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Works Of Jayadeva
Jayadeva was an 11th-century Sanskrit poet and lyricist from present-day India. The works of Jayadeva have had a profound influence on Indian culture. They form the basis of the east Indian classical dance form, Odissi as well as traditional classical music of the state, Odissi music and have strongly influenced the Bharatanatyam classical dance as well as Carnatic music. Jayadeva's composition has also been incorporated in the Guru Granth Sahib. Religion Jayadeva has had a profound influence on the religious practices of Hinduism. The classic ''Tribhangi'' (threefold) posture of Krishna playing the flute gained popularity due to him. Dashavatara Jayadeva was instrumental in popularizing the ''Dasavatara'', the ten incarnations of Krishna in his composition ''Dasakritikrite''. Additionally, the Gita Govinda begins with a Dasavatara stotra. In Jayadeva's version of Dasavatara, Buddha is an incarnation of Vishnu, while Krishna is not incorporated because Krishna is the source of all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jayadeva
Jayadeva (; born ), also spelt Jaideva, was a Sanskrit poet during the 12th century. He is most known for his epic poem ''Gita Govinda'' which concentrates on Krishna's love with the '' gopi'', Radha, in a rite of spring. This poem, which presents the view that Radha is greater than Krishna, is considered an important text in the Bhakti movement of Hinduism. Little is known of his life, except that he was a loner poet and a Hindu mendicant celebrated for his poetic genius in eastern India. Jayadeva is the earliest dated author of hymns that are included the Guru Granth Sahib, the primary scripture of Sikhism – a religion founded in the Indian subcontinent centuries after his death. Biography A Brahmin by birth, the date and place of Jayadeva's birth are uncertain (see Jayadeva birth controversy). The ''Gitagovinda'' suggests that he was born in the "Kindubilva" village: scholars of Odisha, Bengal and Mithila have variously identified this place with a present-day village in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naveen Patnaik
Naveen Patnaik (born 16 October 1946) is an Indian politician serving as the current and 14th Chief Minister of Odisha. He is also the president of the Biju Janata Dal, a writer and has authored three books. He is the longest-serving chief minister of Odisha and as of 2022, one of the longest-serving chief ministers of any Indian state, holding the post for over two decades, and only the third Indian chief Minister after Pawan Chamling and Jyoti Basu to win five consecutive terms as Chief Minister of an Indian state. Biography Patnaik was born on 16 October 1946 in Cuttack to Biju Patnaik, former Chief Minister of Odisha, and his wife, Gyan Devi . He was educated at the Welham Boys' School in Dehradun, and later The Doon School. At Doon, he was a classmate of Sanjay Gandhi and three years junior to Rajiv Gandhi, who later became prime minister. After school, he went to the St. Stephen's College of Delhi University, and obtained a Bachelor of Arts degree. Patnaik is a write ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jammu And Kashmir (union Territory)
Jammu and Kashmir is a region administered by India as a union territory and consists of the southern portion of the larger Kashmir region, which has been the subject of a dispute between India and Pakistan since 1947, and between India and China since 1962.(a) (subscription required) Quote: "Kashmir, region of the northwestern Indian subcontinent ... has been the subject of dispute between India and Pakistan since the partition of the Indian subcontinent in 1947. The northern and western portions are administered by Pakistan and comprise three areas: Azad Kashmir, Gilgit, and Baltistan, the last two being part of a territory called the Northern Areas. Administered by India are the southern and southeastern portions, which constitute the state of Jammu and Kashmir but are slated to be split into two union territories. China became active in the eastern area of Kashmir in the 1950s and has controlled the northeastern part of Ladakh (the easternmost portion of the region) sinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basohli Painting
Basohli (formerly Vishwasthali) is a town near Kathua in Kathua district in the union territory of Jammu and Kashmir, India. It is situated on the right bank of River Ravi at an altitude of 1876 ft. It was founded by Raja Bhupat Pal sometime in 1635. It was known for the palaces which are now in ruins and miniatures paintings (Basohli school of Pahari painting). The Battle of Basoli was fought in this region. Geography Basohli is located at . It has an average elevation of 460 metres (1509 feet). Basohli is situated in the uneven lofty hills of Shiwaliks. It is situated in the right bank of Ravi river. Basohli's Thein dam has made it almost landlocked. Demographics According to 2011 census, Basohli had a population of 5433. Males constituted 52.01% of the population and females 47.99%. Basohli had an average literacy rate of 77%, higher than the national average of 59.5%; with 57% of the males and 43% of females literate. 12% of the population was under 6 years of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Himachal Pradesh
Himachal Pradesh (; ; "Snow-laden Mountain Province") is a state in the northern part of India. Situated in the Western Himalayas, it is one of the thirteen mountain states and is characterized by an extreme landscape featuring several peaks and extensive river systems. Himachal Pradesh is the northernmost state of India and shares borders with the union territories of Jammu and Kashmir and Ladakh to the north, and the states of Punjab to the west, Haryana to the southwest, Uttarakhand to the southeast and a very narrow border with Uttar Pradesh to the south. The state also shares an international border to the east with the Tibet Autonomous Region in China. Himachal Pradesh is also known as , meaning 'Land of Gods' and which means 'Land of the Brave'. The predominantly mountainous region comprising the present-day Himachal Pradesh has been inhabited since pre-historic times, having witnessed multiple waves of human migrations from other areas. Through its history, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jammu
Jammu is the winter capital of the Indian union territory of Jammu and Kashmir (union territory), Jammu and Kashmir. It is the headquarters and the largest city in Jammu district of the union territory. Lying on the banks of the river Tawi River, Tawi, the city of Jammu, with an area of , is surrounded by the Himalayas in the north and the Indo-Gangetic Plain, northern-plains in the south. Jammu is the second most populous city of the union territory. Three battles have been fought in the city: first by the founder Raja Mal Dev against Timur in Battle of Jammu (1399), second by Sardar Bhag Singh against Mughal army in Battle of Jammu (1712) and the third by Mian Dido & Maharaja Gulab Singh against Ranjit Singh's army in Battle of Jammu (1808). Known as the ''City of Temples'' for its ancient temples and Hindu shrines, Jammu is the most visited place in the union territory. Jammu city shares its borders with the neighbouring Samba district. Etymology According to local tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pahari Painting
Pahari painting (literally meaning a painting from the mountainous regions: ''pahar'' means a mountain in Hindi) is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from Himalayan hill kingdoms of North India, during 17th-19th century, notably Basohli, Mankot, Nurpur, Chamba, Kangra, Guler, Mandi and Garhwal. Nainsukh was a famous master of the mid-18th century, followed by his family workshop for another two generations. The central theme of Pahari painting is depiction of eternal love of Hindu deities Radha and Krishna. Origin and area The Pahari school developed and flourished during 17th-19th centuries stretching from Jammu to Garhwal, in the sub- Himalayan India, through Himachal Pradesh. Each created stark variations within the genre, ranging from bold intense Basohli Painting, originating from Basohli in Jammu and Kashmir, to the delicate and lyrical Kangra paintings, which became synonymous to the style before o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patachitra
Patachitra or Pattachitra is a general term for traditional, cloth-based scroll painting, based in the eastern Indian states of Odisha, West Bengal and parts of Bangladesh. Patachitra artform is known for its intricate details as well as mythological narratives and folktales inscribed in it. Pattachitra is one of the ancient artworks of Odisha, originally created for ritual use and as souvenirs for pilgrims to Puri, as well as other temples in Odisha. Patachitras are a component of an ancient Bengali narrative art, originally serving as a visual device during the performance of a song. Etymology In the Sanskrit, ''paṭṭa'' means "cloth" and ''chitra'' means "picture". Most of these paintings depict stories of Hindu deities. Odisha Pattachitra Pattachitra is a traditional painting of Odisha, India.http://odisha.gov.in/e-magazine/Orissareview/2010/November/engpdf/46-48.pdf These paintings are based on Hindu mythology and specially inspired by Jagannath and Vaishnava s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gita Govinda
The ''Gita Govinda'' ( sa, गीत गोविन्दम्; ) is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organized into twelve chapters. Each chapter is further sub-divided into one or more divisions called ''Prabandha''s, totalling twenty-four in all. The prabandhas contain couplets grouped into eights, called ''Ashtapadis''. It is mentioned that Radha is greater than Krishna. The text also elaborates the eight moods of Heroine, the ''Ashta Nayika'', which has been an inspiration for many compositions and choreographic works in Indian classical dances. Summary The work delineates the love of Krishna for Radha, the milkmaid, his faithlessness and subsequent return to her, and is taken as symbolical of the human soul's straying from its true allegiance but returning at length to the God which created it. Chapters # ''Sāmoda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jagannath
Jagannath ( or, ଜଗନ୍ନାଥ, lit=Lord of the Universe, Jagannātha; formerly en, Juggernaut) is a deity worshipped in regional Hindu traditions in India and Bangladesh as part of a triad along with his brother Balabhadra, and sister, Subhadra. Jagannath, within Odia Hinduism, is the supreme god, ''Purushottama'', and the ''Para Brahman''. To most Vaishnava Hindus, particularly the Krishnaites, Jagannath is an abstract representation of Krishna, or Vishnu, sometimes as the avatar of Krishna or Vishnu. To some Shaiva and Shakta Hindus, he is a symmetry-filled tantric form of Bhairava, a fierce manifestation of Shiva associated with annihilation. The Jagannathism ( Odia Vaishnavism) — the particular sector of Jagannath as a major deity — emerged in the Early Middle Ages and later became an independent state regional temple-centered tradition of Krishnaism/Vaishnavism. The idol of Jagannath is a carved and decorated wooden stump with large round eyes and a symme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tala (music)
A tala ( IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedic era texts of Hinduism, such as the '' Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct till about the 16th century. There on, during the tumultuous period of Islamic rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raga
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar (raga), Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman (raga), Yaman, which have great scope for improvisation and for which performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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