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Prahlādacharita
Prahlādacharitam (or Prahlādacharita) is a Sanskrit Kavya, written in ''Champu'' style by the Sanskrit scholar ''Darsanakalanidhi'' Rama Varma Parikshith Thampuran (former Maharaja of Cochin). It is the story of Asura prince Prahlāda, who was a beloved devotee of Vishnu and to save him Vishnu takes the Avatar of Narasimha. See also *Mani Madhava Chakyar Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Kood ... Sanskrit poetry History of Kochi {{Poem-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani Madhava Chakyar
Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiyattam (ancient Sanskrit drama theatre tradition) artist and authority of modern times. He was considered as the authority of '' Abhinaya'' (the classical Indian acting style) and ''Nātyaśāstra''. Known as "the Emperor of Rasa-Abhinaya", he had an exceptional ability to perform ''Rasa-Abhinaya''. His ''Netrābhinaya'' was world-famous and he had the ability to act only with eyes. He was well versed in all the traditional Koodiyattams and all the ''prabandhas'' used in Chakyar Koothu. He was able to explain the concepts, methods and practices of Koodiyattam and Chakyar Koothu in a clear and authentic way. He had an in depth study of ''Nātyaśāstra'' of Bharata Muni, as well as ways of acting which were popular in Kerala. His knowledg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Champu
Champu or Chapu-Kavya (Devanagari: चम्पू-काव्य) is a genre of literary composition in Indian literature. The word 'Champu' means a combination of poetry and prose. A ''champu-kavya'' consists of a mixture of prose (Gadya-Kavya) and poetry passages (Padya-Kavya), with verses interspersed among prose sections. We can see champu-kavya right from the Vedic period. Ithareya Brahmans Harishchandropakyana is the main example, that it is originated from Vedic period. Champu-kavya is seen in 2nd century AD, on rock inscription of Rudradaman, at Junagadh. It is also seen in Ramayana, Mahabharata, Puranas, and the other Mahakavyas and was a later development in the style of writing. Works in Champu style Kannada Adikavi Pampa, the ''Adikavi'', one of the greatest Kannada poets of all time and one among the ''ratnatrayaru'', pioneered this style when he wrote his classical works, ''Vikramarjuna Vijaya'' (Pampa Bharata) and '' Adipurana'' in it, around 940 CE, and w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rama Varma Parikshith Thampuran
Darsanakalanidhi Parikshith Thampuran (died 1964) was the last official ruler of the Cochin princely state. He was also known as Ramavarman or Kunjunni Tampuran. He was born in 1876 as the son of Raman Nambutiri of Ottur House and Manku Tampuratti. On 1 July 1949, Travancore and Cochin merged, Travancore-Cochin State came into existence, and the kingdom and the rulership came to an end. He ruled the kingdom for a period of one year and then he continued as the Valliya Thampuran of Cochin. He died in 1964 while he was in Thrippunithura. He was married to Ittyanath Madathil Madhavi from Ittyanath family Villadom, Thrissur. Madhavi was the step daughter of his uncle Rama Varma XVII and Parukutty Nethyaramma (Ittyanath Madathil Parukutty). Coronation Parikshith Thampuran had his coronation on the grounds of the Durbar Hall in Ernakulam in August, 1948. This was away from the convention that the coronation was to be held at the A''riyittuvazhcha Kovilakam'' in Mattancherry. Wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit
Sanskrit (; attributively , ; nominally , , ) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting impact on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies. Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rig Veda, a colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maharaja Of Cochin
The Kingdom of Cochin, named after its capital in the city of Kochi (Cochin), was a kingdom in the central part of present-day Kerala state. It commenced at the early part of the 12th century and continued to rule until 1949, when monarchy was abolished by the dominion of India. Historically, the capital of Cochin was in Kodungallur (Cranganore), but in 1341 the capital was moved to Cochin inorder to remedy a disastrous flood. By the early 15th century, Cochin lost its ability to fully defend itself. By the late 15th century, the Cochin kingdom shrank to its minimal extent as a result of invasions by the Zamorin of Calicut. When Portuguese armadas arrived in India, the Kingdom of Cochin had lost its vassals to the Zamorins, including Edapalli and Cranganore, the later of which had even been at the centre of the kingdom historically. Cochin was looking for an opportunity to preserve its independence, which was at risk. King Unni Goda Varma warmly welcomed Pedro Álvares Cabral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prahlāda
Prahlada () is an asura king in Hindu mythology. He is known for his staunch devotion towards the preserver deity, Vishnu. He appears in the narrative of Narasimha, the man-lion avatar of Vishnu, who rescues Prahlada by slaying his wicked father, Hiranyakashipu. Prahlada is described as a saintly boy, known for his innocence and bhakti to Vishnu. Despite the abusive nature of his father, Hiranyakashipu, he continues to worship Vishnu. He is considered to be a ''mahājana'', or great devotee, by followers of Vaishnava traditions. A treatise is accredited to him in the Bhagavata Purana, in which Prahlada describes the process of his loving worship towards Vishnu. The majority of stories in the Puranas regarding him are based on the activities of Prahlada as a young boy, and he is usually depicted as such in paintings and illustrations. Legend Prahlada was born to Kayadhu and Hiranyakashipu, an evil daitya king who had been granted a boon that he could not be killed off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power (Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limitless, transcend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avatar
Avatar (, ; ), is a concept within Hinduism that in Sanskrit literally means "descent". It signifies the material appearance or incarnation of a powerful deity, goddess or spirit on Earth. The relative verb to "alight, to make one's appearance" is sometimes used to refer to any guru or revered human being. The word ''avatar'' does not appear in the Vedic literature; however, it appears in developed forms in post-Vedic literature, and as a noun particularly in the Puranic literature after the 6th century CE. Despite that, the concept of an avatar is compatible with the content of the Vedic literature like the Upanishads as it is symbolic imagery of the Saguna Brahman concept in the philosophy of Hinduism. The ''Rigveda'' describes Indra as endowed with a mysterious power of assuming any form at will. The ''Bhagavad Gita'' expounds the doctrine of Avatara but with terms other than ''avatar''. Theologically, the term is most often associated with the Hindu god Vishnu, though th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narasimha
Narasimha ( sa, नरसिंह, lit=man-lion, ), sometimes rendered Narasingha, is the fourth avatar of the Hindu god Vishnu. He is regarded to have incarnated in the form of a part-lion, part-man being to slay Hiranyakashipu, to end religious persecution and calamity on earth, thereby restoring dharma. Narasimha is often depicted with three eyes, and is described in Vaishnavism to be the God of Destruction; he who destroys the entire universe at the time of the great dissolution (Mahapralaya). Hence, he is known as Kala (time) or Mahakala (great-time), or Parakala (beyond time) in his epithets. There exists a matha (monastery) dedicated to him by the name of Parakala Matha in the Sri Vaishnava tradition. Narasimha is also described as the God of Yoga, in the form of Yoga-Narasimha. Narasimha iconography shows him with a human torso and lower body, with a leonine face and claws, typically with the asura Hiranyakashipu in his lap, whom he is in the process of defeating. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Poetry
Sanskrit literature broadly comprises all literature in the Sanskrit language. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins with the composition of the Ṛg·veda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm). Vedic Sanskrit is the language of the extensive liturgical works of the Vedic religion, while Classical Sanskrit is the language of many of the prominent texts associated with the major Indian religions, especially Hinduism, but also Buddhism, and Jainism. Some Sanskrit Buddhist texts are also composed in a version of Sanskrit often called Buddhist Hybrid Sanskrit or Buddhistic Sanskrit, which contains many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
