Virelai Ancien
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Virelai Ancien
A ''virelai'' is a form of medieval French verse used often in poetry and music. It is one of the three '' formes fixes'' (the others were the ballade and the rondeau) and was one of the most common verse forms set to music in Europe from the late thirteenth to the fifteenth centuries. One of the most famous composers of virelai is Guillaume de Machaut (c. 1300–1377), who also wrote his own verse; 33 separate compositions in the form survive by him. Other composers of virelai include Jehannot de l'Escurel, one of the earliest (d. 1304), and Guillaume Dufay (c. 1400–1474), one of the latest. By the mid-15th century, the form had become largely divorced from music, and numerous examples of this form (including the ballade and the rondeau) were written, which were either not intended to be set to music, or for which the music has not survived. A virelai with only a single stanza is also known as a bergerette. Musical virelai The virelai as a song form of the ...
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Medieval
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Easte ...
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Stanza
In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to '' strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the pa ...
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Western Medieval Lyric Forms
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French Poetry
French poetry () is a category of French literature. It may include Francophone poetry composed outside France and poetry written in other languages of France. French prosody and poetics The modern French language does not have a significant stress accent (as English does) or long and short syllables (as Latin does). This means that the French metric line is generally not determined by the number of beats, but by the number of syllables (see syllabic verse; in the Renaissance, there was a brief attempt to develop a French poetics based on long and short syllables musique_mesurée.html"_;"title="ee_"musique_mesurée">ee_"musique_mesurée"._The_most_common_Meter_(poetry).html" "title="musique_mesurée".html" ;"title="musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée"">musique_mesurée.html" ;"title="ee "musique mesurée">ee "musique mesurée". The most common Meter (poetry)">metric lengths are the ten-syllable line (decasyllable), the eight-syllable lin ...
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List Of Virelais By Guillaume De Machaut
The French composer Guillaume de Machaut was the most prolific composer of his time, with surviving works many forms, the three ''formes fixes'' rondeaux, virelais, ballades, as well as motets, lais and a single representative of the complainte, chanson royale, double hocket and mass genres. Most of his extant output is secular music, with a notable exception in the renowned ''Messe de Nostre Dame''. His ''oeuvre'' as a whole represents an unprecedented amount of surviving music for a single medieval composer, largely in part due to his own efforts to preserve and curate manuscripts for his music. The dominate figure of the style in late medieval music, Machaut is regarded as the most significant French composer and poet of the 14th century and often seen as the century's leading European composer. Since many titles are merely the first lines of the texts used, in different sources individual pieces may be referred to by slightly different titles. For example, R20 is known bot ...
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Henry Austin Dobson
Henry Austin Dobson (18 January 1840 – 2 September 1921), commonly Austin Dobson, was an English poet and essayist. Life He was born at Plymouth, the eldest son of George Clarisse Dobson, a civil engineer, of French descent. When he was about eight, the family moved to Holyhead, and his first school was at Beaumaris in Anglesey. He was later educated at Coventry, and the Gymnase, Strasbourg. He returned at the age of sixteen with the intention of becoming a civil engineer. (His younger brother James would in fact become a noted engineer, helping complete the Buenos Aires harbour works in the 1880s and 1890s.) At the beginning of his career, he continued to study at the South Kensington School of Art, in his spare time, but without definite ambition. In December 1856 he entered the Board of Trade, gradually rising to the rank of principal in the harbour department, from which he retired in the autumn of 1901. In 1868, he had married Frances Mary, daughter of the ...
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John Payne (poet)
John Payne (23 August 1842 – 11 February 1916) was an English poet and translator. Initially he pursued a legal career and had associated with Dante Gabriel Rossetti. Later he became involved with limited edition publishing and the Villon Society. He is now best known for his translations of Boccaccio's ''Decameron'', ''The Arabian Nights'' and the Diwan Hafez. After completing his translation of Omar Khayyam, Payne returned to the rendition of Hafiz that was eventually published in 3 volumes. in 1901. Payne argues that Hafiz takes the "whole sweep of human experience and irradiates all things with his sun-gold and his wisdom". Payne once said that Hafez, Dante and Shakespeare were the three greatest poets of the world. Archives Papers of John Payne are held at the Cadbury Research Library, University of Birmingham. Works *The Masque of Shadows and other poems (1870) *Intaglios; sonnets (1871) *Songs of Life and Death. (1872) *Lautrec: A Poem (1878) *The Poe ...
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Douce Dame Jolie
"Douce Dame Jolie", sometimes referred to only as 'Douce Dame', is a song from the 14th century, by the French composer Guillaume de Machaut. The song is a virelai, belonging to the style ars nova, and is one of the most often heard medieval tunes today. Many modern recordings omit the lyrics, however. One of the most famous musical pieces of the Middle Ages, 'Douce Dame' has been performed by a plethora of artists, mostly but not always in medieval style. Among others are Annwn (with lyrics), Ayragon (with lyrics), Theo Bleckmann (with lyrics), Els Berros de la Cort, Corvus Corax, Schelmish (with lyrics), Dr Cosgill, Fable of the Bees, Filia Irata, Två fisk och en fläsk (with lyrics), Wisby Vaganter, A La Via! (with lyrics), Lisa Lynne, The John Renbourn Group (with English lyrics), WirrWahr, Wolfenmond, Saltatio Mortis, Angels of Venice (soprano Christina Linhardt, harpist Carol Tatum) and Legião Urbana (no lyrics, named "A Ordem dos Templários" (The Templ ...
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Machaut Douce Dame Jolie 2
Guillaume de Machaut (, ; also Machau and Machault; – April 1377) was a French composer and poet who was the central figure of the style in late medieval music. His dominance of the genre is such that modern musicologists use his death to separate the from the subsequent movement. Regarded as the most significant French composer and poet of the 14th century, he is often seen as the century's leading European composer. One of the earliest European composers on whom considerable biographical information is available, Machaut has an unprecedented amount of surviving music, in part due to his own involvement in his manuscripts' creation and preservation. Machaut embodies the culmination of the poet-composer tradition stretching back to the traditions of troubadour and '' trouvère''; well into the 15th century his poetry was greatly admired and imitated by other poets, including Geoffrey Chaucer and Eustache Deschamps, the latter of whom was Machaut's student. Machaut comp ...
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Bar Form
Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the songs of the predecessors, the minnesingers of the 12th to 14th century. In their work, a ''Bar'' is not a single stanza (which they called a ''Liet'' or ''Gesätz''); rather, it is the whole song. The word ''Bar'' is most likely a shortening of ''Barat'', denoting a skillful thrust in fencing. The term was used to refer to a particularly artful song – the type one composes in songwriters' guilds. The AAB pattern does, however, describe each stanza in a Meistersinger's ''Bar'', which is divided into two ''Stollen'' (A), which are collectively termed the ''Aufgesang'', followed by an ''Abgesang''. The musical form thus contains two repetitions of one melody (''Stollen'' – 'stanzas') followed by a different melody (''Abgesang'' – 'aft ...
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Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Suc ...
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Virelai Schema
A ''virelai'' is a form of medieval French verse used often in poetry and music. It is one of the three '' formes fixes'' (the others were the ballade and the rondeau) and was one of the most common verse forms set to music in Europe from the late thirteenth to the fifteenth centuries. One of the most famous composers of virelai is Guillaume de Machaut (c. 1300–1377), who also wrote his own verse; 33 separate compositions in the form survive by him. Other composers of virelai include Jehannot de l'Escurel, one of the earliest (d. 1304), and Guillaume Dufay (c. 1400–1474), one of the latest. By the mid-15th century, the form had become largely divorced from music, and numerous examples of this form (including the ballade and the rondeau) were written, which were either not intended to be set to music, or for which the music has not survived. A virelai with only a single stanza is also known as a bergerette. Musical virelai The virelai as a song form of the 1 ...
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