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Tricky Sam Nanton
Joe "Tricky Sam" Nanton (February 1, 1904 – July 20, 1946) was an American trombonist with the Duke Ellington Orchestra. Early life Joe Nanton was born Joseph Irish Nanton in New York City, United States. His parents were John Barzly Nanton and Emily Irish, both immigrants from the British West Indies. Nanton began playing professionally in Washington, D.C., with bands led by Cliff Jackson and banjoist Elmer Snowden. From 1923 to 1924, Nanton worked with Frazier's Harmony Five. A year later, he performed with Snowden. At the age of 22, Nanton found his niche in Duke Ellington's Orchestra, when he reluctantly took the place of his friend Charlie Irvis in 1926, and remained with Ellington until his early death in 1946. Nanton, along with Lawrence Brown, anchored the trombone section. The wah-wah Nanton was one of the great pioneers of the plunger mute. In 1921, he heard Johnny Dunn playing the trumpet with a plunger, which Nanton realized could be used to similar effect o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City or NYC, is the most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the most densely populated major city in the United States, and is more than twice as populous as second-place Los Angeles. New York City lies at the southern tip of New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the world by urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous megacities, and over 58 million people live within of the city. New York City is a global cultural, financial, entertainment, and media center with a significant influence on commerce, health care and life sciences, research, technology, education, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bubber Miley
Bubber is a nickname and surname which may refer to: People: * Bubber or Bubba Brooks (1922-2002), American jazz tenor saxophonist * James Bubber Epps (born 1943), American politician * Clarence James Bubber Jonnard (1897-1977), American Major League Baseball catcher * James "Bubber" Miley (1903-1932), American jazz trumpet and cornet player * Charles M. Murphy (coach) (1913-1999), American football, basketball and baseball player and Middle Tennessee State University head coach * Riva Bubber, Indian television actress * Bubber or Niels Christian Meyer, Danish television host Fictional characters: * Charlie "Bubber" Reeves, a main character in the 1966 film '' The Chase'', played by Robert Redford * John Bubber, a main character in the 1992 film ''Hero A hero (feminine: heroine) is a real person or a main fictional character who, in the face of danger, combats adversity through feats of ingenuity, courage, or strength. Like other formerly gender-specific terms (li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mood Indigo
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. Composition Although Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, Mitchell Parish claimed in a 1987 interview that he had written the lyrics. The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues". It was "the first tune I ever wrote specially for microphone transmission", Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo", it became a jazz standard." The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. It was recorded twice more in 1930. These recordings included Arthur Whetsel (trumpet), Tricky Sam Nanton ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Mooche
"The Mooche" is an American jazz song, composed in 1928 by Duke Ellington and Irving Mills, with scat singing by vocalist Gertrude "Baby" Cox. The song is considered to be one of Ellington's signature pieces and "he performed it frequently and recorded it many times over 45 years." Among the jazz musicians who recorded the original version of the song was James "Bubber" Miley whom Ellington described as "the epitome of soul and a master of the plunger mute." However, Miley's alcoholism and his consequent unreliability would lead to his parting with Ellington's band. Four years later, on May 20, 1932, Miley expired from tuberculosis. He was 29 years old. Despite his early death, "no one, apart from Duke himself, did more than Miley to shape the early Ellington sound." Ellington composed the song "for a high reed trio, playing one of the most eerie and haunting themes he had created up to that time. The theme, a sixteen-bar blues with interpolations by Miley, is followed by an e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swing Era
The swing era (also frequently referred to as the big band era) was the period (1933–1947) when big band swing music was the most popular music in the United States. Though this was its most popular period, the music had actually been around since the late 1920s and early 1930s, being played by black bands led by such artists as Duke Ellington, Jimmie Lunceford, Bennie Moten, Cab Calloway, Earl Hines, and Fletcher Henderson, and white bands from the 1920s led by the likes of Jean Goldkette, Russ Morgan and Isham Jones. An early milestone in the era was from "the King of Swing" Benny Goodman's performance at the Palomar Ballroom in Los Angeles on August 21, 1935, bringing the music to the rest of the country. The 1930s also became the era of other great soloists: the tenor saxophonists Coleman Hawkins, Ben Webster and Lester Young; the alto saxophonists Benny Carter and Johnny Hodges; the drummers Chick Webb, Gene Krupa, Jo Jones and Sid Catlett; the pianis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Growl (wind Instruments)
Growling is a musical technique where the instrumentalist vocalizes into the instrument to alter quality of the sound. Growling is used primarily in rock and blues style playing, it is also frequently used in klezmer music; it is popular in the woodwind family of instruments, especially the saxophone, though it is also commonly used on brass instruments, as well. It is commonly used by mainstream artists such as Ben Webster, Illinois Jacquet and Earl Bostic. Outside of these styles and instruments, it is often considered a novelty effect. The growl gives the performer's sound a dark, guttural, gritty timbre resulting largely from the rustle noise and desirable consonance and dissonance effects produced. The technique of simultaneous playing a note and singing into an instrument is also known as horn chords or multiphonics. Method The most common and effective method of woodwind growling is to hum, sing, or even scream into the mouthpiece of the instrument. This method introduce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cootie Williams
Charles Melvin "Cootie" Williams (July 10, 1911 – September 15, 1985) was an American jazz, jump blues, and rhythm and blues trumpeter. Biography Born in Mobile, Alabama, Williams began his professional career at the age of 14 with the Young Family band, which included saxophonist Lester Young. According to Williams he acquired his nickname as a boy when his father took him to a band concert. When it was over his father asked him what he'd heard and he replied, "Cootie, cootie, cootie." In 1928, he made his first recordings with pianist James P. Johnson in New York, where he also worked briefly in the bands of Chick Webb and Fletcher Henderson. Williams rose to prominence as a member of Duke Ellington's orchestra when the band was playing at the Cotton Club, with which he first performed from 1929 to 1940. He also recorded his own sessions during this time, both freelance and with other Ellington sidemen. Williams was renowned for his "jungle"-style trumpet playing ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black And Tan Fantasy
"Black and Tan Fantasy" is a 1927 jazz composition by Duke Ellington and Bubber Miley. The song was recorded several times in 1927 for the Okeh, Victor and Brunswick record labels. The song was also featured in the 1929 short film '' Black and Tan''. The Victor recording is an inductee of the Grammy Hall of Fame The Grammy Hall of Fame is a hall of fame to honor musical recordings of lasting qualitative or historical significance. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of .... Recordings (1927–1942) * April 7, 1927 E-22299 issued on Brunswick 3526, Brunswick 6682, Brunswick 80002, Melotone M-12093, Polk P-9006, Vocalion 15556 * October 6, 1927 BVE-40155-2 probably unissued * October 26, 1927 BVE-40155-4 Victor 21137, Victor 24861, Victor 68-0837 (as "Black & Tan Fantasie") * November 3, 1927 W 81776-A Columbia (LP) C3L-27 * November 3, 1927 W 81776-B OKeh 40955 * November 3, 1927 W 81776-C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Straight Mute
A mute is a device attached to a musical instrument which changes the instrument's tone quality (timbre) or lowers its volume. Mutes are commonly used on string and brass instruments, especially the trumpet and trombone, and are occasionally used on woodwinds. Their effect is mostly intended for artistic use, but they can also allow players to practice discreetly. Muting can also be done by hand, as in the case of palm muting a guitar or grasping a triangle to dampen its sound. Mutes on brass instruments are typically inserted into the flared end of the instrument (bell). They can also be held in front of or clipped onto the bell. Of brass mutes, the "straight mute" is the most common and is frequently used in classical and jazz music, but a wide variety are available. On string instruments of the violin family, mutes are usually attached to the bridge, the piece of wood that supports the strings. Palm muting a guitar involves placing the side of the hand across the strings, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercer Ellington
Mercer Kennedy Ellington (March 11, 1919 – February 8, 1996) was an American musician, composer, and arranger. His father was Duke Ellington, whose band Mercer led for 20 years after his father's death. Biography Early life and education Ellington was born in Washington, D.C., United States. He was the only child of the composer, pianist, and bandleader Duke Ellington and his high school sweetheart Edna Thompson (d. 1967). Ellington grew up primarily in Harlem from the age of eight. By the age of eighteen, Ellington had written his first piece to be recorded by his father ("Pigeons and Peppers"). Ellington attended New College for the Education of Teachers at Columbia University, New York University and the Juilliard School. Career In 1939, 1959, and 1946 through 1949, Ellington led his own bands, many of whose members later performed with his father, or achieved a successful career in their own right (including Dizzy Gillespie, Kenny Dorham, Idrees Sulieman, Chico Hamilton, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Hardwick
Otto James "Toby" Hardwicke (May 31, 1904 – August 5, 1970) was an American saxophone player associated with Duke Ellington. Biography Hardwick began on string bass at the age of 14, then moved to C melody saxophone and finally settled on alto saxophone. A childhood friend of Duke Ellington, Google books Hardwick joined Ellington's first band in Washington, D. C. in 1919. Hardwick also worked for banjoist |
Barney Bigard
Albany Leon "Barney" Bigard (March 3, 1906 – June 27, 1980) was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone. Biography Bigard was born in New Orleans to Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alexander Jr. and Sidney. His uncle, Emile Bigard, was a jazz violinist. He attended local schools and studied music and clarinet with Lorenzo Tio. In the early 1920s, he moved to Chicago, where he worked with King Oliver and others. During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's " Someday Sweetheart". In December 1927, Bigard joined Duke Ellington's orchestra in New York. He played with Ellington until 1942. They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured clarinet soloist, while also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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