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Champu
Champu or Chapu-Kavya (Devanagari: चम्पू-काव्य) is a genre of literary composition in Indian literature. The word 'Champu' means a combination of poetry and prose. A ''champu-kavya'' consists of a mixture of prose (Gadya-Kavya) and poetry passages (Padya-Kavya), with verses interspersed among prose sections. There is evidence of chapu-kavya right from the Vedic period. Ithareya Brahmans Harishchandropakyana is the main example of its origin from the Vedic period. Champu-kavya is seen in 2nd century AD, on rock inscription of Rudradaman, at Junagadh. It is also seen in Ramayana, Mahabharata, Puranas, and the other Mahakavyas and was a later development in the style of writing. Works in Champu style Kannada Adikavi Pampa, the ''Adikavi'', one of the greatest Kannada poets of all time and one among the ''ratnatrayaru'', pioneered this style when he wrote his classical works, '' Vikramarjuna Vijaya'' (Pampa Bharata) and '' Adipurana'' in it, around 940 CE, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoysala Literature
Hoysala literature is the large body of literature in the Kannada and Sanskrit languages produced by the Hoysala Empire (1025–1343) in what is now southern India.Kamath (2001), p. 132 The empire was established by Nripa Kama II, came into political prominence during the rule of King Vishnuvardhana (1108–1152), and declined gradually after its defeat by the Khalji dynasty invaders in 1311.Kamath (2001), p. 129 Kannada literature during this period consisted of writings relating to the socio-religious developments of the Jain and Veerashaiva faiths, and to a lesser extent that of the Vaishnavism, Vaishnava faith. The earliest well-known brahmin writers in Kannada were from the Hoysala court.Kamath (2001), pp. 133–134 While most of the courtly textual production was in Kannada,Pollock (2006), pp. 288–289 an important corpus of monastery, monastic Vaishnava literature relating to ''Dvaita'' (dualistic) philosophy was written by the renowned philosopher Madhvacharya in Sansk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kannada Literature
Kannada literature is the Text corpus, corpus of written forms of the Kannada language, which is spoken mainly in the Indian state of Karnataka and written in the Kannada script. Attestations in literature span one and a half millennia, R.S. Mugali (2006), ''The Heritage of Karnataka'', pp. 173–175 with some specific literary works surviving in rich manuscript traditions, extending from the 9th century to the present. The Kannada language is usually divided into three linguistic phases: Old (450–1200 CE), Middle (1200–1700 CE) and Modern (1700–present); and its literary characteristics are categorised as Jainism, Jain, Lingayatism and Vaishnavism, Vaishnava—recognising the prominence of these three faiths in giving form to, and fostering, classical expression of the language, until the advent of the modern era. Kittel in Rice E.P. (1921), p. 14Sastri 1955, pp. 355–365Narasimhacharya (1934), pp. 17, 61 Although much of the literature prior to the 18th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adikavi Pampa
Pampa (), also referred to by the honorific Ādikavi ("First Poet"), was a Kannada-language Jain poet whose works reflected his philosophical beliefs. He was a court poet of Vemulavada Chalukya king Arikesari II, who was a feudatory of the Rashtrakuta Emperor Krishna III. Pampa is best known for his epics or ''Pampa Bharata'', and the ''Ādi purāṇa'', both written in the '' champu'' style around . These works served as the model for all future ''champu'' works in Kannada. The works of Jain writers Pampa, Ponna and Ranna, collectively called the "Three gems of Kannada literature", heralded the 10th century era of medieval Kannada literature. Early life There are varying opinions about the early life and native language of Pampa. While it is commonly believed Pampa belonged to a Brahmin family that took to Jainism, their actual place of origin and native is debated. According to the trilingual inscription (in Sanskrit, Kannada and Telugu) installed by Pampa's younge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baladeba Ratha
''Kabisurjya'' Baladeba Ratha (alternatively spelled ''Kabisurya, Kavisurya Baladev Rath,'' Kabisūrjya Baḷadeba Ratha, ; c. 1789 – 1845) was an Indian poet who wrote in the Odia language, and a composer and musician of Odissi music, most known as poet-composer of the ''Champu''. Kabisurjya has composed hundreds of songs in the tradition of Odissi music, employing unique traditional ragas & talas. His magnum opus ''Kisorachandrananda Champu'' is a cornerstone of the Odissi music repertoire & Kabisurjya is widely renowned for his masterful compositions. He wrote in both Sanskrit and Odia. His works are known for their devotional quotient and he is the credited founder of the Dhumpa Sangita tradition. Early life He was born at Athagadapatana, Kabisuryanagar, Ganjam, Odisha. Baladeva Ratha's mother died when he was ten years old. He was brought up by his maternal grand father, Tripurari Hota in Athagada (who also taught him Sanskrit and Odia literature). He married at the ag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odia Literature
Odia literature is literature written in the Odia language, mostly from the Indian state of Odisha. The modern Odia language is mostly formed from Tadbhava words with significant Sanskrit (Tatsama) influences, along with loanwords from Desaja, English, Hindustani (Hindi/Urdu), Persian, and Arabic. Its earliest written texts date from around 1000 CE. The earliest Odia newspaper was '' Utkala Deepika'', first published on August 4, 1866. Historians have divided Odia literature into five main stages: Old Odia (800 AD to 1300 AD), Early Medieval Odia (1300 AD to 1500 AD), Medieval Odia (1500 AD to 1700 AD), Late Medieval Odia (1700 AD to 1850 AD) and Modern Odia (1870 AD to present). Further subdivisions, as seen below, more precisely chart the language's development. 4th century BC The creativity and development of the Odia language and literature can be seen in its spoken forms, such as folk tales, and in written forms, such as rock edicts and manuscripts. Songs sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devanagari
Devanagari ( ; in script: , , ) is an Indic script used in the Indian subcontinent. It is a left-to-right abugida (a type of segmental Writing systems#Segmental systems: alphabets, writing system), based on the ancient ''Brāhmī script, Brāhmī'' script. It is one of the official scripts of India, official scripts of India and Nepal. It was developed in, and was in regular use by, the 8th century CE. It had achieved its modern form by 1000 CE. The Devanāgarī script, composed of 48 primary characters, including 14 vowels and 34 consonants, is the fourth most widely List of writing systems by adoption, adopted writing system in the world, being used for over 120 languages, the most popular of which is Hindi (). The orthography of this script reflects the pronunciation of the language. Unlike the Latin alphabet, the script has no concept of letter case, meaning the script is a unicase, unicameral alphabet. It is written from left to right, has a strong preference for symmetri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maharaja Of Cochin
The kingdom of Cochin or the Cochin State, named after its capital in the city of Kochi (Cochin), was a kingdom in the central part of present-day Kerala state. It originated in the early part of the 12th century and continued to rule until its accession to the Dominion of India in 1949. The kingdom of Cochin, originally known as Perumpadappu Swarupam, was under the rule of the Kulasekhara dynasty (Second Cheras), Later Cheras in the Medieval India, Middle Ages. After the fall of the Kulasekhara dynasty (Second Cheras), Mahodayapuram Cheras in the 12th century, along with numerous other provinces Perumpadappu Swarupam became a free political entity. However, it was only after the arrival of Portuguese on the Malabar Coast that the Perumpadappu Swarupam acquires any political importance. Perumpadappu rulers had family relationships with the Nambudiri rulers of Edappally. After the transfer of Kochi and Vypin from the Edappally rulers to the Perumpadappu rulers, the latter came ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rama Varma Parikshith Thampuran
Darsanakalanidhi Parikshith Thampuran (died 1964) was the last official ruler of the Cochin princely state. Since his father did not have any official heir to the throne, he wished for a son. As per localites he was born after several Yanjnas (a type of hindu rituals in front of a sacred fire), the Raj Purohit (royal priest) then named him Parikshit. He was also known as Ramavarman or Kunjunni Tampuran. He was born in 1876 as the son of Raman Nambutiri of Ottur House and Manku Tampuratti. On 1 July 1949, Travancore and Cochin merged, Travancore-Cochin State came into existence, and the kingdom and the rulership came to an end. He ruled the kingdom for a period of one year and then he continued as the Valliya Thampuran of Cochin. He died in 1964 while he was in Thrippunithura. He was married to Ittyanath Madathil Madhavi from Ittyanath family Villadom, Thrissur. Madhavi was the step daughter of his uncle Rama Varma XVII and Parukutty Nethyaramma (Ittyanath Madathil Parukutty) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prahlādacharita
Prahlādacharitam (or Prahlādacharita) is a Sanskrit Kavya, written in ''Champu'' style by the Sanskrit scholar ''Darsanakalanidhi'' Rama Varma Parikshith Thampuran (former Maharaja of Cochin). It is the story of Asura prince Prahlāda, who was a beloved devotee of Vishnu and to save him Vishnu takes the Avatar of Narasimha. See also *Mani Madhava Chakyar Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiy ... References Sanskrit poetry History of Kochi 20th-century Sanskrit literature {{Poem-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Odissi Music
Odissi music (, ) is a genre of Indian classical music, classical music originating from the eastern state of Odisha. Rooted in the ancient ritual music tradition dedicated to the deity Jagannatha, Odissi music has a rich history spanning over two thousand years, distinguished by its unique ''sangita-shastra''s (musical treatises), a specialized system of Ragas and Talas, and a distinctive style of performance characterised by specific modulations such as the ''āndolita'' and the ''kurāla''. Odissi compositions are largely written in Sanskrit and Odia language, Odia. The various compositional forms of Odissi music include ''Odissi Prabandha, Chaupadi, Chhanda, Champu, Chautisa, Janāna, Mālasri, Bhajana, Sarimāna, Jhulā, Kuduka, Koili, Poi, Boli,'' and more. Presentation dynamics are roughly classified into four: ''rāgānga'', ''bhābānga, nātyānga'' and ''dhrubapadānga''. Some great composer-poets of the Odissi tradition are the 12th-century poet Jayadeva, ''Krupasidd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dinakrushna Das
Fakir Mohan Senapati (; 1650–1710) was an Odia poet, belonging to the Vaishnava tradition of Bhakti movement. He is known for his Odia poem titled "Rasakallola", which is devoted to Lord Krishna. Among his many literary compositions, "Artatrana Chautisa" is a reputed one. Dinakrusna's '' Rasakallola'' and his standalone compositions including " chaupadi", " prabhati", " janana", " chautisa", "bhajana", and " malasri" are central to the repertoire of Odissi music, the traditional classical music of the state. Biography Born at Munutunia in Balasore district Balasore District, also known as Baleswar District, is an administrative district of Odisha state, in eastern India. Balasore is one of the coastal districts of Odisha and lies on the northernmost part of the state. Etymology Baleswar is sa .... Famous for his book ‘Rasakallola’, which describe the Divine Leela of Radha and Krishna and to be a staunch devotee of Lord Jagannath at Puri. Dinakrushna Dasa is an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
