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Aubin Vouet
Aubin Vouet (1595 - 1641) was a French painter, the son of Laurent Vouet and younger brother of Simon Vouet, both also painters. Life He joined his brother in Rome six years after Simon had moved there. They were there together around 1619-1620, since in those years they were received into the ''Stati delle Anime''. They both lodged on Vicolo di San Silvestro. In Rome Aubin was strongly influenced by Caravaggio, as can be seen in his early works such as ''David Holding Goliath's Head'', making him one of the Caravaggisti, a group which also included Guido Reni, Nicolas Régnier and Domenico Fetti. However, he quickly returned to France, whereas his brother stayed there a further six years until 1627. In 1621 Aubin was made painter in ordinary to Louis XIII. Around 1630 he painted two huge canvases for the nave of the chapelle des Pénitents noirs in Toulouse, ''The Brazen Serpent'' and ''The Discovery of the True Cross'', though they were both completed by his student Jean Sen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Vouet
Simon Vouet (; 9 January 1590 – 30 June 1649) was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris,"Posner, Donald. "''The Paintings of Simon Vouet'' " (book review), ''The Art Bulletin'', Vol. 45, No. 3 (Sept., 1963), pp. 286–291. and was immensely influential in introducing the Italian Baroque style of painting to France. He was also "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco." Career Simon Vouet was born on January 9, 1590, in Paris. His father Laurent was a painter in Paris and taught him the rudiments of art. Simon's brother Aubin Vouet was also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Chaperon
Nicolas Chaperon (bapt. 19 October 1612, in Châteaudun – 1656 in Lyon) was a French painter, draughtsman and engraver, a student in Paris of Simon Vouet whose style he adopted before he was further matured by his stay in Rome (1642–51) in the studio of Nicolas Poussin. In 1653-55 the consuls de Lyon called him to decorate the '' hôtel de ville'' but Chaperon dying almost as soon as he arrived, the commission passed to Thomas Blanchet. Chaperon made a name for himself with his suite of engravings after the Raphael Loggie of the Vatican, Rome, 1649, but art historians remember him for the stream of fulminating invective with which Poussin in his correspondence with Paul Fréart de Chantelou described this unruly and vindictive practician who refused to carry through his copy of a ''Transfiguration.'' So little is known of Chaperon that this episode stands out. Most of his paintings have been optimistically attributed to Poussin, and disguised under that sellable name have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Painters
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century French Painters
The 17th century lasted from January 1, 1601 (Roman numerals, MDCI), to December 31, 1700 (Roman numerals, MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathédrale Notre-Dame De Paris
Notre-Dame de Paris (; meaning "Our Lady of Paris"), referred to simply as Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité (an island in the Seine River), in the 4th arrondissement of Paris. The cathedral, dedicated to the Virgin Mary, is considered one of the finest examples of French Gothic architecture. Several of its attributes set it apart from the earlier Romanesque style, particularly its pioneering use of the rib vault and flying buttress, its enormous and colourful rose windows, and the naturalism and abundance of its sculptural decoration. Notre Dame also stands out for its musical components, notably its three pipe organs (one of which is historic) and its immense church bells. Construction of the cathedral began in 1163 under Bishop Maurice de Sully and was largely completed by 1260, though it was modified frequently in the centuries that followed. In the 1790s, during the French Revolution, Notre-Dame suffered extensive desecration; much of it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meleager
In Greek mythology, Meleager (, grc-gre, Μελέαγρος, Meléagros) was a hero venerated in his ''temenos'' at Calydon in Aetolia. He was already famed as the host of the Calydonian boar hunt in the epic tradition that was reworked by Homer. Meleager is also mentioned as one of the Argonauts. Biography Meleager was a Calydonian prince as the son of Althaea and the vintner King OeneusAntoninus Liberalis2as cited in Nicander's ''Metamorphoses'' or according to some, of the god Ares. He was the brother of Deianeira, Toxeus, Clymenus, Periphas, Agelaus (or Ageleus), Thyreus (or Phereus or Pheres), Gorge, Eurymede and Melanippe. Meleager was the father of Parthenopeus by Atalanta but he married Cleopatra, daughter of Idas and Marpessa. They had a daughter, Polydora, who became the bride of Protesilaus, who left her bed on their wedding-night to join the expedition to Troy. Mythology Calydonian boar hunt When Meleager was born, the Moirai (the Fates) predi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Des Beaux-arts De Rouen
The Musée des Beaux-Arts de Rouen is an art museum in Rouen, in Normandy in north-western France. It was established by Napoléon Bonaparte in 1801, and is housed in a building designed by and built between 1877 and 1888. Its collections include paintings, sculptures, drawings and objets d'art. History The museum was established by Napoléon Bonaparte in 1801. The museum building was built between 1877 and 1888 to designs by . The collections include paintings, sculptures, drawings and objets d'art from the Renaissance to the present day, including a collection of Russian icons dating from the fifteenth to the early nineteenth century, and some 8000 drawings. The Depeaux collection of Impressionist works was donated to the museum in 1909. Paintings The museum holds paintings of several European schools from the sixteenth century to the present day. Among them is work by: * sixteenth century: Jacopo Bassano, Annibale Carracci, François Clouet, Gerard David, Perugino and V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée Des Beaux-arts De Bordeaux
The Musée des Beaux-Arts de Bordeaux is the fine arts museum of the city of Bordeaux, France. The museum is housed in a dependency of the Palais Rohan in central Bordeaux. Its collections include paintings, sculptures and drawings from the 15th century to the 20th century. The largest collection is composed of paintings, and its strong points are works by French and Dutch painters. In front of the building, there is the Galerie des Beaux-Arts, where temporary exhibitions are housed. History Established in 1801 by the painter Pierre Lacour,History of the Musée des Beaux-Arts de Bordeaux Official website it is one of the largest art galleries in France outside Paris. The museum holds several paintings that were looted by the French during the |
Notre-Dame De Paris
Notre-Dame de Paris (; meaning "Our Lady of Paris"), referred to simply as Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité (an island in the Seine River), in the 4th arrondissement of Paris. The cathedral, dedicated to the Virgin Mary, is considered one of the finest examples of French Gothic architecture. Several of its attributes set it apart from the earlier Romanesque style, particularly its pioneering use of the rib vault and flying buttress, its enormous and colourful rose windows, and the naturalism and abundance of its sculptural decoration. Notre Dame also stands out for its musical components, notably its three pipe organs (one of which is historic) and its immense church bells. Construction of the cathedral began in 1163 under Bishop Maurice de Sully and was largely completed by 1260, though it was modified frequently in the centuries that followed. In the 1790s, during the French Revolution, Notre-Dame suffered extensive desecration; much of i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
