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Walbaum (typeface)
Walbaum is the name given to serif typefaces in the "Didone" or modern style that are, or revive the work of early nineteenth-century punchcutter Justus Erich Walbaum (1768–1837), based in Goslar and then in Weimar. Walbaum-style typefaces are "rational" in design, with minimal serifs and strong contrast between thin horizontal and thick vertical strokes, following the work of typefounders such as Firmin Didot and Giambattista Bodoni. They are often used in publishing and remain very popular in Germany. Walbaum also designed fraktur blackletter typefaces, which (while not stylistically related) similarly have a structured and precise design. Walbaum sold the materials of his foundry to Brockhaus, who in turn sold them to the Berthold Type Foundry. In the twentieth century, Walbaum's type regained popularity through its sale by Berthold and copies were made by several companies. Digital revivals exist from František Štorm (in a release with optical sizes), Monotype (a 1933 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German language, German, ) or "Gothic" (although this often refers to blackletter type as well). In German usage, the term Antiqua (typeface class), Antiqua is used more broadly for serif types. Serif typefaces can be broadly classified into one of four subgroups: Serif#Old-style, Old-style, Serif#Transitional, Transitional, Serif#Didone, Didone, and Serif#Slab serif, Slab serif, in order of first emergence. Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with Roman square capitals, inscriptional lettering—words carved into s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fraktur
Fraktur () is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand. It is designed such that the beginnings and ends of the individual strokes that make up each letter will be clearly visible, and often emphasized; in this way it is often contrasted with the curves of the Antiqua (common) typefaces where the letters are designed to flow and strokes connect together in a continuous fashion. The word "Fraktur" derives from Latin ("a break"), built from , passive participle of ("to break"), which is also the root for the English word "fracture". In non-professional contexts, the term "Fraktur" is sometimes misused to refer to ''all'' blackletter typefaces while Fraktur typefaces do fall under that category, not all blackletter typefaces exhibit the Fraktur characteristics described above. Fraktur is often characterized as "the German typeface", as it remained popular in Germany and much of Eastern Europe far longer than el ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Font Library
The FONTLIBRARY (originally called the Open Font Library) is a project devoted to hosting and encouraging the creation of fonts released under Free Licenses. It is a sister project to Openclipart and hosts over 6000 fonts from over 250 contributors. These are intended to be downloaded, remixed and shared freely. In May 2024, FONTLIBRARY announced the new tagline "Free Fonts Forever". Also, the project announced challenges with artificial intelligence overwhelming the project and a strategy for how to work with artificial intelligence technology and fonts. In January 2024, FONTLIBRARY posted news that they have adopted Nostr for communications. Also, the project announced that the codebase is being rewritten due to the core technology Aiki Framework being in disrepair since the execution of its founder, Bassel Khartabil. A new logo is also in the works to mark the change. Also, the project rebranded itself FONTLIBRARY. History Originally created as the Open Font Library i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MyFonts
MyFonts is a digital fonts distributor, based in Woburn, Massachusetts. It was created by Bitstream Inc., launched in September 1999 (during the ATypI conference in Boston), and started selling fonts in March 2000. In November 2011, Monotype Imaging Monotype Imaging Holdings Inc., founded as Lanston Monotype Machine Company in 1887 in Philadelphia by Tolbert Lanston, is an American (historically Anglo-American) company that specializes in digital typesetting and typeface design for use wit ... announced plans to acquire MyFonts and the other font-related parts of Bitstream for $50 million in cash. Business Wire. 10 November 2011 The acquisition was conclude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Metal Typesetting
In printing and typography, hot metal typesetting (also called mechanical typesetting, hot lead typesetting, hot metal, and hot type) is a technology for typesetting text in letterpress printing. This method injects molten type metal into a mold that has the shape of one or more glyphs. The resulting sorts or slugs are later used to press ink onto paper. Normally the typecasting machine would be controlled by a keyboard or by a paper tape. It was the standard technology used for mass-market printing from the late nineteenth century until the arrival of phototypesetting (also called cold type) and then electronic processes in the 1950s to 1980s. History Hot metal typesetting was developed in the late nineteenth century as a development of conventional cast metal type. The technology had several advantages: it reduced labour since type sorts did not need to be slotted into position manually, and each casting created crisp new type for each printing job. In the case of Linotype ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monotype Imaging
Monotype Imaging Holdings Inc., founded as Lanston Monotype Machine Company in 1887 in Philadelphia by Tolbert Lanston, is an American (historically Anglo-American) company that specializes in digital typesetting and typeface design for use with consumer electronics devices. Based in Woburn, Massachusetts, the company has been responsible for many developments in printing technology—in particular the Monotype machine, which was a fully mechanical hot metal typesetter, that produced texts automatically, all single type. Monotype was involved in the design and production of many typefaces in the 20th century. Monotype developed many of the most widely used typeface designs, including Times New Roman, Gill Sans, and Arial. Via acquisitions including Linotype GmbH, International Typeface Corporation, Bitstream, FontShop, URW, Hoefler & Co., Fontsmith, and Colophon Foundry, the company has gained the rights to major font families including Helvetica, ITC Franklin Gothi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Size
In metal typesetting, a font is a particular size, weight and style of a ''typeface'', defined as the set of fonts that share an overall design. For instance, the typeface Bauer Bodoni (shown in the figure) includes fonts " Roman" (or "regular"), "" and ""; each of these exists in a variety of sizes. In the digital description of fonts (computer fonts), the terms "font" and "typeface" are often used interchangeably. For example, when used in computers, each style is stored in a separate digital font file. In both traditional typesetting and computing, the word "font" refers to the delivery mechanism of an instance of the typeface. In traditional typesetting, the font would be made from metal or wood type: to compose a page may require multiple fonts from the typeface or even multiple typefaces. Spelling and etymology The word ''font'' (US) or ''fount'' (traditional UK, CAN; in any case pronounced ) derives from Middle French ''fonte'', meaning "cast iron". The term refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
František Štorm
František "Franta" Štorm (born 3 July 1966) is a Czech musician, photographer, typographer, writer, teacher, artist, illustrator and record producer, famous for being the vocalist and a founding member of the black metal band Master's Hammer. Biography Štorm was born in Prague, in what was then Czechoslovakia, on 3 July 1966; he is the son of painter Dana Puchnarová, and grandson of architect and heraldist Břetislav Štorm. From 1981 to 1985 he studied at the Secondary School of Arts in Prague, and later went to the AAAD, where he graduated in 1991 under the guidance of Milan Hegar and Jan Solpera. After serving as Solpera's assistant for some years, from 2003 to 2008 Štorm was the headmaster of the AAAD's Department of Typography. In 1993 Štorm founded his own type foundry, which has, so far, produced more than sixty font families. In 2005 Štorm won the Revolver Revue prize, and in 2009 he published his first book, ''Eseje o typografii'' (''Essays on Typography'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berthold Type Foundry
H. Berthold AG was one of the largest and most successful type foundry, type foundries in the world for most of the modern typography, typographic era, making the transition from Movable type, foundry type to cold type successfully and only coming to dissolution in the digital type era. History H. Berthold was founded in Berlin in 1858 by Hermann Berthold, initially to make Machining, machined brass printer's rule. It then moved into Type casting (typography), casting metal type particularly after 1893. The company played a key role in the introduction of major new typefaces and was a successful player in the development of typesetting machines. The production premises were on Wilhelmstrasse No. 1 until 1868, and then on Mehringdamm 43. In 1979 the factory moved to another location between Teltow Canal and Wiesenweg in Berlin-Lichterfelde, Lichterfelde. The H. Berthold foundry's most celebrated family of typefaces is arguably Akzidenz Grotesk, Akzidenz-Grotesk (released 1898), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blackletter
Blackletter (sometimes black letter or black-letter), also known as Gothic script, Gothic minuscule or Gothic type, was a script used throughout Western Europe from approximately 1150 until the 17th century. It continued to be commonly used for Danish, Norwegian, and Swedish until the 1870s, Finnish until the turn of the 20th century, Estonian and Latvian until the 1930s, and for the German language until the 1940s, when Adolf Hitler officially Antiqua–Fraktur dispute, discontinued it in 1941. Fraktur is a notable script of this type, and sometimes the entire group of blackletter faces is referred to as Fraktur. Blackletter is sometimes referred to as Old English, but it is not to be confused with the Old English language, which predates blackletter by many centuries and was written in the insular script or in Futhorc. Along with Italic type and Roman type, blackletter served as one of the major typefaces in the history of Western typography. Origins Carolingian minuscule wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Bodoni
Giambattista Bodoni (, ; 16 February 1740 – 30 November 1813) was an Italian Typography, typographer, type-designer, compositor, Printing, printer, and publisher in Parma. He first took the type-designs of Pierre Simon Fournier as his exemplars, but afterwards became an admirer of the more modelled types of John Baskerville; and he and Firmin Didot evolved a style of type called "Modern", in which the letters are cut in such a way as to produce a strong contrast between the thick and thin parts of their body. Bodoni designed many typefaces, each one in a large range of type sizes. He is even more admired as a compositor than as a type designer, as the large range of sizes which he cut enabled him to compose his pages with the greatest possible subtlety of spacing. Like Baskerville, he sets off his texts with wide margins and uses little or no illustrations or decorations. Bodoni achieved an unprecedented level of technical refinement, allowing him to faithfully reproduce lette ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Justus Erich Walbaum
Justus Erich Walbaum (25 January 1768 – 21 June 1837) was a German typefounder and punchcutter of the late 18th and early 19th centuries. Walbaum was a punchcutter, who carved steel punches used as a master to stamp matrices, the moulds used to cast metal type. Walbaum was born in Steinlah, a district of the town of Haverlah in modern Lower Saxony. Based first in Goslar and later in Weimar, he created type in the Didone style, also known as the 'rational' or 'modern' style. This style, inspired by the work of type designers such as the Didot family and Giambattista Bodoni, involved a sharper contrast between thick and thin strokes than was used previously, and a more modular design abstracted from handwriting. Jan Tschichold described his designs as 'the most beautiful German version' of modern type. He also created type in the Fraktur style of blackletter. Walbaum was the son of a clergyman, Johann Erich Walbaum. Initially apprenticed to a grocer and confectioner, he became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
