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Western Chalukya Literature In Kannada
A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya Dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya Dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami.Kamath (2001), p. 100; B.R. Gopal in Kamath (2001), p. 100 For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani.Kamath 2001, p. 108Cousens 1926, p. 13 Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaiva
Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions ranging from devotional dualistic theism such as Shaiva Siddhanta to yoga-orientated monistic non-theism such as Kashmiri Shaivism.Ganesh Tagare (2002), The Pratyabhijñā Philosophy, Motilal Banarsidass, , pages 16–19 It considers both the Vedas and the Agama texts as important sources of theology.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with footnotesMark Dyczkowski (1989), The Canon of the Śaivāgama, Motilal Banarsidass, , pages 43–44 Shaivism developed as an amalgam of pre-Vedic religions and traditions derived from the southern Tamil Shaiva Siddhanta traditions and philosophies, which were assimilated in the non-Vedic Shiva-tradition. In the process of Sanskritisation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tailapa II
Tailapa II (r. c. 973-997), also known as Taila II and by his title ''Ahavamalla'', was the founder of the Western Chalukya dynasty in southern India. Tailapa claimed descent from the earlier Chalukyas of Vatapi, and initially ruled as a Rashtrakuta vassal from the Tardavadi-1000 province in the modern Bijapur district of Karnataka. When the Rashtrakuta power declined following an invasion by the Paramara king Siyaka, Tailapa overthrew the Rashtrakuta king Karka II, and established a new dynasty. Tailapa spent several years consolidating his control over the western Deccan region between the Narmada and the Tungabhadra rivers. Gradually, several former Rashtrakuta feudatories, including the Shilaharas, acknowledged his suzerainty. Tailapa successfully resisted Chola and Paramara invasions, and imprisoned and killed the invading Paramara king Munja. His general Barapa captured the Lata region in present-day Gujarat, establishing the Lata Chalukya line of chiefs. Tailapa's s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalaburagi District
Kalaburagi district, formerly known as Gulbarga district, is one of the 31 districts of Karnataka state in southern India. Kalaburagi city is the administrative headquarters of the district. The district is the headquarters of Kalaburagi division. This district is situated in north Karnataka between 76°.04' and 77°.42 east longitude, and 17°.12' and 17°.46' north latitude, covering an area of 10,951 km². This district is bounded on the west by Bijapur district and Solapur district of Maharashtra state, on the north by Bidar district and Osmanabad district of Maharashtra state, on the south by Yadgir district, and on the east by Sangareddy and Vikarabad districts of Telangana state. History The name of the area in Kannada is ''Kala-buragi'', meaning "stony land." In the 6th century CE, the district was under the control of the Chalukyas. The Rashtrakutas briefly conquered the area, but were driven out by the Chalukyas who ruled the area for the next two centuries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manyakheta
Malkhed originally known as Manyakheta (IAST: Mānyakheṭa, Prakrit: "Mannakheḍa"), and also known as Malkhed,Village code= 311400 Malkhed (J), Gulbarga, Karnataka is a town in Karnataka, India. It is located on the banks of Kagina river in Sedam Taluk of Kalaburagi district, around 40 km from Kalaburagi. The city reached the peak of its prosperity during the 9th and 10th centuries, serving as the capital of the expansionist Rashtrakuta dynasty, which united almost all of the Deccan. At Manyakheta, there is a historical fort whose restoration is in progress based on a proposal submitted by HKADB (Hyderabad Karnataka Area Development Board). Demographics India census, Malkheda had a population of 11,180 with 5,679 males and 5,501 females and 2,180 households. History Manyakheta rose to prominence when the capital of Rashtrakutas was moved from Mayurkhandi in Bidar district to Mānyakheṭa during the rule of Amoghavarsha I. After the fall of the Rāṣṭrakūṭa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rashtrakuta Empire
Rashtrakuta (IAST: ') (r. 753-982 CE) was a royal Indian dynasty ruling large parts of the Indian subcontinent between the sixth and 10th centuries. The earliest known Rashtrakuta inscription is a 7th-century copper plate grant detailing their rule from manapur a city in Central or West India. Other ruling Rashtrakuta clans from the same period mentioned in inscriptions were the kings of Achalapur and the rulers of Kannauj. Several controversies exist regarding the origin of these early Rashtrakutas, their native homeland and their language. The Elichpur clan was a feudatory of the Badami Chalukyas, and during the rule of Dantidurga, it overthrew Chalukya Kirtivarman II and went on to build an empire with the Gulbarga region in modern Karnataka as its base. This clan came to be known as the Rashtrakutas of Manyakheta, rising to power in South India in 753 AD. At the same time the Pala dynasty of Bengal and the Prathihara dynasty of Malwa were gaining force in eastern and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Verse
Free verse is an open form of poetry, which in its modern form arose through the French ''vers libre'' form. It does not use consistent meter patterns, rhyme, or any musical pattern. It thus tends to follow the rhythm of natural speech. Definition Free verse does not "proceed by a strict set of rules … is not a literary type, and does not conform to a formal structure." It is not considered to be completely free. In 1948, Charles Allen wrote, "The only freedom cadenced verse obtains is a limited freedom from the tight demands of the metered line." Free verse contains some elements of form, including the poetic line, which may vary freely; rhythm; strophes or strophic rhythms; stanzaic patterns and rhythmic units or cadences. It is said that verse is free "when it is not primarily obtained by the metered line." Donald Hall goes as far as to say that "the ''form'' of free verse is as binding and as liberating as the ''form'' of a rondeau," and T. S. Eliot wrote, "No verse is fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tripadi
Tripadi (Kannada, lit. ''tri'': three, ''pad'' or "adi": feet) is a native metre in the Kannada language dating back to c. 700 CE. Definition The ''tripadi'' consists of three lines, each differing from the others in the number of feet and moras (Sanskrit ''matras''),, but in accordance with the following rules: *The first line has 4 feet, each with 5 moras, and a caesura at the end of the second foot. *The 6th and 10th feet of the ''tripadi'' are each required to have the metrical pattern of a ''Brahma'' foot: -\smile \ \mathrm \ \smile\smile\smile \ \mathrm \ -- \ \mathrm \ \smile\smile- \ \ where \smile (breve) denotes a short syllable, and - ( macron) a long one. *The remaining feet have either 5 moras or 4, chosen to satisfy the rules of Nagavarma II: Line 1 20 moras in four feet Line 2 17 moras in four feet Line 3 13 moras in three feet. *There is alliteration of the second letter of each line. Metrical structure An example, of a possible scansion (metrica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veerashaiva
Veerashaivism is a sect within the Shaivism fold of Hinduism. According to tradition, it was transmitted by ''Panchacharyas'', ( kn, ಪಂಚಾಚಾರ್ಯರು, paṃcācāraya from sa, पंचचार्य, pañcācārya), or five acharyas: Renukacharya, Darukacharya, Ekorama, Panditharadhya, Vishwaradhya, and first taught by Renukacharya to Agastya, a Vedic seer. The preachings of Jagadguru Renukacharya Bhagavadpada to rishi Agastya is recorded in the form of a book, ''Shri Siddhantha Shikhamani'', which is regarded as an important holy book for the Veerashaivas. This text is likely a 8th century work, and it likely contains the earliest reference to Veerashaivism in literature. Guru lineage A small manuscript named ''Vira-Saiva-Guru-Parampara'' details the following guru lineage for Veerashaivism in order of priority: Visvesvara Guru, Ekorama, Viresaradhya, Virabhadra, Viranaradhya, Manikyaradhya, Buccayyaradhya, Vira Mallesvaradhya, Desikaradhya, Vrsabha, A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular typ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Champu
Champu or Chapu-Kavya (Devanagari: चम्पू-काव्य) is a genre of literary composition in Indian literature. The word 'Champu' means a combination of poetry and prose. A ''champu-kavya'' consists of a mixture of prose (Gadya-Kavya) and poetry passages (Padya-Kavya), with verses interspersed among prose sections. We can see champu-kavya right from the Vedic period. Ithareya Brahmans Harishchandropakyana is the main example, that it is originated from Vedic period. Champu-kavya is seen in 2nd century AD, on rock inscription of Rudradaman, at Junagadh. It is also seen in Ramayana, Mahabharata, Puranas, and the other Mahakavyas and was a later development in the style of writing. Works in Champu style Kannada Adikavi Pampa, the ''Adikavi'', one of the greatest Kannada poets of all time and one among the ''ratnatrayaru'', pioneered this style when he wrote his classical works, ''Vikramarjuna Vijaya'' (Pampa Bharata) and '' Adipurana'' in it, around 940 CE, and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vachana
Vachana sahitya is a form of rhythmic writing in Kannada (see also Kannada poetry) that evolved in the 11th century and flourished in the 12th century, as a part of the Sharana movement. Madara Chennaiah, an 11th-century cobbler-saint who lived during the reign of the Western Chalukyas is regarded by some scholars as the "father of Vachana poetry." The word "vachanas" literally means "(that which is) said". These are readily intelligible prose texts. Jedara Dasimayya who lived in the mid 10th century is considered the first proponent of lingayatism. Later poets, such as Basavanna (1160), the founder of Lingayatism, prime minister of Southern Kalachuri King Bijjala II, considered Chennaiah to be his inspiration. Vachanas and Sharana movement Basavaadi Sharana's Vachanas are their experiences in the process of God realization. About 800 sharanas practiced the technique and wrote their experiences in terms of ''Guru'' (Unmanifest Chaitanya), ''Linga'' (Manifest Chaitanya), ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
