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Vouet
Simon Vouet (; 9 January 1590 – 30 June 1649) was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris,"Posner, Donald. "''The Paintings of Simon Vouet'' " (book review), ''The Art Bulletin'', Vol. 45, No. 3 (Sept., 1963), pp. 286–291. and was immensely influential in introducing the Italian Baroque style of painting to France. He was also "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco." Career Simon Vouet was born on January 9, 1590, in Paris. His father Laurent was a painter in Paris and taught him the rudiments of art. Simon's brother Aubin Vouet was also a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Virginia Da Vezzo
Virginia Vezzi, sometimes given as Virginia da Vezzo (1600–1638), was an Italian painter, and the wife of French painter Simon Vouet. Life in Italy Virginia Vezzi was born in Velletri on 24 June 1600 to Plinia Ferri, a midwife, and Pompeo Vezzi. She may have had contact with the painter Antonio Vezzi, perhaps a relative of Pompeo. Before 1611, her family moved to Rome, near the church of San Nicola in Arcione, because Virginia showed a talent for painting and her father thought she would be able to study in Rome. Here she began the study of art, probably with Marco Tullio Montagna, an artist from Velletri, and with Cavalier d'Arpino, Gaspare Celio and Lanfranco. From 1622 to 1626, Virginia's family lived in via Ferratina (via Frattina), near to the French painter Simon Vouet. Simon was 10 years her senior, he taught life drawing at his house where he lived from 1623 to 1627.Lollobrigida, Consuelo"Virginia da Vezzo. Un inedito e qualche riflessione,"''Diana'', nr. 2/2011, pp. 64 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aubin Vouet
Aubin Vouet (1595 - 1641) was a French painter, the son of Laurent Vouet and younger brother of Simon Vouet, both also painters. Life He joined his brother in Rome six years after Simon had moved there. They were there together around 1619-1620, since in those years they were received into the ''Stati delle Anime''. They both lodged on Vicolo di San Silvestro. In Rome Aubin was strongly influenced by Caravaggio, as can be seen in his early works such as ''David Holding Goliath's Head'', making him one of the Caravaggisti, a group which also included Guido Reni, Nicolas Régnier and Domenico Fetti. However, he quickly returned to France, whereas his brother stayed there a further six years until 1627. In 1621 Aubin was made painter in ordinary to Louis XIII. Around 1630 he painted two huge canvases for the nave of the chapelle des Pénitents noirs in Toulouse, ''The Brazen Serpent'' and ''The Discovery of the True Cross'', though they were both completed by his student Jean Sen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Tortebat
François Tortebat (1616—June 4, 1690) was a French portrait painter and engraver. Career Born to Louis Tortebat and Marguerite de Nameur, Tortebat joined the studio of Simon Vouet around 1631, and married his teacher's eldest daughter, Francoise, on November 9, 1643, with whom he had thirteen children. Tortebat is recorded as being in Rome between 1635 and 1640, making large copies of Raphael Cartoons as the result of a commission from Cardinal Antonio Barberini. Tortebat rejoined Vouet's studio upon his return to France. After Vouet's death in 1649, Tortebat collaborated with his teacher's other son-in-law, Michel Dorigny, gaining exclusive rights to reproduce Vouet's works in print form, and designing the sets for Louis XIV's return to Paris with his new wife Maria Theresa of Spain in 1660. Tortebat became a member of the Académie Royale de Peinture et de Sculpture in 1663, where his reception piece was a posthumous portrait of Vouet. Tortebat also published a series ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Des Beaux-Arts De Lyon
The Museum of Fine Arts of Lyon (french: Musée des Beaux-Arts de Lyon) is a municipal museum of fine arts in the French city of Lyon. Located near the Place des Terreaux, it is housed in a former Benedictine convent which was active during the 17th and 18th centuries. It was restored between 1988 and 1998, remaining open to visitors throughout this time despite the restoration works. Its collections range from ancient Egyptian antiquities to the Modern art period, making the museum one of the most important in Europe. It also hosts important exhibitions of art, for example the exhibitions of works by Georges Braque and Henri Laurens in the second half of 2005, and another on the work of Théodore Géricault from April to July 2006. It is one of the largest art museums in France. Buildings Abbey Until 1792, the buildings belonged to the Royal Abbaye des Dames de Saint-Pierre, which was built in the 17th century. The abbess always came from the high French nobility and here rece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armand Jean Du Plessis De Richelieu
Armand Jean du Plessis, Duke of Richelieu (; 9 September 1585 – 4 December 1642), known as Cardinal Richelieu, was a French clergyman and statesman. He was also known as ''l'Éminence rouge'', or "the Red Eminence", a term derived from the title "Eminence" applied to cardinals and the red robes that they customarily wear. Consecrated a bishop in 1607, Richelieu was appointed Foreign Secretary in 1616. He continued to rise through the hierarchy of both the Catholic Church and the French government by becoming a cardinal in 1622 and chief minister to King Louis XIII of France in 1624. He retained that office until his death in 1642, when he was succeeded by Cardinal Mazarin, whose career he had fostered. He also became engaged in a bitter dispute with the king's mother, Marie de Médicis, who had once been a close ally. Richelieu sought to consolidate royal power and restrained the power of the nobility in order to transform France into a strong centralized state. In foreign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Dorigny
Michel Dorigny (1616 – 20 February 1665) was a French painter and engraver. Biography Dorigny was born in Saint-Quentin. According to the Netherlands Institute for Art History he was a pupil of Georges Lallemand and Simon Vouet.Michel Dorigny in the He trained at the and became the teacher and father to the painters |
Cardinal Richelieu
Armand Jean du Plessis, Duke of Richelieu (; 9 September 1585 – 4 December 1642), known as Cardinal Richelieu, was a French clergyman and statesman. He was also known as ''l'Éminence rouge'', or "the Red Eminence", a term derived from the title "Eminence" applied to cardinals and the red robes that they customarily wear. Consecrated a bishop in 1607, Richelieu was appointed Foreign Secretary in 1616. He continued to rise through the hierarchy of both the Catholic Church and the French government by becoming a cardinal in 1622 and chief minister to King Louis XIII of France in 1624. He retained that office until his death in 1642, when he was succeeded by Cardinal Mazarin, whose career he had fostered. He also became engaged in a bitter dispute with the king's mother, Marie de Médicis, who had once been a close ally. Richelieu sought to consolidate royal power and restrained the power of the nobility in order to transform France into a strong centralized state. In foreig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo Merisi
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cassiano Dal Pozzo
Cassiano dal Pozzo (1588 – 22 October 1657) was an Italian scholar and patron of arts. The secretary of Cardinal Francesco Barberini, he was an antiquary in the classicizing circle of Rome, and a long-term friend and patron of Nicolas Poussin, whom he supported from his earliest arrival in Rome: Poussin in a letter declared that he was "a disciple of the house and the museum of cavaliere dal Pozzo." A doctor with interests in the proto-science of alchemy, a correspondent of major figures like Galileo, a collector of books and master drawings, dal Pozzo was a node in the network of European scientific figures. Biography Dal Pozzo was born in Turin, to a noble family originating from Vercelli, the grandson of the first minister of the Grand Duke of Tuscany. He was raised in Florence and educated at the University of Pisa. In 1612 he moved to Rome, where with deft diplomacy he moved among influential and cultivated patrons. After taking up a position as secretary in Cardinal Barber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Dorigny
Ludovico Dorigny (1654 – 17 October 1742) was a French painter and engraver. Trained in his native country, he spent most of his life and career in Verona, Italy. Life and career Born Louis Dorigny into a family of Parisian artists, Dorigny was the grandson of painter Simon Vouet and the son of engraver Michel Dorigny. As a boy he apprenticed with the painter Charles Le Brun and in his teens was commissioned to create works for Cardinal Richelieu and Louis XIV of France. He adopted the italianized version of his name, Ludovico, during his early years in Italy and it is by that name that he is chiefly known. In 1671, at the age of 17, Dorigny came to Italy to study the Italian masters. He traveled back and forth between France and Italy over the next seven years, ultimately settling in Venice in 1678. He spent the next decade in that city where his works were in high demand by the nobility. In that city he also contributed works to the Chiesa degli Scalzi, painted the ceil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Premier Peintre Du Roi
The ''Premier peintre du Roi'' (''First painter to the King'') was a court painter position within the administration of the ''Bâtiments du Roi'' of the '' Département de la Maison du Roi'' in France under the ''Ancien Régime''. Its holder occupied a similar position to that of ''Premier architecte du Roi'' (albeit a far less prestigious one). The holder was not in charge of any other court staff, and the role was often without a holder. Unlike other countries, the ''Premier peintre'' was often, even usually, not a specialist portrait-painter, but was always a native Frenchman. The most famous holder, Nicolas Poussin, was persuaded to return to France in 1640 to take the office, but returned to Rome after a little more than a year. Despite this, he held the position for another 23 years. In contrast, his successor Charles Le Brun devoted most of his time to his work for Louis XIV, decorating his palaces and designing for and supervising the royal factories of the Savonnerie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Painting
Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism, the Counter Reformation and Catholic Revival,Counter Reformation from '''', latest edition, full-article. but the existence of important Baroque art and in non-absolutist and states throughout Western Europe underscores its w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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