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Tokyo Drifter
is a 1966 ''yakuza'' film directed by Seijun Suzuki. The story follows Tetsuya Watari as the reformed yakuza hitman "Phoenix" Tetsu who is forced to roam Japan avoiding execution by rival gangs. Plot An old ''yakuza'' boss named Kurata decides to retire from his criminal activities and disbands his gang. His fiercely loyal enforcer, Tetsuya "Phoenix Tetsu" Hondo, finds himself unable to enjoy a life outside of organized crime. He is hounded by a rival gang after turning down a recruitment offer by its boss, Otsuka.Berra (2010), 282. Otsuka sees Kurata's retirement as an opportunity to seize his territory via a real estate scam, seeing Tetsu as a threat to his plans. Kurata is eventually forced to convince Tetsu to become a drifter. Otsuka sends his hitman "Viper" Tatsuzo to kill Tetsu, who evades him and Otsuka's hit squad a number of times with help from a former Otsuka gang member named Kenji. Tetsu later reaches the establishment of Kurata's ally Umetani, who reveals that Ku ...
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Seijun Suzuki
, born (24 May 1923 – 13 February 2017), was a Japanese filmmaker, actor, and screenwriter. His films are known for their jarring visual style, irreverent humour, nihilistic cool and entertainment-over-logic sensibility. He made 40 predominately B-movies for the Nikkatsu Company between 1956 and 1967, working most prolifically in the yakuza genre. His increasingly surreal style began to draw the ire of the studio in 1963 and culminated in his ultimate dismissal for what is now regarded as his magnum opus, ''Branded to Kill'' (1967), starring notable collaborator Joe Shishido. Suzuki successfully sued the studio for wrongful dismissal, but he was blacklisted for 10 years after that. As an independent filmmaker, he won critical acclaim and a Japanese Academy Award for his ''Taishō'' trilogy, ''Zigeunerweisen'' (1980), ''Kagero-za'' (1981) and ''Yumeji'' (1991). His films remained widely unknown outside Japan until a series of theatrical retrospectives beginning in the mi ...
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Hideaki Esumi
Hideaki (ひであき) is a masculine Japanese given name. Possible writings Hideaki can be written using different kanji characters and can mean: *秀秋, "excellent", "autumn" *英秋, "outstanding", "autumn" *秀明, "excellent", "bright" *英明, "outstanding", "bright" *秀朗, "excellent", "clear" *秀昭, "excellent", "shining" *英昭, "outstanding", "shining" *秀章, "excellent", "composition" *秀聡, "excellent", "wise" *秀彰, "excellent", "clear" A popular kanji is 明 (the combination of two different characters 日 = sun and 月 = moon) which means "the light coming from the sun", "sunlight and moonlight", "bright", "intelligent", "wisdom" or "truth". The name can also be written in hiragana. People with the name *, Japanese rower * Hideaki Akaiwa (born 1968), Japanese hero of the 2011 Tōhoku earthquake and tsunami *, Japanese animator and film director *, Japanese footballer *, Japanese ''daimyō'' *, Japanese ''swordsman'' *, Japanese footballer *, Japan ...
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Westerns
The Western is a genre set in the American frontier and commonly associated with folk tales of the Western United States, particularly the Southwestern United States, as well as Northern Mexico and Western Canada. It is commonly referred to as the "Old West" or the "Wild West" and depicted in Western media as a hostile, sparsely populated frontier in a state of near-total lawlessness patrolled by outlaws, sheriffs, and numerous other stock "gunslinger" characters. Western narratives often concern the gradual attempts to tame the crime-ridden American West using wider themes of justice, freedom, rugged individualism, Manifest Destiny, and the national history and identity of the United States. History The first films that belong to the Western genre are a series of short single reel silents made in 1894 by Edison Studios at their Black Maria studio in West Orange, New Jersey. These featured veterans of ''Buffalo Bill's Wild West'' show exhibiting skills acquired by living ...
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Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the norm or the ''
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Japanese Film
The has a history that spans more than 100 years. Japan has one of the oldest and largest film industries in the world; as of 2021, it was the fourth largest by number of feature films produced. In 2011 Japan produced 411 feature films that earned 54.9% of a box office total of US$2.338 billion. Films have been produced in Japan since 1897, when the first foreign cameramen arrived. ''Tokyo Story'' (1953) ranked number three in ''Sight & Sound'' critics' list of the 100 greatest films of all time. ''Tokyo Story'' also topped the 2012 ''Sight & Sound'' directors' poll of The Top 50 Greatest Films of All Time, dethroning ''Citizen Kane'', while Akira Kurosawa's ''Seven Samurai'' (1954) was voted the greatest foreign-language film of all time in BBC's 2018 poll of 209 critics in 43 countries. Japan has won the Academy Award for the Best International Feature Film four times, more than any other Asian country. Japan's Big Four film studios are Toho, Toei, Shochiku and Kadokawa, ...
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Corporate Corruption
In criminology, corporate crime refers to crimes committed either by a corporation (i.e., a business entity having a separate legal personality from the natural persons that manage its activities), or by individuals acting on behalf of a corporation or other business entity (see vicarious liability and corporate liability). For the worst corporate crimes, corporations may face judicial dissolution, sometimes called the "corporate death penalty", which is a legal procedure in which a corporation is forced to dissolve or cease to exist. Some negative behaviours by corporations may not actually be criminal; laws vary between jurisdictions. For example, some jurisdictions allow insider trading. Corporate crime overlaps with: * white-collar crime, because the majority of individuals who may act as or represent the interests of the corporation are white-collar professionals; * organized crime, because criminals may set up corporations either for the purposes of crime or as vehicles f ...
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Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ...
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Absurdism
Absurdism is the philosophical theory that existence in general is absurd. This implies that the world lacks Meaning of life, meaning or a higher purpose and is not fully intelligible by reason. The term "absurd" also has a more specific sense in the context of absurdism: it refers to a conflict or a discrepancy between two things but there are several disagreements about their exact nature. These disagreements have various consequences for whether absurdism is true and for the arguments cited in favor and against it. Popular accounts characterize the conflict as a collision between Rationality, rational man and an irrational universe, between intention and outcome, or between subjective assessment and objective worth. An important aspect of absurdism is its claim that the world ''as a whole'' is absurd. It differs in this regard from the uncontroversial and less global thesis that some ''particular'' situations, persons, or phases in life are absurd. Various components of the ...
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1950s In Film
The decade of the 1950s in film involved many significant films. Events Films of the 1950s were of a wide variety. As a result of the introduction of television, the studios and companies sought to put audiences back in theaters. They used more techniques in presenting their films through widescreen and big-approach methods, such as Cinemascope, VistaVision, and Cinerama, as well as gimmicks like 3-D film. Big production and spectacle films were perfect for this gained popularity, with the many historic and fantasy epics like ''The Robe'' (1953),''The Story of Robin Hood and His Merrie Men'' (1952), ''The Ten Commandments'' (1956), ''The Seventh Voyage of Sinbad'' (1958), and '' Ben-Hur'' (1959). Other big-scoped films thrived internationally, too, such as Soviet fantasy director Aleksandr Ptushko's mythological epics ''Sadko'', ''Ilya Muromets'', and ''Sampo'', and Japanese director Akira Kurosawa's historic ''Seven Samurai'', ''Throne of Blood'', and ''Rashomon''. Toshiro Mifune ...
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Musical Film
Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers". The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by the films of Busby Ber ...
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