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The Wood Nymph
''The Wood Nymph'' (in Swedish: '; subtitled '), Op. 15, is a programmatic tone poem for orchestra composed in 1894 and 1895 by the Finnish composer Jean Sibelius. The ballade, which premiered on 17 April 1895 in Helsinki, Finland, with Sibelius conducting, follows the Swedish writer Viktor Rydberg's 1882 poem of the same title, in which a young man, Björn, wanders into the forest and is seduced and driven to despair by a ', or wood nymph. Organizationally, the tone poem consists of four informal sections, each of which corresponds to one of the poem's four stanzas and evokes the mood of a particular episode: first, heroic vigor; second, frenetic activity; third, sensual love; and fourth, inconsolable grief. ''The Wood Nymph'' was performed three more times that decade, then, at the composer's request, once more in 1936. Never published, the ballade had been thought to be comparable to insubstantial works and juvenilia which Sibelius had suppressed until the Finnish musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tone Poem
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''Tondichtung (tone poem)'' appears to have been first used by the composer Carl Loewe in 1828. The Hungarian composer Franz Liszt first applied the term ''Symphonische Dichtung'' to his 13 works in this vein. While many symphonic poems may compare in size and scale to symphonic movements (or even reach the length of an entire symphony), they are unlike traditional classical symphonic movements, in that their music is intended to inspire listeners to imagine or consider scenes, images, specific ideas or moods, and not (necessarily) to focus on following traditional patterns of musical form such as sonata form. This intention to inspire listeners was a direct consequence of Romanticism, which encouraged literary, pictorial and dramatic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akseli Gallen-Kallela
Akseli Gallen-Kallela (26 April 1865 – 7 March 1931) was a Finnish painter who is best known for his illustrations of the ''Kalevala'', the Finnish national epic. His work is considered a very important aspect of the Finnish national identity. He changed his name from Gallén to Gallen-Kallela in 1907. Life and career Early life Gallen-Kallela was born Axel Waldemar Gallén in Pori, Finland, in a Swedish-speaking family. His father Peter Gallén worked as police chief and lawyer. Gallen-Kallela was raised in Tyrvää. At the age of 11 he was sent to Helsinki to study at a grammar school, because his father opposed his ambition to become a painter. After his father's death in 1879, Gallen-Kallela attended drawing classes at the Finnish Art Society (1881–1884) and studied privately under Adolf von Becker. Paris In 1884 he moved to Paris, to study at the Académie Julian. In Paris he became friends with the Finnish painter Albert Edelfelt, the Norwegian painter Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tampere
Tampere ( , , ; sv, Tammerfors, ) is a city in the Pirkanmaa region, located in the western part of Finland. Tampere is the most populous inland city in the Nordic countries. It has a population of 244,029; the urban area has a population of 341,696; and the metropolitan area, also known as the Tampere sub-region, has a population of 393,941 in an area of . Tampere is the second-largest urban area and third most-populous individual municipality in Finland, after the cities of Helsinki and Espoo, and the most populous Finnish city outside the Greater Helsinki area. Today, Tampere is one of the major urban, economic, and cultural hubs in the whole inland region. Tampere and its environs belong to the historical province of Satakunta. The area belonged to the Häme Province from 1831 to 1997, and over time it has often been considered to belong to Tavastia as a province. For example, in '' Uusi tietosanakirja'' published in the 1960s, the Tampere sub-region is presented as p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turku
Turku ( ; ; sv, Åbo, ) is a city and former capital on the southwest coast of Finland at the mouth of the Aura River, in the region of Finland Proper (''Varsinais-Suomi'') and the former Turku and Pori Province (''Turun ja Porin lääni''; 1634–1997). The region was originally called Suomi (Finland), which later became the name for the whole country. As of 31 March 2021, the population of Turku was 194,244 making it the sixth largest city in Finland after Helsinki, Espoo, Tampere, Vantaa and Oulu. There were 281,108 inhabitants living in the Turku Central Locality, ranking it as the third largest urban area in Finland after the Capital Region area and Tampere Central Locality. The city is officially bilingual as percent of its population identify Swedish as a mother-tongue. It is unknown when Turku gained city rights. The Pope Gregory IX first mentioned the town ''Aboa'' in his ''Bulla'' in 1229 and the year is now used as the foundation year of Turku. Turku ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vårsång
''Spring Song'' (in Swedish: ), Op. 16, is a single-movement tone poem for orchestra written in 1894 by the Finnish composer Jean Sibelius. The piece was initially composed as ''Improvisation for Orchestra'', in the key of D major. Sibelius recast it in F major, and retitled the work in 1895, appending the subtitle "The Sadness of Spring" to that (unpublished) version. The piece contains an optimism that is relatively rare among Sibelius' works. It is known for its prominent use of bells at the end of the song. Structure The work is scored for 2 flutes (both doubling piccolo), 2 oboes, 2 clarinets (in B), 2 bassoons, 4 horns (in F), 3 trumpets (in F), 3 trombones, tuba, timpani, glocken, violins, violas, cellos and double basses.Score, Sibelius: Vårsång (Frühlingslied), Breitkopf und Härtel, Leipzig Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Finnish National Theatre
The Finnish National Theatre ( fi, Suomen Kansallisteatteri), established in 1872, is a theatre located in central Helsinki on the northern side of the Helsinki Central Railway Station Square. The Finnish National Theatre is the oldest Finnish speaking professional theatre in Finland. It was known as the Finnish Theatre until 1902, when it was renamed the Finnish National Theatre. For the first thirty years of its existence, the theatre functioned primarily as a touring company. The theatre did not acquire a permanent home until 1902, when a purpose-built structure was erected in the heart of Helsinki, adjacent to the city's main railway station. The building hosting the Finnish National Theatre today was completed in 1902 and designed by architect Onni Tarjanne in the National Romantic style, inspired by romantic nationalism. The theatre still operates in these premises today, and over the years the building has expanded from its original size to encompass another three perman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aino Sibelius
Aino Sibelius (née Järnefelt; 10 August 1871 – 8 June 1969) was the wife of Finnish composer Jean Sibelius. They lived most of their 65 years of marriage at their home Ainola near Lake Tuusula, Järvenpää, Finland. They had six daughters: Eva (1893–1978), Ruth (1894–1976), Kirsti (1898–1900), Katarina (1903–1984), Margareta (1908–1988) and Heidi (1911–1982). Biography Childhood Aino Järnefelt was born in Helsinki, into the strict and disciplined family of General Alexander Järnefelt and his wife Elisabeth (née Clodt von Jürgensburg) in 1871. She had six older siblings, including the writer Arvid Järnefelt, the painter Eero Järnefelt and the composer and conductor Armas Järnefelt. It was her brother Armas who brought his friend and fellow student, Jean Sibelius, to the family home in the winter of 1889. At the time, the writer Juhani Aho was expressing affection towards Aino, but he did not receive the response he sought. Within the next few years, A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libretto
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the text of major liturgical works, such as the Mass (liturgy), Mass, requiem and sacred cantata, or the story line of a ballet. ''Libretto'' (; plural ''libretti'' ), from Italian, is the diminutive of the word ''wiktionary:libro#Italian, libro'' ("book"). Sometimes other-language equivalents are used for libretti in that language, ''livret'' for French works, ''Textbuch'' for German and ''libreto'' for Spanish. A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word ''libretto'' to refer to the 15 to 40 page books which were on sale to 19th century ballet audiences in Paris and contained a ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verismo
In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the ''verismo'' literary movement sought to portray the world with greater realism. In so doing, Italian ''verismo'' authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature. History A short story by Verga called ' (), then developed into a play by the same author, became the source for what is usually considered to be the first ''verismo'' opera: ''Cavalleria rusticana'' by Mascagni, which premiered on 17 May 1890 at the Teat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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