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Veronica Gambara
Veronica Gambara (29 or 30 November 1485 – 13 June 1550) was an Italian poet and politician. She was the ruler of the County of Correggio from 1518 until 1550. Biography Born in Pralboino (now in the Province of Brescia), in Lombardy, Italy, Gambara came from a distinguished family, one of the seven children of Count Gianfrancesco da Gambara and Alda Pio da Carpi. Her family contained a number of distinguished female intellectuals, including her great-aunts, the humanist poets Ginevre and Isotta Nogarola.Stevenson, Jane (2005). ''Women Latin Poets: Language, Gender, and Authority, from Antiquity to the Eighteenth Century.'' New York: Oxford University Press. Veronica was also a niece of Emilia Pia, the principal female interlocutor of Baldessare Castiglione's ''Il Cortegiano.''Robin, Larsen and Levin (2007). ''Encyclopedia of Women in the Renaissance: Italy, France and England.'' Santa Barbara: ABC-CLIO. Gambara received a humanist education, studying Latin, Greek, philosophy, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Ariosto
Ludovico Ariosto (; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic ''Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Ariosto also coined the term "humanism" (in Italian, ''umanesimo'') for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God. This led to Renaissance humanism. Birth and early life Ariosto was born in Reggio nell'Emilia, where his father Niccolò Ariosto was commander of the citadel. He was the oldest of 10 children and was seen as the successor to the patriarchal position of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottava Rima
Ottava rima is a rhyming stanza form of Italian origin. Originally used for long poems on heroic themes, it later came to be popular in the writing of mock-heroic works. Its earliest known use is in the writings of Giovanni Boccaccio. The ottava rima stanza in English consists of eight iambic lines, usually iambic pentameters. Each stanza consists of three alternate rhymes and one double rhyme, following the ABABABCC rhyme scheme. The form is similar to the older Sicilian octave, but evolved separately and is unrelated. The Sicilian octave is derived from the medieval strambotto and was a crucial step in the development of the sonnet, whereas the ottava rima is related to the canzone, a stanza form. History Italian Boccaccio used ''ottava rima'' for a number of minor poems and, most significantly, for two of his major works, the ''Teseide'' (1340) and the '' Filostrato'' (c. 1335). These two poems defined the form as the main one to be used for epic poetry in Italian for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. Ballads are often 13 lines with an ABABBCBC form, consisting of couplets (two lines) of rhymed verse, each of 14 syllables. Another common form is ABAB or ABCB repeated, in alternating eight and six syllable lines. Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or roc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for writers o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Unification
The unification of Italy ( it, Unità d'Italia ), also known as the ''Risorgimento'' (, ; ), was the 19th-century political and social movement that resulted in the consolidation of different states of the Italian Peninsula into a single state in 1861, the Kingdom of Italy. Inspired by the rebellions in the 1820s and 1830s against the outcome of the Congress of Vienna, the unification process was precipitated by the Revolutions of 1848, and reached completion in 1871 after the Capture of Rome and its designation as the capital of the Kingdom of Italy. Some of the states that had been targeted for unification ('' terre irredente'') did not join the Kingdom of Italy until 1918 after Italy defeated Austria-Hungary in the First World War. For this reason, historians sometimes describe the unification period as continuing past 1871, including activities during the late 19th century and the First World War (1915–1918), and reaching completion only with the Armistice of Villa G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastoral
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depicts such life in an idealized manner, typically for urban audiences. A ''pastoral'' is a work of this genre, also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy). Terry Gifford, a prominent literary theorist, define ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Correggio, Emilia-Romagna
Correggio ( Reggiano: ) is a town and ''comune'' in the Province of Reggio Emilia, in the Emilia-Romagna region of Italy, in the Po valley. As of 31 December 2016 Correggio had an estimated population of 25,694. Its patron saint is Quirinus of Sisak, to whom the Basilica of San Quirino is dedicated. It was the seat of Veronica Gambara (1485–1550) a noted politician poet who ruled the principality after the death of her husband Giberto X, Count of Correggio, from 1518 to 1550. It is the birthplace of the Renaissance painter Antonio Allegri, who was called "il Correggio" from the name of his town. The French poet Tugdual Menon resided in Correggio for much of his life. It is also the birthplace of composer Bonifazio Asioli, Venetian School composer Claudio Merulo, rock singer Luciano Ligabue, educator Loris Malaguzzi, who developed the Reggio Emilia approach, 1908 Summer Olympics marathon runner Dorando Pietri, and novelist Pier Vittorio Tondelli. Title In 1659, the Princ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concordia Sulla Secchia
Concordia sulla Secchia ( Concordiese: ) is a ''comune'' (municipality) in the Province of Modena in the Italian region Emilia-Romagna, located about northwest of Bologna and about north of Modena. Concordia sulla Secchia borders the following municipalities: Mirandola, Moglia, Novi di Modena, Quistello, San Giacomo delle Segnate, San Giovanni del Dosso, San Possidonio. History Concordia was part of the fiefs of the Pico della Mirandola family starting from 1311, when Francesco I Pico had a mill built here near the Secchia river. In 1704 the town was besieged and set to fire by French troops in the course of the War of Spanish Succession. In 1711, the duke of Modena (House of Este) acquired the states of the Pico della Mirandola, including, among others, the duchy of Mirandola Mirandola ( Mirandolese: ) is a city and ''comune'' of Emilia-Romagna, Italy, in the Province of Modena, northeast of the provincial capital by railway. History Mirandola originated as a Renais ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duchy Of Mirandola
The Lordship, then County, Principality and finally Duchy of Mirandola ( it, Ducato della Mirandola) was a state which existed in Northern Italy from 1310 until 1711, centered in Mirandola in what is now the province of Modena, in Emilia-Romagna, and ruled by the House of Pico. History The House of Pico della Mirandola were a noble family first known for one Hugh, a vassal of Matilda of Tuscany in the 11th century. In the following centuries, members of the family were ''podestà'' in Modena and Reggio Emilia, until, in 1311, Francesco Pico received from Emperor Henry VII the fiefs of Quarantoli and San Possidonio in reward of his help during the war against the Este. In 1353 Paolo Pico obtained from the bishops of Reggio the fief of San Martino Spino, and in the following year Emperor Charles IV freed the Pico from the dominance of the bishops, placing Mirandola directly under imperial suzerainty. In 1432 Giovanni Pico received from Emperor Sigismund the title of Count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
