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Xenia Motif
The ''xenia'' motif in Roman mosaic is a still life motif consisting of a grouping of various items, mostly edible, representing a generous offering (a ''xenia'') from a wealthy host to guests. The items are often spread across different compartments in floor mosaic schemes. No doubt there were once paintings, but these have been lost. Typical elements of a ''xenia'' motif include game hanging from hooks, fish, baskets of fruit (often overturned), and the like. Vitruvius lists specifically "poultry, eggs, vegetables, and other country produce". ''Xenia'' motifs are typically found in reception rooms. The word ''xenia'' is Greek, and means ''hospitality''; in Latin, it came to mean ''presents for guests'', and later ''presents'' in general. It also came to include xenia epigrams. A ''xenia'' epigram is an epigram commemorating hospitality or attached to a gift, sometimes represented in a ''xenia'' mosaic. Originally found in Latin literature, it was revived in the nineteenth ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sousse Mosaic Xenia Patterns
Sousse or Soussa ( ar, سوسة, ; Berber:''Susa'') is a city in Tunisia, capital of the Sousse Governorate. Located south of the capital Tunis, the city has 271,428 inhabitants (2014). Sousse is in the central-east of the country, on the Gulf of Hammamet, which is a part of the Mediterranean Sea. Its economy is based on transport equipment, processed food, olive oil, textiles, and tourism. It is home to the Université de Sousse. Toponymy ''Sousse'' and ''Soussa'' are both French spellings of the Arabic name ''Sūsa'', which may derive from Berber (cf., e.g., Morocco's Sous River and Region). The present city has also grown to include the ruins of Hadrumetum, which had many names in several languages during antiquity.Barrington Atlas of the Greek and Roman World, Gazeteer, page 511, Map 33 Theveste-Hadrumetum, Compiled by R.B. Hitchner, 1997, in file BATL033_.PDF iB_ATLAS.ZIP froPrinceton University Press , Subjects, Barrington Atlas of the Greek and Roman World. R.J.A. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Still Life
A still life (plural: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (visual Arts)
In art and iconography, a motif () is an element of an image. The term can be used both of figurative and narrative art, and ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does. The related motif of confronted animals is often seen alone, but may also be repeated, for example in Byzantine silk and other ancient textiles. Where the main subject of an artistic work such as a painting is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art such as a painting on a vase. Ornamental or decorative art can usually be analysed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vitruvius
Vitruvius (; c. 80–70 BC – after c. 15 BC) was a Roman architect and engineer during the 1st century BC, known for his multi-volume work entitled '' De architectura''. He originated the idea that all buildings should have three attributes: , , and ("strength", "utility", and "beauty"). These principles were later widely adopted in Roman architecture. His discussion of perfect proportion in architecture and the human body led to the famous Renaissance drawing of the '' Vitruvian Man'' by Leonardo da Vinci. Little is known about Vitruvius' life, but by his own descriptionDe Arch. Book 1, preface. section 2. he served as an artilleryman, the third class of arms in the Roman military offices. He probably served as a senior officer of artillery in charge of ''doctores ballistarum'' (artillery experts) and ''libratores'' who actually operated the machines. As an army engineer he specialized in the construction of '' ballista'' and '' scorpio'' artillery war machines for siege ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Architectura
(''On architecture'', published as ''Ten Books on Architecture'') is a treatise on architecture written by the Roman architect and military engineer Marcus Vitruvius Pollio and dedicated to his patron, the emperor Caesar Augustus, as a guide for building projects. As the only treatise on architecture to survive from antiquity, it has been regarded since the Renaissance as the first book on architectural theory, as well as a major source on the canon of classical architecture. It contains a variety of information on Greek and Roman buildings, as well as prescriptions for the planning and design of military camps, cities, and structures both large (aqueducts, buildings, baths, harbours) and small (machines, measuring devices, instruments). Since Vitruvius published before the development of cross vaulting, domes, concrete, and other innovations associated with Imperial Roman architecture, his ten books give no information on these hallmarks of Roman building design and technolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xenia (Greek)
Xenia ( el, ξενία) is an ancient Greek concept of hospitality. It is almost always translated as 'guest-friendship' or 'ritualized friendship'. It is an institutionalized relationship rooted in generosity, gift exchange, and reciprocity. Historically, hospitality towards foreigners and guests (Hellenes not of your polis) was understood as a moral obligation. Hospitality towards foreign Hellenes honored Zeus ''Xenios'' (and Athene ''Xenia'') patrons of foreigners. The rituals of hospitality created and expressed a reciprocal relationship between guest and host expressed in both material benefits (e.g. gifts, protection, shelter) as well as non-material ones (e.g. favors, certain normative rights). The word is derived from '' xenos'' 'stranger'. The Greek god Zeus is sometimes called Zeus Xenios in his role as a protector of strangers. He thus embodied the moral obligation to be hospitable to foreigners and guests. Theoxeny or ''theoxenia'' is a theme in Greek mythology in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epigram
An epigram is a brief, interesting, memorable, and sometimes surprising or satirical statement. The word is derived from the Greek "inscription" from "to write on, to inscribe", and the literary device has been employed for over two millennia. The presence of wit or sarcasm tends to distinguish non-poetic epigrams from aphorisms and adages, which tend to lack those qualities. Ancient Greek The Greek tradition of epigrams began as poems inscribed on votive offerings at sanctuariesincluding statues of athletesand on funerary monuments, for example "Go tell it to the Spartans, passersby...". These original epigrams did the same job as a short prose text might have done, but in verse. Epigram became a literary genre in the Hellenistic period, probably developing out of scholarly collections of inscriptional epigrams. Though modern epigrams are usually thought of as very short, Greek literary epigram was not always as short as later examples, and the divide between " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Literature
Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. The beginning of formal Latin literature dates to 240 BC, when the first stage play in Latin was performed in Rome. Latin literature would flourish for the next six centuries. The classical era of Latin literature can be roughly divided into the following periods: Early Latin literature, The Golden Age, The Imperial Period and Late Antiquity. Latin was the language of the ancient Romans, but it was also the '' lingua franca'' of Western and Central Europe throughout the Middle Ages, so Latin literature includes not only Roman authors like Cicero, Virgil, Ovid and Horace, but also includes European writers after the fall of the Empire, from religious writers like Aquinas (1225–1274), to secular writers like Francis Bacon (1561–1626), Baruch Spinoza (1632–1677), and Isaac Newton (1642–1727). History Early Latin literature Although literature in Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martial
Marcus Valerius Martialis (known in English as Martial ; March, between 38 and 41 AD – between 102 and 104 AD) was a Roman poet from Hispania (modern Spain) best known for his twelve books of ''Epigrams'', published in Rome between AD 86 and 103, during the reigns of the emperors Domitian, Nerva and Trajan. In these short, witty poems he cheerfully satirises city life and the scandalous activities of his acquaintances, and romanticises his provincial upbringing. He wrote a total of 1,561 epigrams, of which 1,235 are in elegiac couplets. Martial has been called the greatest Latin epigrammatist, and is considered the creator of the modern epigram. Early life Knowledge of his origins and early life are derived almost entirely from his works, which can be more or less dated according to the well-known events to which they refer. In Book X of his ''Epigrams'', composed between 95 and 98, he mentions celebrating his fifty-seventh birthday; hence he was born during March 38, 39, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saturnalia
Saturnalia is an ancient Roman festival and holiday in honour of the god Saturn, held on 17 December of the Julian calendar and later expanded with festivities through to 23 December. The holiday was celebrated with a sacrifice at the Temple of Saturn, in the Roman Forum, and a public banquet, followed by private gift-giving, continual partying, and a carnival atmosphere that overturned Roman social norms: gambling was permitted, and masters provided table service for their slaves as it was seen as a time of liberty for both slaves and freedmen alike. A common custom was the election of a "King of the Saturnalia", who gave orders to people, which were followed and presided over the merrymaking. The gifts exchanged were usually gag gifts or small figurines made of wax or pottery known as '' sigillaria''. The poet Catullus called it "the best of days". Saturnalia was the Roman equivalent to the earlier Greek holiday of Kronia, which was celebrated during the Attic month of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaic
A mosaic is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman Kingdom of Sicily in the 12th century, by the eastern-influenced Republic of Venice, and among the Rus. Mosaic fell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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