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Villa Torlonia (Rome)
Villa Torlonia is a villa and surrounding gardens in Rome, Italy, formerly belonging to the Torlonia family. It is entered from the via Nomentana. Design It was designed by the Neoclassical architect Giuseppe Valadier. Construction began in 1806 for the banker Giovanni Torlonia (1756–1829) and was finished by his son Alessandro (1800–1880). History Mussolini rented it from the Torlonia for one lira a year to use as his state residence from the 1920s onwards. He and his family lived there for the next 18 years. It was abandoned after 1945, and allowed to decay in the following decades, but recent restoration work has allowed it to be opened to the public as a museum owned and operated by Rome's municipality. Buildings and grounds Between 1802 and 1806 Valadier turned the main building into a palace, and transformed other buildings. He also laid out the park with symmetrical avenues around the palace. Numerous works of classical art, many of which were sculptures, were ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ...
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Picturesque
Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in ''Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770'', a practical book which instructed England's leisured travellers to examine "the face of a country by the rules of picturesque beauty". Picturesque, along with the aesthetic and cultural strands of Gothic and Celticism, was a part of the emerging Romantic sensibility of the 18th century. The term "picturesque" needs to be understood in relationship to two other aesthetic ideals: the ''beautiful'' and the '' sublime''. By the last third of the 18th century, Enlightenment and rationalist ideas about aesthetics were being challenged by looking at the experiences of beauty and sublimity as non-rational. Aesthetic experience was not just a rational decision – one did not look at a pleasing curved form and decide it was beauti ...
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Stained Glass
Stained glass is coloured glass as a material or works created from it. Throughout its thousand-year history, the term has been applied almost exclusively to the windows of churches and other significant religious buildings. Although traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture. Modern vernacular usage has often extended the term "stained glass" to include domestic lead light and ''objets d'art'' created from foil glasswork exemplified in the famous lamps of Louis Comfort Tiffany. As a material ''stained glass'' is glass that has been coloured by adding metallic salts during its manufacture, and usually then further decorating it in various ways. The coloured glass is crafted into ''stained glass windows'' in which small pieces of glass are arranged to form patterns or pictures, held together (traditionally) by strips of lead and supported by a rigid frame. Painte ...
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Maiolica
Maiolica is tin-glazed pottery decorated in colours on a white background. Italian maiolica dating from the Renaissance period is the most renowned. When depicting historical and mythical scenes, these works were known as ''istoriato'' wares ("painted with stories"). By the late 15th century, multiple locations,L. Arnoux, 1877, British Manufacturing Industries – Pottery "Most of the Italian towns had their manufactory, each of them possessing a style of its own. Beginning at Caffagiolo and Deruta, they extended rapidly to Gubbio, Ferrara, and Ravenna, to be continued to Casteldurante, Rimini, Urbino, Florence, Venice, and many other places." mainly in northern and central Italy, were producing sophisticated pieces for a luxury market in Italy and beyond. In France maiolica developed as faience, in the Netherlands and England as delftware, and in Spain as talavera. In English the spelling was anglicised to ''majolica'' but the pronunciation usually preserved the vowel with an ...
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Turret (architecture)
In architecture, a turret is a small tower that projects vertically from the wall of a building such as a medieval castle. Turrets were used to provide a projecting defensive position allowing covering fire to the adjacent wall in the days of military fortification. As their military use faded, turrets were used for decorative purposes, as in the Scottish baronial style. A turret can have a circular top with crenellations as seen in the picture at right, a pointed roof, or other kind of apex. It might contain a staircase if it projects higher than the building; however, a turret is not necessarily higher than the rest of the building; in this case, it is typically part of a room, that can be simply walked into – see the turret of Chateau de Chaumont on the collection of turrets, which also illustrates a turret on a modern skyscraper. A building may have both towers and turrets; towers might be smaller or higher, but turrets instead project from the edge of a building ra ...
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Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the ''cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as th ...
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Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia"
Lexic.us. Retrieved on 2014-10-24.
An overhanging loggia may be supported by a baldresca. From the early , nearly every Italian

Enrico Gennari
Enrico Gennari (born 21 January 1977) is an Italian marine biologist who specialises in the study of the great white shark. Early life and education Gennari was born in Rome in 1977. He has said that he was intending to study the great white shark from the age of six. He received a master's degree in Natural Science from the Sapienza University of Rome in February 2004, magna cum laude. His degree thesis was on a vertebral ageing study of ''Etmopterus spinax'', a bottom-dwelling shark typical of the Mediterranean Sea, creating a new technique to "read" very difficult vertebra for the first time. Gennari took a year break in Ustica, near Sicily, working as a scuba diving instructor, then worked for nine months in 2005, studying the behaviour of white sharks including their night time predatory behaviour. Gennari then enrolled at Rhodes University for his PhD study on the thermo physio-ecology of white sharks, under the supervision of Paul Cowley from SAIAB. Meanwhile he esta ...
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Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in combina ...
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Tufa
Tufa is a variety of limestone formed when carbonate minerals precipitate out of water in unheated rivers or lakes. Geothermally heated hot springs sometimes produce similar (but less porous) carbonate deposits, which are known as travertine. Tufa is sometimes referred to as (meteogene) travertine. It should not be confused with hot spring (thermogene) travertine. Tufa, which is calcareous, should also not be confused with tuff, a porous volcanic rock with a similar etymology that is sometimes also called "tufa". Classification and features Modern and fossil tufa deposits abound with wetland plants; as such, many tufa deposits are characterised by their large macrobiological component, and are highly porous. Tufa forms either in fluvial channels or in lacustrine environments. Ford and Pedley (1996) provide a review of tufa systems worldwide. Fluvial deposits Deposits can be classified by their depositional environment (or otherwise by vegetation or petrographically). Pedle ...
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Appian Way
The Appian Way (Latin and Italian language, Italian: ''Via Appia'') is one of the earliest and strategically most important Roman roads of the ancient Roman Republic, republic. It connected Rome to Brindisi, in southeast Italy. Its importance is indicated by its common name, recorded by Statius, of ("the Appian Way, the queen of the long roads"). The road is named after Appius Claudius Caecus, the Roman censor who began and completed the first section as a military road to the south in 312 BC"Appian Way" in ''Chambers's Encyclopædia''. London: George Newnes Ltd, George Newnes, 1961, Vol. 1, p. 490. during the Samnite Wars. Origins The need for roads The Appian Way was a Roman road used as a main route for military supplies for its conquest of southern Italy in 312 BC and for improvements in communication. The Appian Way was the first long road built specifically to transport troops outside the smaller region of greater Rome (this was essential to the Romans). The few ro ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ...
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