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Pahari Painting
Pahari painting (literally meaning a painting from the mountainous regions: ''pahar'' means a mountain in Hindi) is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from Himalayan hill kingdoms of North India, during 17th-19th century, notably Basohli, Mankot, Nurpur, Chamba, Kangra, Guler, Mandi and Garhwal. Nainsukh was a famous master of the mid-18th century, followed by his family workshop for another two generations. The central theme of Pahari painting is depiction of eternal love of Hindu deities Radha and Krishna. Origin and area The Pahari school developed and flourished during 17th-19th centuries stretching from Jammu to Garhwal, in the sub- Himalayan India, through Himachal Pradesh. Each created stark variations within the genre, ranging from bold intense Basohli Painting, originating from Basohli in Jammu and Kashmir, to the delicate and lyrical Kangra paintings, which became synonymous to the style before o ...
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Nala Damayanti
Nala Damayanthi may refer to: * Nala and Damayanti ''Damayanti'' (Sanskrit: दमयंती) is a character in a love story found in the Vana Parva book of the Mahabharata. She was the daughter of Bhima (not the Pandava one) and a princess of the Vidarbha Kingdom, who married King Nala of th ..., characters from the ''Mahabharatha'' * ''Nala Damayanthi'' (1959 film), a Tamil film directed by Kemparaj * ''Nala Damayanthi'' (2003 film), a Tamil film directed by Mouli {{Disambiguation ...
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Jammu
Jammu is the winter capital of the Indian union territory of Jammu and Kashmir (union territory), Jammu and Kashmir. It is the headquarters and the largest city in Jammu district of the union territory. Lying on the banks of the river Tawi River, Tawi, the city of Jammu, with an area of , is surrounded by the Himalayas in the north and the Indo-Gangetic Plain, northern-plains in the south. Jammu is the second most populous city of the union territory. Three battles have been fought in the city: first by the founder Raja Mal Dev against Timur in Battle of Jammu (1399), second by Sardar Bhag Singh against Mughal army in Battle of Jammu (1712) and the third by Mian Dido & Maharaja Gulab Singh against Ranjit Singh's army in Battle of Jammu (1808). Known as the ''City of Temples'' for its ancient temples and Hindu shrines, Jammu is the most visited place in the union territory. Jammu city shares its borders with the neighbouring Samba district. Etymology According to local tradit ...
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Kashmir
Kashmir () is the northernmost geographical region of the Indian subcontinent. Until the mid-19th century, the term "Kashmir" denoted only the Kashmir Valley between the Great Himalayas and the Pir Panjal Range. Today, the term encompasses a larger area that includes the Indian-administered territories of Jammu and Kashmir and Ladakh, the Pakistani-administered territories of Azad Kashmir and Gilgit-Baltistan, and the Chinese-administered territories of Aksai Chin and the Trans-Karakoram Tract. Quote: "Kashmir, region of the northwestern Indian subcontinent. It is bounded by the Uygur Autonomous Region of Xinjiang to the northeast and the Tibet Autonomous Region to the east (both parts of China), by the Indian states of Himachal Pradesh and Punjab to the south, by Pakistan to the west, and by Afghanistan to the northwest. The northern and western portions are administered by Pakistan and comprise three areas: Azad Kashmir, Gilgit, and Baltistan, ... The southern and so ...
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Mughal Painting
Mughal painting is a style of painting on paper confined to miniature (illuminated manuscript), miniatures either as book illustrations or as single works to be kept in albums (muraqqa), from the territory of the Mughal Empire in South Asia. It emerged from Persian miniature painting (itself partly of Chinese painting, Chinese origin) and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings. The Mughal emperors were Muslims and they are credited with consolidating Islam in South Asia, and spreading Muslim (and particularly Persian) arts and culture as well as the faith. Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although man ...
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Gita Govinda
The ''Gita Govinda'' ( sa, गीत गोविन्दम्; ) is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and ''gopis'' (female cow herders) of Vrindavan. The ''Gita Govinda'' is organized into twelve chapters. Each chapter is further sub-divided into one or more divisions called ''Prabandha''s, totalling twenty-four in all. The prabandhas contain couplets grouped into eights, called ''Ashtapadis''. It is mentioned that Radha is greater than Krishna. The text also elaborates the eight moods of Heroine, the ''Ashta Nayika'', which has been an inspiration for many compositions and choreographic works in Indian classical dances. Summary The work delineates the love of Krishna for Radha, the milkmaid, his faithlessness and subsequent return to her, and is taken as symbolical of the human soul's straying from its true allegiance but returning at length to the God which created it. Chapters # ''Sāmoda ...
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Jayadeva
Jayadeva (; born ), also spelt Jaideva, was a Sanskrit poet during the 12th century. He is most known for his epic poem ''Gita Govinda'' which concentrates on Krishna's love with the '' gopi'', Radha, in a rite of spring. This poem, which presents the view that Radha is greater than Krishna, is considered an important text in the Bhakti movement of Hinduism. Little is known of his life, except that he was a loner poet and a Hindu mendicant celebrated for his poetic genius in eastern India. Jayadeva is the earliest dated author of hymns that are included the Guru Granth Sahib, the primary scripture of Sikhism – a religion founded in the Indian subcontinent centuries after his death. Biography A Brahmin by birth, the date and place of Jayadeva's birth are uncertain (see Jayadeva birth controversy). The ''Gitagovinda'' suggests that he was born in the "Kindubilva" village: scholars of Odisha, Bengal and Mithila have variously identified this place with a present-day village in t ...
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Works Of Jayadeva
Jayadeva was an 11th-century Sanskrit poet and lyricist from present-day India. The works of Jayadeva have had a profound influence on Indian culture. They form the basis of the east Indian classical dance form, Odissi as well as traditional classical music of the state, Odissi music and have strongly influenced the Bharatanatyam classical dance as well as Carnatic music. Jayadeva's composition has also been incorporated in the Guru Granth Sahib. Religion Jayadeva has had a profound influence on the religious practices of Hinduism. The classic ''Tribhangi'' (threefold) posture of Krishna playing the flute gained popularity due to him. Dashavatara Jayadeva was instrumental in popularizing the ''Dasavatara'', the ten incarnations of Krishna in his composition ''Dasakritikrite''. Additionally, the Gita Govinda begins with a Dasavatara stotra. In Jayadeva's version of Dasavatara, Buddha is an incarnation of Vishnu, while Krishna is not incorporated because Krishna is the source of all ...
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Mola Ram
Mola Ram or Maula Ram ( deva, मौला राम) (1743–1833), p.119 was an Indian art, Indian painter, who originated the Garhwal division, Garhwal branch of the Kangra painting, Kangra school of painting., pp.75–76 He was also a poet, historian and diplomat., p.25 Much research about him was done by Mukandi Lal. Life and career He was born in Srinagar, Uttarakhand, Srinagar (now in Uttarakhand) to Mangat Ram and Rami Devi and worked for the Garhwal Kingdom from 1777 until its annexation first by the Gorkha Kingdom, Gorkhas in 1803 followed by the British Raj in 1815. It is said, p.129 that two miniature painters of the Mughal Empire, Mughal imperial court at Delhi, Sham Das and his son Har Das (or Kehar Das), accompanied Sulaiman Shikoh, the son of Dara Shikoh, when he escaped from his uncle Aurangzeb in 1658 and sought refuge from Prithvi Shah of the Garhwal Kingdom, which had its capital in Srinagar. The painters remained in Srinagar as the royal ''tasbirdar'' (pi ...
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Paintings
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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Kangra Paintings
Kangra painting (Hindi: कांगड़ा चित्रकारी) is the pictorial art of Kangra, named after the Kangra State, a former princely state of Himachal Pradesh, which patronized the art. It became prevalent with the fading of Basohli school of painting in mid-18th century, and soon produced such a magnitude in paintings both in content as well as volume, that the Pahari painting school, came to be known as Kangra paintings. Though the main centres of Kangra paintings are Guler, Basohli, Chamba, Nurpur, Bilaspur and Kangra. Later on this style also reached Mandi, Suket, Kullu, Arki, Nalagarh and Tehri Garhwal (represented by Mola Ram), and now are collectively known as Pahari painting, covering the style that was patronized by Rajput rulers between the 17th and 19th centuries. Pahari paintings, as the name suggests, were paintings executed in the hilly regions of India, in the sub-Himalayan state of Himachal Pradesh."Kangra Painting" https://www.auchity ...
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Jammu And Kashmir (union Territory)
Jammu and Kashmir is a region administered by India as a union territory and consists of the southern portion of the larger Kashmir region, which has been the subject of a dispute between India and Pakistan since 1947, and between India and China since 1962.(a) (subscription required) Quote: "Kashmir, region of the northwestern Indian subcontinent ... has been the subject of dispute between India and Pakistan since the partition of the Indian subcontinent in 1947. The northern and western portions are administered by Pakistan and comprise three areas: Azad Kashmir, Gilgit, and Baltistan, the last two being part of a territory called the Northern Areas. Administered by India are the southern and southeastern portions, which constitute the state of Jammu and Kashmir but are slated to be split into two union territories. China became active in the eastern area of Kashmir in the 1950s and has controlled the northeastern part of Ladakh (the easternmost portion of the region) sinc ...
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Basohli Painting
Basohli (formerly Vishwasthali) is a town near Kathua in Kathua district in the union territory of Jammu and Kashmir, India. It is situated on the right bank of River Ravi at an altitude of 1876 ft. It was founded by Raja Bhupat Pal sometime in 1635. It was known for the palaces which are now in ruins and miniatures paintings (Basohli school of Pahari painting). The Battle of Basoli was fought in this region. Geography Basohli is located at . It has an average elevation of 460 metres (1509 feet). Basohli is situated in the uneven lofty hills of Shiwaliks. It is situated in the right bank of Ravi river. Basohli's Thein dam has made it almost landlocked. Demographics According to 2011 census, Basohli had a population of 5433. Males constituted 52.01% of the population and females 47.99%. Basohli had an average literacy rate of 77%, higher than the national average of 59.5%; with 57% of the males and 43% of females literate. 12% of the population was under 6 years of ...
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