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Verses Of The Five Ranks
The ''Five Ranks'' (; ) is a poem consisting of five stanzas describing the stages of realization in the practice of Zen Buddhism. It expresses the interplay of absolute and relative truth and the fundamental non-dualism of Buddhist teaching. Origins The ranks are referenced in the Song of the Precious Mirror Samadhi. This work is attributed to the Chinese monk Dongshan Liangjie (Japanese: Tōzan Ryōkan), who lived during the end of Tang Dynasty, as well as two sets of verse commentaries by him. The teachings of the Five Ranks may be inspired by the Sandokai, a poem attributed to Shitou Xiqian (traditional Chinese: 石頭希遷). The work is highly significant in both the Caodong/Sōtō and Linji/Rinzai schools of Zen that exist today. Eihei Dogen, the founder of the Japanese Sōtō School, references the Five Ranks in the first paragraph of one of his most widely studied works, Genjōkōan. Hakuin integrated the Five Ranks in his system of koan-teaching. Ranks The Five Ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to '' strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhūmi (Buddhism)
In Buddhism, ''Bhūmi'' (Sanskrit: '' भूमि'' 'foundation', Chinese: 地 'land' ) is the 32nd and 33rd place (10th and 11th in simple count) on the outgoing's process of Mahayana awakening. Each stage represents a level of attainment in that case, and serves as a basis for the next one. Each level marks a definite advancement in one's training that is accompanied by progressively greater power and wisdom. Buddhist monks who arrived at ''Bhūmi'' were originally called śrāvakas, in opposition to Brahminism. Śakro devānām and Trāyastriṃśa are together called "Bhūmi nivāsin". The ten bodhisattva stages are also called ''vihara'' ('dwelling'). Ten bhūmis of the ''Daśabhūmika Sūtra'' The '' Daśabhūmika Sūtra'' refers to the following ten bhūmis. #''The first bhūmi, the Very Joyous.'' (Skt. ''pramuditā''), in which one rejoices at realizing a partial aspect of the truth; #''The second bhūmi, the Stainless.'' (Skt. ''vimalā''), in which one is free ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Stages Of Enlightenment
The four stages of awakening in Early Buddhism and Theravada are four progressive stages culminating in full awakening (''Bodhi'') as an Arahant (SN 22.122). These four stages are Sotāpanna, Sakadāgāmi, Anāgāmi, and Arahant. The oldest Buddhist texts portray the Buddha as referring to people who are at one of these four stages as noble people (''ariya-puggala'') and the community of such persons as the noble sangha (''ariya-sangha''). The teaching of the four stages of awakening is a central element of the early Buddhist schools, including the Theravada school of Buddhism, which still survives. Origins In the Sutta Pitaka several types of Buddhist practitioners are described, according to their level of attainment. The standard is four, but there are also longer descriptions with more types. The four are the Stream-enterer, Once-returner, Non-returner and the Arahant. In the Visuddhimagga the five stages are the culmination of the seven purifications. The description ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamrim
Lamrim (Tibetan: "stages of the path") is a Tibetan Buddhist textual form for presenting the stages in the complete path to enlightenment as taught by Buddha. In Tibetan Buddhist history there have been many different versions of ''lamrim'', presented by different teachers of the Nyingma, Kagyu and Gelug schools. However, all versions of the ''lamrim'' are elaborations of Atiśa's 11th-century root text '' A Lamp for the Path to Enlightenment'' (''Bodhipathapradīpa''). History When Atiśa, the originator of the ''lamrim'' came from India to Tibet, he was asked by king Jang Chub Ö to give a complete and easily accessible summary of the doctrine in order to clarify wrong views, especially those resulting from apparent contradictions across the sutras and their commentaries. Based upon this request he wrote the '' Bodhipathapradīpa'' ("A Lamp for the Path to Awakening"), teaching what came to be known as the ''lamrim'' for the Tibetans. Atiśa's presentation of the doctrine later ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagarjuna
Nāgārjuna . 150 – c. 250 CE (disputed)was an Indian Mahāyāna Buddhist thinker, scholar-saint and philosopher. He is widely considered one of the most important Buddhist philosophers.Garfield, Jay L. (1995), ''The Fundamental Wisdom of the Middle Way'', Oxford: Oxford University Press. Jan Westerhoff considers him to be "one of the greatest thinkers in the history of Asian philosophy." Nāgārjuna is widely considered to be the founder of the Madhyamaka (centrism, middle-way) school of Buddhist philosophy and a defender of the Mahāyāna movement. His ''Mūlamadhyamakakārikā'' (Root Verses on Madhyamaka, or MMK) is the most important text on the madhyamaka philosophy of emptiness. The MMK inspired a large number of commentaries in Sanskrit, Chinese, Tibetan, Korean and Japanese and continues to be studied today. History Background India in the first and second centuries CE was politically divided into various states, including the Kushan Empire and the Satava ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhyamaka
Mādhyamaka ("middle way" or "centrism"; ; Tibetan: དབུ་མ་པ ; ''dbu ma pa''), otherwise known as Śūnyavāda ("the emptiness doctrine") and Niḥsvabhāvavāda ("the no ''svabhāva'' doctrine"), refers to a tradition of Buddhist philosophy and practice founded by the Indian Buddhist monk and philosopher Nāgārjuna (c. 150 – c. 250 CE).Wynne, Alexander (2015) ''Early Buddhist Teaching as Proto-śūnyavāda.'' Journal of the Oxford Centre for Buddhist Studies, 6. pp. 213-241. The foundational text of the Mādhyamaka tradition is Nāgārjuna's '' Mūlamadhyamakakārikā'' ("Root Verses on the Middle Way"). More broadly, Mādhyamaka also refers to the ultimate nature of phenomena as well as the non-conceptual realization of ultimate reality that is experienced in meditation. Mādhyamaka thought had a major influence on the subsequent development of the Mahāyāna Buddhist tradition. It is the dominant interpretation of Buddhist philosophy in Tibetan Buddhism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prajnaparamita
A Tibetan painting with a Prajñāpāramitā sūtra at the center of the mandala Prajñāpāramitā ( sa, प्रज्ञापारमिता) means "the Perfection of Wisdom" or "Transcendental Knowledge" in Mahāyāna and Theravāda Buddhism. Prajñāpāramitā refers to a perfected way of seeing the nature of reality, as well as to a particular body of Mahāyāna scriptures ( sūtras) which discusses this wisdom. It also refers to the female deity Prajñāpāramitā Devi, a personification of wisdom also known as the "Great Mother" (Tibetan: ''Yum Chenmo''). The word ''Prajñāpāramitā'' combines the Sanskrit words '' prajñā'' "wisdom" (or "knowledge") with ''pāramitā'' "perfection" or " transcendent". Prajñāpāramitā is a central concept in Mahāyāna Buddhism and is generally associated with ideas such as emptiness (''śūnyatā''), 'lack of svabhāva' (essence), the illusory ('' māyā'') nature of things, how all phenomena are characterized by "non-ari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddha-nature
Buddha-nature refers to several related Mahayana Buddhist terms, including '' tathata'' ("suchness") but most notably ''tathāgatagarbha'' and ''buddhadhātu''. ''Tathāgatagarbha'' means "the womb" or "embryo" (''garbha'') of the "thus-gone" (''tathāgata''), or "containing a ''tathāgata''", while ''buddhadhātu'' literally means "Buddha-realm" or "Buddha-substrate". Buddha-nature has a wide range of (sometimes conflicting) meanings in Indian and later East Asian and Tibetan Buddhist literature. Broadly speaking, the terms refer to the potential for all sentient beings to be a Buddha, since the luminous mind, "the natural and true state of the mind," the pure (''visuddhi'') mind undefiled by kleshas, is inherently present in every sentient being. It will shine forth when it is cleansed of the defilements, c.q. when the nature of mind is recognised for what it is. The ''Mahāyāna Mahāparinirvāṇa Sūtra'' (written 2nd century CE), which was very influential in the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ten Bulls
Ten Bulls or Ten Ox Herding Pictures ( Chinese: ''shíniú'' 十牛 , Japanese: ''jūgyūzu'' 十牛図 , korean: ''sipwoo'' 십우) is a series of short poems and accompanying drawings used in the Zen tradition to describe the stages of a practitioner's progress toward enlightenment, and their return to society to enact wisdom and compassion. History Scriptural origins The calf, bull, or ox is one of the earliest similes for meditation practice. It comes from the Maha Gopalaka Sutta ( Majjhima Nikaya 33). It is also used in the commentaries, especially the one on the Maha Satipatthana Sutta (Digha Nikaya 22) and the Satipatthana Sutta (Majjhima Nikaya 10). As Buddhism spread throughout South-East Asia, the simile of the bull spread with it. Chinese pictures The well-known ten ox-herding pictures emerged in China in the 12th century. D.T. Suzuki mentions four Chinese versions of the Oxherding Pictures, by Ching-chu (Jp. Seikyo)(11th century), Tzu-te Hui (Jp. Jitoku)(1090-115 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pure Land
A pure land is the celestial realm of a buddha or bodhisattva in Mahayana Buddhism. The term "pure land" is particular to East Asian Buddhism () and related traditions; in Sanskrit the equivalent concept is called a buddha-field (Sanskrit ). The various traditions that focus on pure lands have been given the nomenclature Pure Land Buddhism. Pure lands are also evident in the literature and traditions of Taoism and Bon. Discussion In the Mahayana sutras, there are many pure lands. Bodhisattvas such as Avalokiteśvara and Manjushri would obtain pure lands after they attained buddhahood. In the ''Lotus Sutra'', Buddha's close followers such as Śāriputra, Mahākāśyapa, Subhuti, Maudgalyāyana and Buddha's son Rāhula would also have pure lands. The relative time-flow in the pure lands may be different, with a day in one pure land being equivalent to years in another. Pure lands have been documented as arising due to the intention and aspiration of a bodhisattva such as the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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