1848: Romanian armed groups massacre 600 unarmed Hungarian civilians, at Nagyenyed.Hungarian HistoryJanuary 8, 1849 And the Genocide of the Hungarians of Nagyenyed/ref> * January 13 ** Second Anglo-Sikh War – Battle of Tooele: British forces retreat from the Sikhs. ** The Colony of Vancouver Island is established. * January 21 ** General elections are held in the Papal States. ** Hungarian Revolution of 1848: Battle of Nagyszeben – The Hungarian army in Transylvania, led by Josef Bem, is defeated by the Austrians, led by Anton Puchner. * January 23 – Elizabeth Blackwell is awarded her M.D. by the Medi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligraphers From The Ottoman Empire
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death certifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Culture
Ottomans culture evolved over several centuries as the ruling administration of the Turks absorbed, adapted and modified the various native cultures of conquered lands and their peoples. There was influence from the customs and languages of Islamic societies, while Persian culture had a significant contribution through the Seljuq Turks, the Ottomans' predecessors. Despite newer added amalgamations, the Ottoman dynasty, like their predecessors in the Sultanate of Rum and the Seljuk Empire were influenced by Persian culture, language, habits and customs. Throughout its history, the Ottoman Empire had substantial subject populations of Orthodox subjects, Armenians, Jews and Assyrians, who were allowed a certain amount of autonomy under the ''millet'' system of Ottoman government, and whose distinctive cultures were adopted and adapted by the Ottoman state. As the Ottoman Empire expanded it assimilated the culture of numerous regions under its rule and beyond, being particularly infl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Art
Turkish art refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival of the Turks in the Middle Ages. Turkey also was the home of much significant art produced by earlier cultures, including the Hittites, Ancient Greeks, and Byzantines. Ottoman art is therefore the dominant element of Turkish art before the 20th century, although the Seljuks and other earlier Turks also contributed. The 16th and 17th centuries are generally recognized as the finest period for art in the Ottoman Empire, much of it associated with the huge Imperial court. In particular the long reign of Suleiman the Magnificent from 1520 to 1566 brought a combination, rare in any ruling dynasty, of political and military success with strong encouragement of the arts. The ''nakkashane'', as the palace workshops are now generally known, were evidently very important and productive, but though there is a fair amount of surviving documentation, much rema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nastaliq
''Nastaliq'' (; fa, , ), also romanized as ''Nastaʿlīq'', is one of the main calligraphic hands used to write the Perso-Arabic script in the Persian and Urdu languages, often used also for Ottoman Turkish poetry, rarely for Arabic. ''Nastaliq'' developed in Iran from '' naskh'' beginning in the 13th century and remains very widely used in Pakistan, Iran, Afghanistan and as a minority script in India and other countries for written poetry and as a form of art. History The name ''nastaliq'' "is a contraction of the Persian , meaning a hanging or suspended '' naskh''". Virtually all Safavid authors (like Dust Muhammad or Qadi Ahmad) attributed the invention of to Mir Ali Tabrizi, who lived at the end of the 14th and the beginning of the 15th century. That tradition was questioned by Elaine Wright, who traced evolution of ''nastaliq'' in 14th century Iran and showed how it developed gradually among scribes in Shiraz. Moreover, according to her studies ''nastaliq'' has its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Ottoman Calligraphers
The following is an incomplete List of Ottoman Calligraphers: 15th–16th century *Hâfiz Osman *Seyyid Kasim Gubari * Ahmed Karahisari *Sheikh Hamdullah * Kahdi Mahmud Efendi (d. 1575) * Ahmed Pasa (d. 1611) son of Kahdi Mahmud Efendi * Mustafa Ali (d. 1600) * Yûsuf Efendi (d. 1611) * Abdullah Amâsi- 16th-century calligrapher * Ahmed Şemseddin Karahisarî (d. 963/1556) * Gâbârî Adurrahman (d. 974/1566) * Rizâî Mahmud Baba Efendi (d. 987/1579) * Mustafa Dede – son of Sheikh Hamdullah (d. 945/1538) * Tâcîzâde Ca'fer Çelebi (1452–1515) poet, calligrapher and scholar * Ibrahim Vahdi (d. 1714) 17th–18th century *Ibrahim Afif (d. 1767) *Egrikapili Mehmed Rasim Efendi * İsmail Zühdi Efendi * Mehmed Esad Yesari * Mehmed Rasim (1687–1755) * Mustafa Kutahi (d. after 1785) * Musa al-'Abidi *Yesarizade Mustafa Izzet Efendi * Derviş Ali * Veliyyuddin Efendi * Mehmed Refi Efendi (d. 1769) * Abdul Rahman Hilmi (d. 1805) *Yedikuleli Seyyid 'Abdullah Efendi (d. 1731) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islamic Calligraphy
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, and Urdu calligraphy.Chapman, Caroline (2012). ''Encyclopedia of Islamic Art and Architecture'', It is known in Arabic as ''khatt Arabi'' (), which translates into Arabic line, design, or construction. The development of Islamic calligraphy is strongly tied to the Qur'an; chapters and excerpts from the Qur'an are a common and almost universal text upon which Islamic calligraphy is based. Although artistic depictions of people and animals are not explicitly forbidden by the Qur'an, pictures have traditionally been limited in Islamic books in order to avoid idolatry. Although some scholars dispute this, Kufic script was supposedly developed around the end of the 7th century in Kufa, Iraq, from which it takes its name. The style later developed into several varieties, including floral, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mir Emad Hassani
Mir Emad (born Emad al-Molk Qazvini Hasani ( fa, ), 1554 – August 15, 1615) is perhaps the most celebrated Persian calligrapher. He was born in Qazvin, Iran. It is believed that the Nastaʿlīq style reached its highest elegance in Mir Emad's works. These are amongst the finest specimens of Nastaʿlīq calligraphy and are kept in several museums in the world. Early life and education Mir Emad was born in Qazvin, where he had his early education. Mir Emad's family had librarian and accountant positions in Safavid court. He was trained in calligraphy at first by Isa Rangkar and then Malek Deylami. Mir Emad later on moved to Tabriz to study with Mohammad Hossein Tabrizi. Afterward, he traveled to Ottoman Turkey, Baghdad, Halab and Hijaz. He returned to Semnan and worked as a scribe in Shah Abbas's library and later on his court in the capital of Isfahan. Rivalry with Ali Reza Abbasi In Shah Abbas's court, Mir Emad was not the only calligrapher. Ali Reza Abbasi Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Language
Turkish ( , ), also referred to as Turkish of Turkey (''Türkiye Türkçesi''), is the most widely spoken of the Turkic languages, with around 80 to 90 million speakers. It is the national language of Turkey and Northern Cyprus. Significant smaller groups of Turkish speakers also exist in Iraq, Syria, Germany, Austria, Bulgaria, North Macedonia, Greece, the Caucasus, and other parts of Europe and Central Asia. Cyprus has requested the European Union to add Turkish as an official language, even though Turkey is not a member state. Turkish is the 13th most spoken language in the world. To the west, the influence of Ottoman Turkish—the variety of the Turkish language that was used as the administrative and literary language of the Ottoman Empire—spread as the Ottoman Empire expanded. In 1928, as one of Atatürk's Reforms in the early years of the Republic of Turkey, the Ottoman Turkish alphabet was replaced with a Latin alphabet. The distinctive characteristics of the Turk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
