Tochter Zion, Freue Dich

"Tochter Zion, freue dich" (Daughter Zion, rejoice) is a Christian Advent song in German. The text was written by Friedrich Heinrich Ranke, based on music derived from two of Handel's oratorios. The song was published in 1826, assigned to the Entry into Jerusalem. The hymn is part of the German Protestant hymnal '' Evangelisches Gesangbuch'' as EG 13 and the 2013 Catholic hymnal ''Gotteslob'' as GL 228, both four-part settings in the Advent section.

The French hymn and its English translation ''Thine Be the Glory, Risen Conquering Son'' use the same tune.

History

Friedrich Heinrich Ranke wrote the text, based on music by George Frideric Handel, for a musical salon of Karl Georg von Raumer around 1820. He knew the music as "Seht, er kommt, mit Preis gekrönt", a chorus from Handel's oratorio ''Judas Maccabaeus''. Handel had first composed it in 1747 for the oratorio ''Joshua'', and added it to ''Judas Maccabaeus'' in a revised version in 1751, as ''See, the Conquering Hero Comes''. In both works, the music reflects the triumphant entry of a victorious hero.

The hymn was first published in Hamburg in 1826 in the collection ''Christliche, liebliche Lieder'' by Louise Reichardt, Raumer's sister-in-law, and assigned to the Entry into Jerusalem, which at the time had the same prescribed readings as the first Sunday of Advent. It entered collections for schools and became popular.

The hymn is part of the German Protestant hymnal '' Evangelisches Gesangbuch'' as EG 13 and the 2013 Catholic hymnal ''Gotteslob'' as GL 228, both four-part settings in the Advent section.

Music

Handel's music is a chorus with short lines, sung in homophony. It is written in march rhythm and harmonic simplicity. In Handel's works, the first of three stanzas is scored for three voices, two sopranos and an alto, accompanied by two horns and organ. A second stanza with different text is written for two sopranos, two flutes and organ. Finally, the third stanza, with the text of the first, is sung by four choral parts and a rich basso continuo in dramatic development. Ranke used only the four-part setting, which he modified slightly.

\header

keyTime =

SopIn = %% laut, Jerusalam
SopOut = %% fürst
SopMusic =

AltIn = %% laut, Jerusalem
AltOut = %% Friedefürst
AltoMusic =

TenIn = %% laut, Jerusalem
TenOut = %% Friedefürst
TenorMusic =

BasIn = %% laut, Jerusalem
BasOut = %% Friedefürst

BassMusic =

VerseOne = \lyricmode

VerseTwo = \lyricmode
%
VerseFour = \lyricmode

\score
\score

References

Citations

Cited sources

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External links

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Advent songs
19th-century hymns in German