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François Tortebat
François Tortebat (1616—June 4, 1690) was a French portrait painter and engraver. Career Born to Louis Tortebat and Marguerite de Nameur, Tortebat joined the studio of Simon Vouet around 1631, and married his teacher's eldest daughter, Francoise, on November 9, 1643, with whom he had thirteen children. Tortebat is recorded as being in Rome between 1635 and 1640, making large copies of Raphael Cartoons as the result of a commission from Cardinal Antonio Barberini. Tortebat rejoined Vouet's studio upon his return to France. After Vouet's death in 1649, Tortebat collaborated with his teacher's other son-in-law, Michel Dorigny, gaining exclusive rights to reproduce Vouet's works in print form, and designing the sets for Louis XIV's return to Paris with his new wife Maria Theresa of Spain in 1660. Tortebat became a member of the Académie Royale de Peinture et de Sculpture in 1663, where his reception piece was a posthumous portrait of Vouet. Tortebat also published a series ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gérard Edelinck
Gérard Edelinck (20 October 1640 (baptized) – 2 April 1707) was a copper-plate engraver and print publisher of Flemish origin, who worked in Paris from 1666 and became a naturalized French citizen in 1675.Préaud 1998. Life Edelinck was born in Antwerp, where he received his early training under the engravers Gaspar Huybrechts (1619–1684) and Cornelius Galle the Younger. He went to Paris in 1666, where he worked with his fellow Fleming Nicolas Pitau the elder. To improve himself further he subsequently studied under François de Poilly, Robert Nanteuil, and Philippe de Champaigne. These masters likewise had soon done all they could to help him onwards, and Edelinck ultimately took the first rank among line engravers. His excellence was generally acknowledged; and having become known to Louis XIV he was appointed, on the recommendation of Le Brun, teacher at the academy established at the Gobelins manufactory for the training of workers in tapestry. He was also entru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reception Piece
In art, a reception piece is a work submitted by an artist to an academy for approval as part of the requirements for admission to membership. The piece is normally representative of the artist's work, and the organization's judgement of its skill may or may not form part of the criteria for accepting a new entrant. The work itself is usually retained by the academy, and many academies have large and valuable collections acquired in this way. Alternative terms include ''diploma work'' at the Royal Academy in London (where some 18th and 19th century examples are on display), ''diploma piece'', and in France at the Académie royale de peinture et de sculpture, ''tableau de réception'' or ''morceau de réception''. The term masterpiece originated in the same way under the earlier system of guilds, including those for artists. Origins The requirement to submit a reception or diploma piece is closely related to the practice in the medieval period and later of requiring a craftsman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century French Engravers
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century French Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painters From Paris
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
