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Xipe-Totec
In Aztec mythology and religion, Xipe Totec (; nci-IPA, Xīpe Totēc, ˈʃiːpe ˈtoteːk(ʷ)) or Xipetotec ("Our Lord the Flayed One") was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, and the seasons. Xipe Totec was also known by various other names, including Tlatlauhca (), Tlatlauhqui Tezcatlipoca () ("Red Smoking Mirror") and Yohuallahuan () ("the Night Drinker"), and Yaotzin ("revered enemy"). The Tlaxcaltecs and the Huexotzincas worshipped a version of the deity under the name of Camaxtli, and the god has been identified with Yopi, a Zapotec god represented on Classic Period urns.Miller & Taube 1993, 2003, p.188. The female equivalent of Xipe Totec was the goddess Xilonen- Chicomecoatl. Xipe Totec connected agricultural renewal with warfare. He flayed himself to give food to humanity, symbolic of the way maize seeds lose their outer layer before germination and of snakes shedding their skin. He i ...
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Tezcatlipocas
In Aztec mythology, Creator-gods are the only four Tezcatlipocas, the children of the creator couple Ometecuhtli and Omecihuatl "Lord and Lady of Duality", "Lord and Lady of the Near and the Close", "Father and Mother of the Gods", "Father and Mother of us all", who received the gift of the ability to create other living beings without childbearing. They reside atop a mythical thirteenth heaven Ilhuicatl-Omeyocan "the place of duality". Each of the four sons takes a turn as Sun, these suns are the Five Suns, sun of earth, the Five Suns, sun of air, the Five Suns, sun of fire, the Five Suns, sun of water (Tlaloc, rain god replaces Xipe-Totec). Each world is destroyed. The present era, Five Suns, the Fifth Sun is ushered in when a lowly god, Nanahuatzin sacrifices himself in fire and becomes Tonatiuh, the Fifth Sun. In his new position of power he refuses to go into motion until the gods make sacrifice to him. In an elaborate ceremony, Quetzalcoatl cuts the hearts out of each of the ...
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Aztec Mythology
Aztec mythology is the body or collection of myths of the Aztec civilization of Central Mexico. The Aztecs were Nahuatl-speaking groups living in central Mexico and much of their mythology is similar to that of other Mesoamerican cultures. According to legend, the various groups who were to become the Aztecs arrived from the north into the Anahuac valley around Lake Texcoco. The location of this valley and lake of destination is clear – it is the heart of modern Mexico City – but little can be known with certainty about the origin of the Aztec. There are different accounts of their origin. In the myth the ancestors of the Mexica/Aztec came from a place in the north called Aztlan, the last of seven ''nahuatlacas'' (Nahuatl-speaking tribes, from ''tlaca'', "man") to make the journey southward, hence their name "Azteca." Other accounts cite their origin in Chicomoztoc, "the place of the seven caves," or at Tamoanchan (the legendary origin of all civilizations). The Mexic ...
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Xipe Totec Annotation
In Aztec mythology and religion, Xipe Totec (; nci-IPA, Xīpe Totēc, ˈʃiːpe ˈtoteːk(ʷ)) or Xipetotec ("Our Lord the flaying, Flayed One") was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, and the seasons. Xipe Totec was also known by various other names, including Tlatlauhca (), Tlatlauhqui Tezcatlipoca () ("Red Smoking Mirror") and Yohuallahuan () ("the Night Drinker"), and Yaotzin ("revered enemy"). The Tlaxcaltecs and the Huexotzincas worshipped a version of the deity under the name of Camaxtli, and the god has been identified with Yopi (Zapotec god), Yopi, a Zapotec civilization, Zapotec god represented on Mesoamerican chronology, Classic Period urns.Miller & Taube 1993, 2003, p.188. The female equivalent of Xipe Totec was the goddess Xilonen-Chicomecoatl. Xipe Totec connected agricultural renewal with warfare. He flayed himself to give food to humanity, symbolic of the way maize seeds lose their ...
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Quetzalcoatl
Quetzalcoatl (, ; Spanish: ''Quetzalcóatl'' ; nci-IPA, Quetzalcōātl, ket͡saɬˈkoːaːt͡ɬ (Modern Nahuatl pronunciation), in honorific form: ''Quetzalcōātzin'') is a deity in Aztec culture and literature whose name comes from the Nahuatl language and means "Precious serpent" or " Quetzal-feathered Serpent". In the 17th century, Ixtlilxóchitl, a descendant of Aztec royalty and historian of the Nahua people, wrote, "Quetzalcoatl, in its literal sense, means 'serpent of precious feathers', but in the allegorical sense, 'wisest of men'." Among the Aztecs, whose beliefs are the best-documented in the historical sources, Quetzalcoatl was related to gods of the wind, of the planet Venus, of the dawn, of merchants and of arts, crafts and knowledge. He was also the patron god of the Aztec priesthood, of learning and knowledge. Quetzalcoatl was one of several important gods in the Aztec pantheon, along with the gods Tlaloc, Tezcatlipoca and Huitzilopochtli. Two other gods re ...
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Tezcatlipoca
Tezcatlipoca (; nci, Tēzcatl ihpōca ) was a central deity in Aztec religion, and his main festival was the Toxcatl ceremony celebrated in the month of May. One of the four sons of Ōmeteōtl, Ometecuhtli and Omecihuatl, the God of providence, he is associated with a wide range of concepts, including the night sky, the night winds, hurricanes, the north, the earth, obsidian, hostility, discord, rulership, divination, temptation, Jaguars in Mesoamerican cultures, jaguars, sorcery, beauty, war, and conflict. His name in the Nahuatl language is often translated as "Smoking Mirror" and alludes to his connection to Obsidian use in Mesoamerica, obsidian, the material from which Mirrors in Mesoamerican culture, mirrors were made in Mesoamerica and which were used for shamanism, shamanic rituals and prophecy. Another talisman related to Tezcatlipoca was a disc worn as a chest pectoral. This talisman was carved out of abalone shell and depicted on the chest of both Huitzilopochtli and ...
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Camaxtli
Mixcoatl ( nah, Mixcōhuātl}, from mixtli "cloud" and cōātl "serpent"), or Camaxtle or Camaxtli, was the god of the hunt and identified with the Milky Way, the stars, and the heavens in several Mesoamerican cultures. He was the patron deity of the Otomi, the Chichimecs, and several groups that claimed descent from the Chichimecs. Under the name of Camaxtli, Mixcoatl was worshipped as the central deity of Huejotzingo and Tlaxcala. Representation Mixcoatl is represented with a black mask over his eyes and distinctive red and white pin stripes painted on his body. These features are shared with Tlahuizcalpanteuctli, the Lord of the Dawn, god of the morning star, as well as Itzpapalotl, goddess of infant mortality who was sometimes said to be his mother. Unlike Tlahuizcalpanteuctli, Mixcoatl can usually be distinguished by his hunting gear, which included a bow and arrows, and a net or basket for carrying dead game. Mythology Mixcoatl was one of four children of Tonacatecut ...
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Codex Borgia
The Codex Borgia ( The Vatican, Bibl. Vat., Borg.mess.1), also known as ''Codex Borgianus'', ''Manuscrit de Veletri'' and ''Codex Yohualli Ehecatl'', is a pre-Columbian Middle American pictorial manuscript from Central Mexico featuring calendrical and ritual content, dating from the 16th century. It is named after the 18th century Italian Cardinal, Stefano Borgia, who owned it before it was acquired by the Vatican Library after the Cardinal's death in 1804. The Codex Borgia is a member of, and gives its name to, the Borgia Group of manuscripts. It is considered to be among the most important sources for the study of Central Mexican gods, ritual, divination, calendar, religion and iconography. It is one of only a handful of pre-Columbian Mexican codices that were not destroyed during the conquest in the 16th century; it was perhaps written near Cholula, Tlaxcala, Huejotzingo or the Mixtec region of Puebla. Its ethnic affiliation is unclear, and could either have been produced by ...
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Yopi (Zapotec God)
Yopi may refer to: * Yopi (Zapotec god), a Zapotec civilization, Zapotec divinity, generally identified with Xipe Totec of the Aztecs * Tlapanec people, known to the Aztecs as ''Yopi'' * Tlapanec language See also

* Yopy, a brand of personal digital assistants {{Disambiguation ...
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Silversmith
A silversmith is a metalworker who crafts objects from silver. The terms ''silversmith'' and ''goldsmith'' are not exactly synonyms as the techniques, training, history, and guilds are or were largely the same but the end product may vary greatly as may the scale of objects created. History In the ancient Near East the value of silver to gold was lower, allowing a silversmith to produce objects and store these as stock. Ogden states that according to an edict written by Diocletian in 301 A.D., a silversmith was able to charge 75, 100, 150, 200, 250, or 300 ''denarii'' for material produce (per Roman pound). At that time, guilds of silversmiths formed to arbitrate disputes, protect its members' welfare and educate the public of the trade. Silversmiths in medieval Europe and England formed guilds and transmitted their tools and techniques to new generations via the apprentice tradition. Silver working guilds often maintained consistency and upheld standards at the expense of in ...
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Tlaxcaltec
The Tlaxcalans, or Tlaxcaltecs, are a Nahua people who live in the Mexican state of Tlaxcala. Pre-Columbian history The Tlaxcaltecs were originally a conglomeration of three distinct ethnic groups who spoke Nahuatl, Otomi, and Pinome that comprised the four city-states of the Tlaxcala Confederation. Eventually, the Nahuatl speakers became the dominant ethnic group. Despite early attempts by the Mexica, the Tlaxcaltecs were never conquered by the Aztec Triple Alliance. Some of the wars between the Tlaxcalans and the Aztecs are called the xochiyaoyatl (flower wars), as their objective was not to conquer but rather to capture enemy warriors for sacrifice.Hassig, Ross (1988). ''Aztec Warfare: Imperial Expansion and Political Control''. Norman: University of Oklahoma Press. p. 130. . Spanish colonial history Eager to overthrow the Aztecs, which were their hated enemies, the Tlaxcaltecs allied with Hernán Cortés and his fellow Spanish conquistadors and were instrumental in the inv ...
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Mesoamerican Chronology
Mesoamerican chronology divides the history of pre-Columbian, prehispanic Mesoamerica into several periods: the Paleo-Indian (first human habitation until 3500 BCE); the Archaic (before 2600 BCE), the Preclassic or Formative (2500 BCE – 250 CE), the Classic (250–900 CE), and the Postclassic (); as well as the post European contact Colonial Period (1521–1821), and Postcolonial, or the period after independence from Spain (1821–present). The periodisation of Mesoamerica by researchers is based on archaeological, ethnohistorical, and modern cultural anthropology research dating to the early twentieth century. Archaeologists, ethnohistorians, historians, and cultural anthropologists continue to work to develop cultural histories of the region. Overview Paleo-Indian period 10,000–3500 BCE The Paleo-Indian (less frequently, ''Lithic stage, Lithic'') period or era is that which spans from the first signs of human presence in the region, to t ...
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Zapotec Civilization
The Zapotec civilization ( "The People"; 700 BC–1521 AD) was an indigenous pre-Columbian civilization that flourished in the Valley of Oaxaca in Mesoamerica. Archaeological evidence shows that their culture originated at least 2,500 years ago. The Zapotec archaeological site at the ancient city of Monte Albán has monumental buildings, ball courts, magnificent tombs and grave goods, including finely worked gold jewelry. Monte Albán was one of the first major cities in Mesoamerica. It was the center of a Zapotec state that dominated much of the territory which today is known as the Mexican state of Oaxaca. History Zapotec civilization originated in the Central Valleys of Oaxaca in the late 6th century BC. The three valleys were divided among three different-sized societies, separated by “no-man’s-land” in the middle. The city of Oaxaca much later developed in that area. Archaeological evidence, such as burned temples and sacrificed war captives, suggests that the ...
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