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Webern
Anton Friedrich Wilhelm von Webern (3 December 188315 September 1945), better known as Anton Webern (), was an Austrian composer and conductor whose music was among the most radical of its milieu in its sheer concision, even aphorism, and steadfast embrace of then novel atonal and twelve-tone techniques. With his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was at the core of those within the broader circle of the Second Viennese School. Little known in the earlier part of his life, mostly as a student and follower of Schoenberg, but also as a peripatetic and often unhappy theater music director with a mixed reputation as an exacting conductor, Webern came to some prominence and increasingly high regard as a vocal coach, choirmaster, conductor, and teacher during Red Vienna. With Schoenberg away at the Prussian Academy of Arts (and with the benefit of a publication agreement secured through Universal Edition), Webern began writing music of increasing confidence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atonality
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term ''atonality'' describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. "The repertory of atonal music is characterized by the occurrence of pitches in novel combinations, as well as by the occurrence of familiar pitch combinations in unfamiliar environments". The term is also occasionally used to describe music that is neither tonal nor serial, especially the pre- twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. However, "as a categ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Anton Webern
This is a list of compositions by Anton Webern, the Austrian composer and conductor. Works with opus numbers The works with opus numbers are the ones that Webern saw fit to have published in his own lifetime, plus a few late works published after his death. They constitute the main body of his work, although several pieces of juvenilia and a few mature pieces that do not have opus numbers are occasionally performed today. * Op. 1, Passacaglia for orchestra (1908) * Op. 2, ''Entflieht auf leichten Kähnen'' for a cappella choir, on a poem by Stefan George (1908) * Op. 3, ''Fünf Lieder'' (Five Songs) for voice and piano, on ''Der Siebente Ring'' by Stefan George (1907–08) * Op. 4, ''Fünf Lieder'' for voice and piano, poems by Stefan George (1908–09) * Op. 5, ''Five Movements'' for string quartet (1909); version for string orchestra (1929) * Op. 6, ''Six Pieces'' for large orchestra (1909–10, revised 1928) * Op. 7, ''Four Pieces'' for violin and piano (1910) * Op. 8, ''Zwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second Viennese School
The Second Viennese School (german: Zweite Wiener Schule, Neue Wiener Schule) was the group of composers that comprised Arnold Schoenberg and his pupils, particularly Alban Berg and Anton Webern, and close associates in early 20th-century Vienna. Their music was initially characterized by late- Romantic expanded tonality and later, a totally chromatic expressionism without firm tonal centre, often referred to as atonality; and later still, Schoenberg's serial twelve-tone technique. Adorno said that the twelve-tone method, when it had evolved into maturity, was a "veritable message in a bottle", addressed to an unknown and uncertain future. Though this common development took place, it neither followed a common time-line nor a cooperative path. Likewise, it was not a direct result of Schoenberg's teaching—which, as his various published textbooks demonstrate, was highly traditional and conservative. Schoenberg's textbooks also reveal that the Second Viennese School spawned n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schoenberg
Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionism, expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He immigrated to the United States in 1933, becoming an American citizen in 1941. Schoenberg's approach, bοth in terms of harmony and development, has shaped much of 20th-century musical thought. Many composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German German Romanticism, Romantic styles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve-tone Technique
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919. In 1923, Arnold Schoenberg (1874–1951) developed his own, better-known version of 12-tone technique, which became associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one notePerle 1977, 2. through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Jalowetz
Heinrich Jalowetz (December 3, 1882 – February 2, 1946) was an Austrian musicologist and conductor, who settled in the United States. He was one of the core members of what became known as the Second Viennese School in the orbit of Arnold Schoenberg. Biography Heinrich Jalowetz was born on December 3, 1882, in Brno, Moravia, to Jewish parents Emilie Jalowetz (née Deutsch) and Julius Jalowetz. A musicology pupil of Guido Adler,Martin Brody, ''Black Mountain College: Experiment in Art'' (MIT Press, 2003: ), p. 246. Jalowetz was among Arnold Schoenberg's first students in Vienna, 1904–1908. He completed his doctorate degree in 1908, with a dissertation on Beethoven's early techniques in melody. In 1908, he married Johanna Groag. From 1909 to 1933, he worked as a conductor in Regensburg, Danzig, Stettin, Prague, Vienna and Cologne (as successor to Otto Klemperer). In 1933, he left Germany and moved to Prague with his wife because of the rise of anti-Semitism in Nazi Germ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erwin Stein
Erwin Stein (7 November 188519 July 1958) was an Austrian musician and writer, prominent as a pupil and friend of Schoenberg, with whom he studied between 1906 and 1910.Basil, Douglas. Obituary ''The Musical Times'', Vol. 99, No. 1387 (September, 1958), p. 501 Career Stein worked as a conductor before the First World War. In 1918 Schoenberg founded the , which presented modern compositions (from Mahler to the present day). Stein was one of his principal assistants in this project which ran for a few y ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the or the '' |
Rudolf Kolisch
Rudolf Kolisch (July 20, 1896 – August 1, 1978) was a Viennese violinist and leader of string quartets, including the Kolisch Quartet and the Pro Arte Quartet. Early life and education Kolisch was born in Klamm, Schottwien, Lower Austria and raised in Vienna, the son of Henriette Anna Theresia (Hoffmann) and Rudolf Rafael Kolisch, a prominent physician and Dozent at the University. One of his two sisters was Gertrud Schoenberg. His father and maternal grandfather were Jewish, while his maternal grandmother was Catholic. Due to a childhood injury to the middle finger of his left hand, Kolisch, who had already begun to play the violin, relearned the instrument with the functions of the hands reversed. Following service in World War I, Kolisch attended both the University and the Musikakademie, where he studied violin with Ottokar Ševčik, composition with Franz Schreker and conducting with Franz Schalk, intending at first to make a career as a conductor. Career In 1919 he began ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Gerhard
Robert Gerhard i Ottenwaelder (; 25 September 1896 – 5 January 1970) was a Spanish Catalan composer and musical scholar and writer, generally known outside Catalonia as Roberto Gerhard.Malcolm MacDonald. 'Gerhard, Roberto' in ''Grove Music Online'' (2001) Life Gerhard was born in Valls, near Tarragona, Spain, the son of a German-Swiss father and an Alsatian mother. He was predisposed to an international, multilingual outlook. He studied piano with Enrique Granados and composition with scholar-composer Felip Pedrell, teacher of Isaac Albéniz, Granados and Manuel de Falla. When Pedrell died in 1922, Gerhard tried unsuccessfully to become a pupil of Falla and considered studying with Charles Koechlin in Paris but then approached Arnold Schoenberg, who on the strength of a few early compositions accepted him as his only Spanish pupil. Gerhard spent several years with Schoenberg in Vienna and Berlin. Returning to Barcelona in 1928, he devoted his energies to new music through c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Pisk
Paul Amadeus Pisk (May 16, 1893, Vienna – January 12, 1990, Los Angeles) was an Austrian-born composer and musicologist. A prize named in his honor is the highest award for a graduate student paper at the annual meeting of the American Musicological Society. Pisk earned his doctorate in musicology from Vienna University in 1916, studying under Guido Adler. Afterwards he studied conducting at the Imperial Academy of Music and the Performing Arts graduating in 1919. His teachers there included Franz Schreker (counterpoint). Pisk also studied privately with Arnold Schoenberg from 1917 to 1919. He then taught at the Vienna Academy and gave adult education lectures, especially at the Volkshochschule Volksheim Ottakring, where from 1922 to 1934 he was director of the music department. He also taught at the New Vienna Conservatory from 1925 to 1926 and the Austro-American Conservatory near Salzburg from 1931 to 1933. Pisk's students included Leopold Spinner. He was also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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