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Veduta
A ''veduta'' ( Italian for "view"; plural ''vedute'') is a highly detailed, usually large-scale painting or, more often, print of a cityscape or some other vista. The painters of ''vedute'' are referred to as ''vedutisti''. Origins This genre of landscape originated in Flanders, where artists such as Paul Bril painted ''vedute'' as early as the 16th century. In the 17th century, Dutch painters made a specialty of detailed and accurate recognizable city and landscapes that appealed to the sense of local pride of the wealthy Dutch middle class. An archetypal example is Johannes Vermeer's '' View of Delft''. The Ghent architect, draughtsman and engraver Lieven Cruyl (1640–1720) contributed to the development of the ''vedute'' during his residence in Rome in the late 17th century. Cruyl’s drawings reproduce the topographical aspects of the urban landscape. 18th century As the itinerary of the Grand Tour became somewhat standardized, ''vedute'' of familiar scenes like the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luca Carlevarijs
Luca Carlevarijs or Carlevaris (20 January 1663 – 12 February 1730) was an Italian painter and engraver working mainly in Venice. He pioneered the genre of the cityscapes (''vedute'') of Venice, a genre that was later widely followed by artists such as Canaletto and Francesco Guardi. Life and work Carlevarijs was born in Udine. He was also known as 'Luca Casanobrio' or 'Luca di Ca Zenobri', for his patronage by the latter family. He worked principally in Venice, where he also died. His daughter, Marianna Carlevarijs (1703 - 1750) learned the art of pastel portraiture from Rosalba Carriera. Carlevarijs visited Rome. Here he was influenced by the Dutch painter Caspar van Wittel (often called Vanvitelli), who was a long-term resident of Rome. Van Wittel was the pioneer of the genre of vedute of Rome. Carlevarijs then started to create ''vedute'' of Venice, which are among the earliest Baroque depictions of the city. He painted landscapes, sea-pieces and perspective views. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Guardi
Francesco Lazzaro Guardi (; 5 October 1712 – 1 January 1793) was an Italian painter, nobleman, and a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting. In the early part of his career he collaborated with his older brother Gian Antonio in the production of religious paintings. After Gian Antonio's death in 1760, Francesco concentrated on ''vedute''. The earliest of these show the influence of Canaletto, but he gradually adopted a looser style characterized by spirited brush-strokes and freely imagined architecture. Biography Francesco Guardi was born in Venice into a family of nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolò and Gian Antonio were also painters, later inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspar Van Wittel
Caspar van Wittel or Gaspar van Wittel (born Jasper Adriaensz van Wittel; 1652 or 1653 – September 13, 1736), known in Italian as Gaspar Vanvitelli () or (), was a Dutch Republic, Dutch painter and draughtsman who had a long career in Rome. He played a pivotal role in the development of the genre of topographical painting known as ''veduta''.Caspar van Wittel's biographical details on website dedicated to Caspar van Wittel He is credited with turning topography into a painterly specialism in Italian art. Life Van Wittel was born into a Catholic Church, Roman Catholic family in Amersfoort. His father was a cart maker. Caspar studied painting in Amersfoort with the relatively obscure Thomas Jansz van Veenendaal for 4 or 5 years and then with the better known M ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Forum
The Roman Forum, also known by its Latin name Forum Romanum ( it, Foro Romano), is a rectangular forum ( plaza) surrounded by the ruins of several important ancient government buildings at the center of the city of Rome. Citizens of the ancient city referred to this space, originally a marketplace, as the ', or simply the '. For centuries the Forum was the center of day-to-day life in Rome: the site of triumphal processions and elections; the venue for public speeches, criminal trials, and gladiatorial matches; and the nucleus of commercial affairs. Here statues and monuments commemorated the city's great men. The teeming heart of ancient Rome, it has been called the most celebrated meeting place in the world, and in all history. Located in the small valley between the Palatine and Capitoline Hills, the Forum today is a sprawling ruin of architectural fragments and intermittent archaeological excavations attracting 4.5 million or more sightseers yearly. Many of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Paolo Pannini
Giovanni Paolo Panini or Pannini (17 June 1691 – 21 October 1765) was an Italian painter and architect who worked in Rome and is primarily known as one of the ''vedutisti'' ("view painters"). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are his view of the interior of the Pantheon (on behalf of Francesco Algarotti), and his ''vedute''—paintings of picture galleries containing views of Rome. Most of his works, especially those of ruins, have a fanciful and unreal embellishment characteristic of '' capriccio'' themes. In this they resemble the ''capricci'' of Marco Ricci. Panini also painted portraits, including one of Pope Benedict XIV. Biography As a young man, Panini trained in his native town of Piacenza, under Giuseppe Natali and Andrea Galluzzi, and with stage designer Francesco Galli-Bibiena. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hendrik Frans Van Lint
Hendrik Frans van Lint (1684 – 24 September 1763) was a Flemish landscape and ''vedute'' painter who was part of the group of Flemish and Dutch painters active in Rome. He was one of the leading landscape painters in Rome in the first half of the 18th century and his patrons included Rome's old aristocratic families as well as European travellers on their Grand Tour.Edgar Peters Bowron, Joseph J. Rishel, ''Art in Rome in the Eighteenth Century'', Philadelphia Museum of Art; Museum of Fine Arts, Houston, 2000, p. 236-237 Life Hendrik Frans van Lint was born in Antwerp, the son of the history painter Pieter van Lint and his second wife Anna Moeren (Moren or Morren). As his father died when he was only 6 years old van Lint became in 1696 an apprentice of Peeter van Bredael, a painter of Italianate landscapes. Van Lint did not stay to complete his apprenticeship but left for Rome somewhere between 1697 and 1700. Here he would stay for the remainder of his life except for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cityscape
In the visual arts, a cityscape (urban landscape) is an artistic representation, such as a painting, drawing, Publishing, print or photograph, of the physical aspects of a city or urban area. It is the urban equivalent of a landscape. ''Townscape'' is roughly synonymous with ''cityscape,'' though it implies the same difference in urban size and density (and even modernity) implicit in the difference between the words ''city'' and ''town''. In urban design the terms refer to the configuration of built forms and interstitial space. History of cityscapes in art From the first century A.D. dates a fresco at the Baths of Trajan in Rome depicting a bird's eye view of an ancient city.Eugenio la Rocca: "The Newly Discovered City Fresco from Trajan's Baths, Rome." ''Imago Mundi'' Vol. 53 (2001), pp. 121–124. In the Middle Ages, cityscapes appeared as a background for portraits and Bible, biblical themes. From the 16th up to the 18th century numerous intaglio printing, copperplate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruin
Ruins () are the remains of a civilization's architecture. The term refers to formerly intact structures that have fallen into a state of partial or total disrepair over time due to a variety of factors, such as lack of maintenance, deliberate destruction by humans, or uncontrollable destruction by natural phenomena. The most common root causes that yield ruins in their wake are natural disasters, armed conflict, and population decline, with many structures becoming progressively derelict over time due to long-term weathering and scavenging. There are famous ruins all over the world, with notable sites originating from ancient China, the Indus Valley and other regions of ancient India, ancient Iran, ancient Israel and Judea, ancient Iraq, ancient Greece, ancient Egypt, Roman sites throughout the Mediterranean Basin, and Incan and Mayan sites in the Americas. Ruins are of great importance to historians, archaeologists and anthropologists, whether they were once individual ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph J
Joseph is a common male given name, derived from the Hebrew Yosef (יוֹסֵף). "Joseph" is used, along with "Josef", mostly in English, French and partially German languages. This spelling is also found as a variant in the languages of the modern-day Nordic countries. In Portuguese and Spanish, the name is "José". In Arabic, including in the Quran, the name is spelled '' Yūsuf''. In Persian, the name is "Yousef". The name has enjoyed significant popularity in its many forms in numerous countries, and ''Joseph'' was one of the two names, along with ''Robert'', to have remained in the top 10 boys' names list in the US from 1925 to 1972. It is especially common in contemporary Israel, as either "Yossi" or "Yossef", and in Italy, where the name "Giuseppe" was the most common male name in the 20th century. In the first century CE, Joseph was the second most popular male name for Palestine Jews. In the Book of Genesis Joseph is Jacob's eleventh son and Rachel's first son, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canaletto - Westminster Bridge, With The Lord Mayor's Procession On The Thames - Google Art Project
Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto (), was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school. Painter of city views or ''vedute'', of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut.Alice Binion and Lin Barton. "Canaletto." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 6 Jan. 2017 He was further an important printmaker using the etching technique. In the period from 1746 to 1756 he worked in England where he painted many views of London and other sites including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762. Early career He w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warsaw
Warsaw ( pl, Warszawa, ), officially the Capital City of Warsaw,, abbreviation: ''m.st. Warszawa'' is the capital and largest city of Poland. The metropolis stands on the River Vistula in east-central Poland, and its population is officially estimated at 1.86 million residents within a greater metropolitan area of 3.1 million residents, which makes Warsaw the 7th most-populous city in the European Union. The city area measures and comprises 18 districts, while the metropolitan area covers . Warsaw is an Alpha global city, a major cultural, political and economic hub, and the country's seat of government. Warsaw traces its origins to a small fishing town in Masovia. The city rose to prominence in the late 16th century, when Sigismund III decided to move the Polish capital and his royal court from Kraków. Warsaw served as the de facto capital of the Polish–Lithuanian Commonwealth until 1795, and subsequently as the seat of Napoleon's Duchy of Warsaw. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
