|
Weiße Rose (opera)
''Weiße Rose'' (''White Rose'')The title of the opera is often shown as ''Die Weiße Rose''; however, the publisher, Breitkopf & Härtel, shows both versions a''Weiße Rose'' is a chamber opera in one act by Udo Zimmermann. The opera tells the story of Hans and Sophie Scholl, a brother and sister in their early twenties, who were guillotined by the Nazis in 1943 for leading Die Weiße Rose, a non-violent resistance group. The opera premiered at the Dresden Conservatory on 17 June 1967 with a German libretto by the composer's brother, , a well known journalist and writer in Germany. The opera was received fairly well. Zimmermann revised it the following year for a professional production in Schwerin. A completely new and less conventionally narrative opera with and a libretto by Wolfgang Willaschek was premiered at the Hamburg State Opera on 27 February 1986 and was a success with both audience and critics. The opera became an international success and has had performances at m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Udo Zimmermann
Udo Zimmermann (6 October 1943 – 22 October 2021) was a German composer, musicologist, opera director, and conductor. He worked as a professor of composition, founded a centre for contemporary music in Dresden, and was director of the Leipzig Opera and the Deutsche Oper Berlin. He directed a contemporary music series for the Bayerischer Rundfunk and a European centre of the arts in Hellerau. His operas, especially '' Weiße Rose'', on a topic he set to music twice, have been performed internationally, and recorded. Biography Born in Dresden, Zimmermann was a member of the Dresdner Kreuzchor from 1954 to 1962, when he completed the Abitur. Directed by Rudolf Mauersberger, Zimmermann was immersed in the works of Johann Sebastian Bach and learned vocal expression, which became a focus of his own compositions. He wrote three motets which were performed by the choir, including a "Vaterunserlied" in 1959. Education in the choir fostered a humanitarian attitude which he kept for lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Israel Philharmonic Orchestra
The Israel Philharmonic Orchestra (abbreviation IPO; Hebrew: התזמורת הפילהרמונית הישראלית, ''ha-Tizmoret ha-Filharmonit ha-Yisra'elit'') is an Israeli symphony orchestra based in Tel Aviv. Its principal concert venue is Heichal HaTarbut. History The Israel Philharmonic Orchestra was founded as the Palestine Symphony Orchestra by violinist Bronisław Huberman in 1936, at a time of the dismissal of many Jewish musicians from European orchestras. Its inaugural concert took place in Tel Aviv on December 26, 1936, conducted by Arturo Toscanini. Its first principal conductor was William Steinberg. Its general manager between 1938 and 1945 was Leo Kestenberg, who, like many of the orchestra members, was a German Jew forced out by the rise of Nazism and the persecution of Jews. During the Second World War, the orchestra performed 140 times before Allied soldiers, including a 1942 performance for soldiers of the Jewish Brigade at El Alamein. At the end of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriele Fontana
Gabriele Fontana (b. 1958 Innsbruck) is an Austrian operatic soprano. Biography Fontana made her professional opera debut in 1980 as Pamina in ''Die Zauberflöte'' with Oper Frankfurt. She joined the Hamburg State Opera in 1982 where she sang Pamina, Konstanze in ''Die Entführung aus dem Serail'', Sophie in ''Der Rosenkavalier'' and the role of Sophie Scholl in the world premiere of Udo Zimmermann's '' Weisse Rose''; the latter of which she reprised and recorded two years later at the Vienna State Opera. Since then Fontana has been a regular presence at the world's best opera houses making appearances in Hannover, Amsterdam, Berlin, Cologne, Munich, Düsseldorf, Stuttgart, Barcelona, Trieste, Geneva, Tokyo, Philadelphia, Cincinnati, and New York. She has also been a regular performer at the Salzburg Festival and has made appearances at the Glyndebourne Festival, Vienna Festival, the Bregenzer Festspiele, the London Proms, Carinthischer Sommer, Festival di Carpi, Prague Spring Fest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Lutz-Michael Harder
Lutz-Michael Harder (4 September 1942 – 24 August 2019) was a German lyric tenor known mostly for his interpretation of Mozart opera roles and as a baroque concert soloist. He was also an academic voice teacher at the Musikhochschule Hannover. Life Born in Langenfeld (today Długoszyn), Harder made his operatic debut in 1975 at the as Ferrando in Mozart's ''Così fan tutte''. He became a member of the Oldenburgisches Staatstheater for a year and then was member of the Staatsoper Hannover for several years. In 1978, he sang Don Ottavio in Mozart's ''Don Giovanni'' at the Ludwigsburg Festival. In 1985, he starred as Hans Scholl in the world premiere of the second version of Udo Zimmermann's '' Weiße Rose'' at the Hamburg State Opera, a role which he reprised and recorded two years later at the Vienna State Opera. He went on to perform several roles in major houses throughout Germany, Austria, and Switzerland appearing mainly in the works of Mozart. Harder also had a prolifi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Range
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech. Singing and the definition of vocal range While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. Vocal pedagogists tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the notes a voice can produce may not be considered usable by the singer within performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tessitura
In music, tessitura (, pl. ''tessiture'', "texture"; ) is the most acceptable and comfortable vocal range for a given singer or less frequently, musical instrument, the range in which a given type of voice presents its best-sounding (or characteristic) timbre. This broad definition is often interpreted to refer specifically to the pitch range that most frequently occurs within a given part of a musical piece. Hence, in musical notation, ''tessitura'' is the ambitus, or a narrower part of it, in which that particular vocal (or less often instrumental) part lies—whether high or low, etc. However, the tessitura of a part or voice is not decided by the extremes of its range, but rather by the share of this total range which is most used. Hence, it is referred to as the "heart" of a range. For example, throughout the entirety of Wagner's ''Ring'', the music written for the tenor role of Siegfried ranges from C to C, but the tessitura is described as high because the phrases are mos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.png "Click for more on -> The New York Times")