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Villa Spedalotto
The Villa Spedalotto is the country home of the Paternò di Spedalotto family. The villa is situated on a hill surrounded by olive groves at Bagheria, near Palermo in Sicily. As all the Villas in Bagheria, it was built as a country house, and was traditionally used by the family only during the spring and autumn. While considered a national monument, it remains a private residence. History The house was first conceived by Don Barbaro Arezzo who employed in 1783 the architect Giovanni Emanuele Incardona to design his country house, the result - Villa Spedalotto was built between 1784 and 1793. The architect had been a student of Giuseppe Venanzio Marvuglia, one of Sicily's promoters of Neoclassicism. In 1790, while still under construction, the house was purchased by Don Onofrio Emanuele Paternò di Raddusa, Baron of Spedalotto and Gallitano. In 1799, the villa was used to accommodate the exiled royal family of Naples Francis of Bourbon (the future King Francis I), his wife Archd ...
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Villa Spedalotto
The Villa Spedalotto is the country home of the Paternò di Spedalotto family. The villa is situated on a hill surrounded by olive groves at Bagheria, near Palermo in Sicily. As all the Villas in Bagheria, it was built as a country house, and was traditionally used by the family only during the spring and autumn. While considered a national monument, it remains a private residence. History The house was first conceived by Don Barbaro Arezzo who employed in 1783 the architect Giovanni Emanuele Incardona to design his country house, the result - Villa Spedalotto was built between 1784 and 1793. The architect had been a student of Giuseppe Venanzio Marvuglia, one of Sicily's promoters of Neoclassicism. In 1790, while still under construction, the house was purchased by Don Onofrio Emanuele Paternò di Raddusa, Baron of Spedalotto and Gallitano. In 1799, the villa was used to accommodate the exiled royal family of Naples Francis of Bourbon (the future King Francis I), his wife Archd ...
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Greek Revival Architecture
The Greek Revival was an architectural movement which began in the middle of the 18th century but which particularly flourished in the late 18th and early 19th centuries, predominantly in northern Europe and the United States and Canada, but also in Greece itself following independence in 1832. It revived many aspects of the forms and styles of ancient Greek architecture, in particular the Greek temple, with varying degrees of thoroughness and consistency. A product of Hellenism, it may be looked upon as the last phase in the development of Neoclassical architecture, which had for long mainly drawn from Roman architecture. The term was first used by Charles Robert Cockerell in a lecture he gave as Professor of Architecture to the Royal Academy of Arts, London in 1842. With a newfound access to Greece and Turkey, or initially to the books produced by the few who had visited the sites, archaeologist-architects of the period studied the Doric and Ionic orders. Despite its univ ...
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Vietri Sul Mare
Vietri sul Mare ("Vietri on the Sea"; Campanian: ) is a town and ''comune'' in the province of Salerno, in the Campania region of southern Italy. It is situated just west of Salerno, separated from the Port of Salerno by only a harbour wall. The town is known for its polychrome ceramics, a tradition since at least the 15th century, and is considered to be the gateway to the Amalfi Coast. The main landmark is the Church of St. John the Baptist, a late Neapolitan Renaissance style building with a high bell tower. There are numerous buildings displaying ceramics, including the Museo Provinciale della Ceramica in the nearby village of Raito. Geography The town is bordered by Cava de' Tirreni, Cetara, Maiori and Salerno. The quarter by the sea, named ''Marina di Vietri'' is located to the south of the town. The other hamlets ( it, frazioni) are Albori, Benincasa, Dragonea (including the localities of Iaconti and San Vincenzo) and Molina. Main sights The principal church in Viet ...
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Palace Of Versailles
The Palace of Versailles ( ; french: Château de Versailles ) is a former royal residence built by King Louis XIV located in Versailles, Yvelines, Versailles, about west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, under the direction of the Ministry of Culture (France), French Ministry of Culture, by the Public Establishment of the Palace, Museum and National Estate of Versailles. Some 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a simple hunting lodge on the site of the Palace of Versailles in 1623 and replaced it with a small château in 1631–34. Louis XIV expanded the château into a palace in several phases from 1661 to 1715. It was a favorite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making the palace the ''de facto'' capital of France. This ...
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Simon Vouet
Simon Vouet (; 9 January 1590 – 30 June 1649) was a French painter who studied and rose to prominence in Italy before being summoned by Louis XIII to serve as Premier peintre du Roi in France. He and his studio of artists created religious and mythological paintings, portraits, frescoes, tapestries, and massive decorative schemes for the king and for wealthy patrons, including Richelieu. During this time, "Vouet was indisputably the leading artist in Paris,"Posner, Donald. "''The Paintings of Simon Vouet'' " (book review), ''The Art Bulletin'', Vol. 45, No. 3 (Sept., 1963), pp. 286–291. and was immensely influential in introducing the Italian Baroque style of painting to France. He was also "without doubt one of the outstanding seventeenth-century draughtsmen, equal to Annibale Carracci and Lanfranco." Career Simon Vouet was born on January 9, 1590, in Paris. His father Laurent was a painter in Paris and taught him the rudiments of art. Simon's brother Aubin Vouet was also ...
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Elia Interguglielmi
Elia Interguglielmi (1746 – 16 May 1835) was an Italian painter of the Neoclassical style, active in Naples and Palermo. He was born in Naples and died in Palermo. He initially worked under Gaspare Fumagalli in Palermo, but in 1762 was working in Naples as an assistant to Giuseppe Bonito Giuseppe Bonito (11 January 1707 – 9 May 1789) was a Neapolitan painter of the Rococo period. Giuseppe Bonito is known for genre depictions on canvas. Many of Gaspare Traversi's paintings had previously been attributed to Bonito. Biograp ... and Antonio Dominici. He returned to Palermo where he worked in the fresco decoration of palaces and churches. One of his descendants, likely grandson, is Eugenio Interguglielmi (19th century), who was a prominent photographer in Palermo. His family. In 1863, he opened a studio on largo Santa Sofia and corso Vittorio Emanuele. Eugenio the younger (1876-1948) was also a photographer, with a studio on via Cavour n. 84, facing piazzetta Valenti. E ...
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Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ...
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Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ...
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Pompei
Pompei (; nap, Pumpeje, ) or Pompeii (, as in the name of the ancient city) is a city and commune in the Metropolitan City of Naples, Italy, home of the ancient Roman ruins of Pompeii that are part of the UNESCO World Heritage Sites. History Modern Pompei was founded in 1891 after the building of the Shrine of Our Lady of Pompei by the lawyer Bartolo Longo. Geography The town of Pompei is located at the eastern borders of its province, and its urban area is contiguous with Scafati, in the Province of Salerno. It borders also with Torre Annunziata, Castellammare di Stabia, Boscoreale, Santa Maria la Carità and Sant'Antonio Abate. Main attractions The ancient city of Pompeii Modern Pompei is mainly famous for the ruins of the ancient city of Pompeii, located in the zone of Pompei Scavi. The vast archaeological area is under Unesco patronage and attracts tourists from all around the world. The Shrine of Our Lady of Pompei The Shrine of Our Lady of Pompei, dedicated to Our L ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Sicilian Baroque
Sicilian Baroque is the distinctive form of Baroque architecture which evolved on the island of Sicily, off the southern coast of Italy, in the , when it was part of the Spanish Empire. The style is recognisable not only by its typical Baroque curves and flourishes, but also by distinctive grinning masks and putti and a particular flamboyance that has given Sicily a unique architectural identity. The Sicilian Baroque style came to fruition during a major surge of rebuilding following the massive earthquake in 1693. Previously, the Baroque style had been used on the island in a naïve and parochial manner, having evolved from hybrid native architecture rather than being derived from the great Baroque architects of Rome. After the earthquake, local architects, many of them trained in Rome, were given plentiful opportunities to recreate the more sophisticated Baroque architecture that had become popular in mainland Italy; the work of these local architects – and the new genre of ...
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Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ...
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