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Tochter Zion, Freue Dich
"Tochter Zion, freue dich" (Daughter Zion, rejoice) is a Christian Advent song in German. The text was written by Friedrich Heinrich Ranke, based on music derived from two of Handel's oratorios. The song was published in 1826, assigned to the Entry into Jerusalem. The hymn is part of the German Protestant hymnal '' Evangelisches Gesangbuch'' as EG 13 and the 2013 Catholic hymnal ''Gotteslob'' as GL 228, both four-part settings in the Advent section. The French hymn and its English translation ''Thine Be the Glory, Risen Conquering Son'' use the same tune. History Friedrich Heinrich Ranke wrote the text, based on music by George Frideric Handel, for a musical salon of Karl Georg von Raumer around 1820. He knew the music as "Seht, er kommt, mit Preis gekrönt", a chorus from Handel's oratorio ''Judas Maccabaeus''. Handel had first composed it in 1747 for the oratorio ''Joshua'', and added it to ''Judas Maccabaeus'' in a revised version in 1751, as ''See, the Conquering Hero Come ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include the Egyptian ''Great Hymn to the Aten'', composed by Pharaoh Akhenaten; the Hurrian ''Hy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judas Maccabaeus (Handel)
''Judas Maccabaeus'' ( HWV 63) is an oratorio in three acts composed in 1746 by George Frideric Handel based on a libretto written by Thomas Morell. The oratorio was devised as a compliment to the victorious Prince William Augustus, Duke of Cumberland upon his return from the Battle of Culloden (16 April 1746). Other catalogues of Handel's music have referred to the work as HG xxii; and HHA 1/24. Synopsis Morell's libretto is based on the deuterocanonical (or apocryphal) book 1 Maccabees (2–8), with motives added from the ''Antiquitates Judaicae'' by Flavius Josephus. The events depicted in the oratorio are from the period 170–160 BC when Judea was ruled by the Seleucid Empire which undertook to destroy the Jewish religion. Being ordered to worship Zeus, many Jews obeyed under the threat of persecution; however, some did not. One who defied was the elderly priest Mattathias who killed a fellow Jew who was about to offer a pagan sacrifice. After tearing down a pagan altar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vandenhoeck & Ruprecht
Vandenhoeck & Ruprecht (V&R) is a scholarly publishing house based in Göttingen, Germany. It was founded in 1735 by (1700-1750) in connection with the establishment of the Georg-August-Universität in the same city. After Abraham Vandenhoeck's death in 1750, his English-born widow, Anna Vandenhoeck, née Parry (d. 1787) successfully continued the business together with Carl Friedrich Günther Ruprecht (born 1730), who had entered the business as an eighteen-year-old apprentice in 1748. At the death of Anna Vandenhoeck in 1787, Ruprecht took over the business which he led until his death in 1816, when he was succeeded by his 25-year-old son Carl August Adolf Ruprecht (1791-1861). The management of the company remained in the hands of the Ruprecht family for seven generations. The traditional core areas of the publications of V&R are Theology and Religion, History, Ancient History, Philosophy and Philology. Current production also includes schoolbooks and non-academic publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etymo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and Metre (poetry), metrical schemes, but they are not required to have either. There are many different : Stanzaic form, forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse, Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to ''strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Advent
Advent is a Christian season of preparation for the Nativity of Christ at Christmas. It is the beginning of the liturgical year in Western Christianity. The name was adopted from Latin "coming; arrival", translating Greek ''parousia''. In the New Testament, this is the term used for the Second Coming of Christ. Thus, the season of Advent in the Christian calendar anticipates the "coming of Christ" from three different perspectives: the physical nativity in Bethlehem, the reception of Christ in the heart of the believer, and the eschatological Second Coming. Practices associated with Advent include Advent calendars, lighting an Advent wreath, praying an Advent daily devotional, erecting a Christmas tree or a Chrismon tree, lighting a Christingle, as well as other ways of preparing for Christmas, such as setting up Christmas decorations, a custom that is sometimes done liturgically through a hanging of the greens ceremony. The equivalent of Advent in Eastern Christianity is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Georg Von Raumer
Karl Georg von Raumer (9 April 1783 – 2 June 1865) was a German geologist and educator. Biography Raumer was born in Wörlitz. He was educated at the universities of Göttingen and Halle, and at the mining academy in Freiberg as a student of Abraham Gottlob Werner. In 1811 he became professor of mineralogy at Breslau, and two years later, participated in the German Campaign of 1813. In 1819 he relocated as a professor to the University of Halle, then in 1827 settled at the University of Erlangen as a professor of natural history and mineralogy.Chambers' Encyclopaedia: A Dictionary of Universal Knowledg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joshua (Handel)
''Joshua'' ( HWV 64) is an oratorio by George Frideric Handel. It was composed in a month, from 19 July 1747 to 19 August 1747, six months before the beginning of the oratorio season. ''Joshua'' is Handel's fourth oratorio based on a libretto by Thomas Morell.Winton, Dean. "Joshua." ''Handel's Dramatic Oratorios and Masques''. London: Oxford UP, 1966. N. pag. Print. The oratorio premiered on 9 March 1748 at the Covent Garden Theatre, London.'' Joshua'' is based on the Biblical story of Joshua as the leader of the ancient Israelites. The story follows the Israelites from their passage over the Jordan River into Caanan and through the Battle of Jericho. The work also includes a love story elaborated from a few hints in the Biblical narrative between Caleb's daughter Achsah and Othniel, a young soldier. ''Joshua'' was the fourth oratorio Handel had written within the span of twenty months. Following the Jacobite rising of 1745 in England, Handel produced a series of English orator ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thine Be The Glory, Risen Conquering Son
Thine Be the Glory, Risen Conquering Son (French: ''À toi la gloire O Ressuscité''), also titled Thine Is the Glory, is a Christian hymn for Easter, written by the Swiss Protestant minister, Edmond Budry (1854–1932), and set to the tune of the chorus "See, the Conqu'ring hero comes" from the third section of Handel's oratorio ''Judas Maccabaeus''. The hymn is sometimes sung at weddings or funerals. An English translation was made in 1923 by Richard Birch Hoyle (1875–1939). The German Advent hymn '' Tochter Zion, freue dich'' uses the same tune. History Tune "Thine Be the Glory" is sung to the hymn tune . The tune was originally written by the German-British composer George Frideric Handel. He composed it initially for his 1747 oratorio ''Joshua'', in which it features as a chorus, "See, the Conquering Hero Comes!", celebrating the military victories of the Biblical figure Joshua. The chorus is sung three times, and its final rendition is accompanied by a military side ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
