Otto Hardwick
   HOME
*



picture info

Otto Hardwick
Otto James "Toby" Hardwicke (May 31, 1904 – August 5, 1970) was an American saxophone player associated with Duke Ellington. Biography Hardwick began on string bass at the age of 14, then moved to C melody saxophone and finally settled on alto saxophone. A childhood friend of Duke Ellington,''The Rough Guide to Jazz'' Carr, Ian; Fairweather, Digby; Priestley, Brian; Alexander, Charles
Google books Hardwick joined Ellington's first band in Washington, D. C. in 1919. Hardwick also worked for banjoist



Barney Bigard, Ben Webster, Otto Hardwick, Harry Carney, Rex Stewart, Sonny Greer, Wallace Jones, Ray Nance (Gottlieb 02401)
Barney may refer to: People and fictional characters * Barney (given name), a list of people and fictional characters * Barney (surname), a list of people Film and television * the title character of ''Barney & Friends'', an American live action TV series for children * Barney (film), ''Barney'' (film), a 1976 Australian film for children * Barney (British TV series), ''Barney'' (British TV series), a BBC children's television program Places United States * Barney, Alabama, an unincorporated community in Walker County, Alabama * Barney, Arkansas, an unincorporated community * Barney, Georgia, an unincorporated community * Barney, Iowa, an unincorporated community * Barney, North Dakota, a city * Barney Creek (Lorain County, Ohio) Elsewhere * Barney, Norfolk, an English village * Mount Barney (Queensland), Queensland, Australia * Barney Island, in the Torres Strait between Australia and New Guinea- see List of Torres Strait Islands * 5655 Barney, an asteroid Other uses * Barney ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Sophisticated Lady
"Sophisticated Lady" is a jazz standard, composed as an instrumental in 1932 by Duke Ellington. Background Additional credit is given to publisher Irving Mills whose words were added to the song by Mitchell Parish. The words met with approval from Ellington, who described them as "wonderful—but not entirely fitted to my original conception". That original conception was inspired by three of Ellington's grade school teachers. "They taught all winter and toured Europe in the summer. To me that spelled sophistication." Lawrence Brown, the trombone player in Ellington's band at the time, claimed that he was responsible for the main hook in the A section of the tune. Ellington paid him $15 for his contribution, but he was never officially credited. Duke Ellington and His Orchestra introduced "Sophisticated Lady" in 1933 with an instrumental recording of the song that featured solos by Toby Hardwick on alto sax, Barney Bigard on clarinet, Lawrence Brown on trombone and Ellingto ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


In A Sentimental Mood
"In a Sentimental Mood" is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz; Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935/36 were by Benny Goodman and by Mills Blue Rhythm Band. Background According to Ellington, the song was born in Durham, North Carolina. "We had played a big dance in a tobacco warehouse, and afterwards a friend of mine, an executive in the North Carolina Mutual Insurance Company, threw a party for Amy. I was playing piano when another one of our friends had some trouble with two chicks. To pacify them, I composed this there and then, with one chick standing on each side of the piano." The recording featured solos by Otto Hardwicke, Harry Carney, Lawrence Brown, and Rex Stewart. Ellington recorded a version with John Coltrane which appears on '' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Black And Tan Fantasy
"Black and Tan Fantasy" is a 1927 jazz composition by Duke Ellington and Bubber Miley. The song was recorded several times in 1927 for the Okeh, Victor and Brunswick record labels. The song was also featured in the 1929 short film ''Black and Tan''. The Victor recording is an inductee of the Grammy Hall of Fame The Grammy Hall of Fame is a hall of fame to honor musical recordings of lasting qualitative or historical significance. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of .... Recordings (1927–1942) * April 7, 1927 E-22299 issued on Brunswick 3526, Brunswick 6682, Brunswick 80002, Melotone M-12093, Polk P-9006, Vocalion 15556 * October 6, 1927 BVE-40155-2 probably unissued * October 26, 1927 BVE-40155-4 Victor 21137, Victor 24861, Victor 68-0837 (as "Black & Tan Fantasie") * November 3, 1927 W 81776-A Columbia (LP) C3L-27 * November 3, 1927 W 81776-B OKeh 40955 * November 3, 1927 W 81776-C OK ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Smalls Jazz Club
Smalls Jazz Club is a jazz club at 183 West 10th Street, Greenwich Village, New York City. Established in 1994, it earned a reputation in the 1990s as a "hotbed for New York's jazz talent" with a "well-deserved reputation as one of the best places in the city to see rising talent in the New York jazz scene". Its jazz musicians are noted for being "talented, though largely unknown" while its music is characterized as "modern versions of bebop and hard bop". The club's main room is in a basement with a capacity of 50 people that expanded to 60 people. Smalls Jazz Club should not be confused with Smalls Paradise in Harlem, which was founded in 1925 by Ed Smalls and closed in the 1950s. History Smalls Jazz Club was established in 1993 by Mitchell "Mitch" Borden, a former submariner, nurse, and teacher. Its target audience was characterized as young, Bohemianism, bohemian, and talkative. Music commenced every night at 10:30 and at times lasted until 6:00 the following morning. The entr ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Fats Waller
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. His best-known compositions, " Ain't Misbehavin'" and " Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It is likely that he composed many more popular songs than he has been credited with: when in financial difficulties he had a habit of selling songs to other writers and performers who claimed them as their own. Waller started playing the piano at the age of six, and became a professional organist at 15. By the age of 18, he was ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Hot Feet Club
The Hot Feet Club was a popular nightclub in New York City that operated from 1928 until 1933, approximately. The mob-controlled speakeasy attracted "some of the best crowds" of the day, such as boxing champion Gene Tunney and Mayor Jimmy Walker. Like some other clubs, it was racially segregated, with mostly white audiences coming to see mostly black performers. It opened at 11 p.m. but didn't really get going until later. Some performances were broadcast from 1:00 to 1:30 a.m. At different times, bands led by Otto Hardwick and Elmer Snowden were featured. Some of the greatest singers and musicians of the time performed at the club, including Alberta Hunter, pianist and composer Fats Waller, and jazz drummer Chick Webb. With a well-to-do clientele, the performers were well paid, sometimes making $10-15 or as much as $30 in tips per night, equivalent to a week's salary at the time. The relatively small club was located in a storefront at 142 West Houston Street, on the north si ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Chick Webb
William Henry "Chick" Webb (February 10, 1905 – June 16, 1939) was an American jazz and swing music drummer and band leader. Early life Webb was born in Baltimore, Maryland, to William H. and Marie Webb. The year of his birth is disputed. The ''Encyclopædia Britannica'' and Allmusic indicate 1905, and this seems to be supported by census information. Other publications claim other years. During Webb's lifetime, a December 1937 ''DownBeat'' magazine article, "The Rise of a Crippled Genius", stated he was born in 1909, which is the year that appears on his grave marker. In 1939, ''The New York Times'' stated that Webb was born in 1907, the year also suggested in ''Rhythm on Record'' by Hilton Schleman. Webb was one of four children; the other three were sisters (Bessie, Mabel, and Ethel). His sister Mabel married Wilbur Porter around 1928. When an infant, Webb fell down some stairsteps in his family's home, crushing several vertebrae and requiring surgery, from which he nev ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Sidney Bechet
Sidney Bechet (May 14, 1897 – May 14, 1959) was an American jazz saxophonist, clarinetist, and composer. He was one of the first important soloists in jazz, and first recorded several months before trumpeter Louis Armstrong. His erratic temperament hampered his career, and not until the late 1940s did he earn wide acclaim. Bechet spent much of his later life in France. Biography Early life Bechet was born in New Orleans in 1897 to a middle-class Creole of color family. Bechet's father Omar was both a shoemaker and a flute player, and all four of his brothers were musicians as well. His older brother, Leonard Victor Bechet, was a full-time dentist and a part-time trombonist and bandleader. Bechet learned and mastered several musical instruments that were kept around the house (he began on the cornet), mostly by teaching himself; he decided to specialize in the clarinet (which he played almost exclusively until about 1919). At the age of six, he started to perform w ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]