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Takeshi Kimura
, better known by his pen name , was a Japanese screenwriter who wrote many films for Toho studios. Kimura scripted several films for director Ishirō Honda, including ''Matango'', '' Frankenstein vs. Baragon'', ''The War of the Gargantuas'', ''King Kong Escapes'', and ''Destroy All Monsters''. He was a member of the Japanese Communist Party whose screenplays often included political themes. His scripts are frequently contrasted with those written by Shinichi Sekizawa, whose scripts for kaiju films typically had a more lightweight, "fun" tone. Kimura considered the screenplay for Ishirō Honda's ''Matango'' to be his best work, and he considered all of his scripts from ''Frankenstein Conquers the World'' onward to be merely work for hire. Kimura was known for having a dark and gloomy personality, and he was reportedly never very close to any of his fellow Toho employees. He died from a throat obstruction in his Tokyo Tokyo (; ja, 東京, , ), officially the Tokyo Metr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osaka
is a designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous city in Osaka Prefecture, and the third most populous city in Japan, following Special wards of Tokyo and Yokohama. With a population of 2.7 million in the 2020 census, it is also the largest component of the Keihanshin Metropolitan Area, which is the second-largest metropolitan area in Japan and the 10th largest urban area in the world with more than 19 million inhabitants. Osaka was traditionally considered Japan's economic hub. By the Kofun period (300–538) it had developed into an important regional port, and in the 7th and 8th centuries, it served briefly as the imperial capital. Osaka continued to flourish during the Edo period (1603–1867) and became known as a center of Japanese culture. Following the Meiji Restoration, Osaka greatly expanded in size and underwent rapid industrialization. In 1889, Osaka was officially established as a municipality. The construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pen Name
A pen name, also called a ''nom de plume'' or a literary double, is a pseudonym (or, in some cases, a variant form of a real name) adopted by an author and printed on the title page or by-line of their works in place of their real name. A pen name may be used to make the author's name more distinctive, to disguise the author's gender, to distance the author from their other works, to protect the author from retribution for their writings, to merge multiple persons into a single identifiable author, or for any of a number of reasons related to the marketing or aesthetic presentation of the work. The author's real identity may be known only to the publisher or may become common knowledge. Etymology The French-language phrase is occasionally still seen as a synonym for the English term "pen name", which is a "back-translation" and originated in England rather than France. H. W. Fowler and F. G. Fowler, in ''The King's English'' state that the term ''nom de plume'' evolv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toho
is a Japanese film, theatre production and distribution company. It has its headquarters in Chiyoda, Tokyo, and is one of the core companies of the Osaka-based Hankyu Hanshin Toho Group. Outside of Japan, it is best known as the producer and distributor of many '' kaiju'' and ''tokusatsu'' films, the Chouseishin ''tokusatsu'' superhero television franchise, the films of Akira Kurosawa, and the anime films of Studio Ghibli, CoMix Wave Films, TMS Entertainment and OLM, Inc. All nine of the highest-grossing Japanese films are released by Toho. Other famous directors, including Yasujirō Ozu, Kenji Mizoguchi, Masaki Kobayashi, and Mikio Naruse, also directed films for Toho. Toho's most famous creation is Godzilla, who is featured in 32 of the company's films. Godzilla, Rodan, Mothra, King Ghidorah and Mechagodzilla are described as Toho's Big Five because of the monsters' numerous appearances throughout the franchise, as well as spin-offs. Toho has also been involved in the pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ishirō Honda
was a Japanese filmmaker who directed 44 feature films in a career spanning 59 years. The most internationally successful Japanese filmmaker prior to Hayao Miyazaki, his films have had a significant influence on the film industry. Honda entered the Japanese film industry in 1934, working as the third assistant director on Sotoji Kimura's ''The Elderly Commoner's Life Study''. After 15 years of working on numerous films as an assistant director, he made his directorial debut with the short documentary film ''Ise-Shima'' (1949). Honda's first feature film, ''Aoi Shinju, The Blue Pearl'' (1952), was a critical success in Japan at the time and would lead him to direct three subsequent drama films. In 1954, Honda directed and co-wrote ''Godzilla (1954 film), Godzilla'', which became a box office success in Japan, and was nominated for two Japanese Movie Association awards. Because of the film's commercial success in Japan, it spawned a Godzilla (franchise), multimedia franchise, re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matango
is a 1963 Japanese horror film directed by Ishirō Honda. The film stars Akira Kubo, Kumi Mizuno and Kenji Sahara. It is partially based on William Hope Hodgson's short story "The Voice in the Night" and is about a group of castaways on an island who are unwittingly altered by a local species of mutagenic mushrooms. ''Matango'' was different from Honda's other films of the period as it explored darker themes and featured a more desolate look. Upon the film's release in Japan, it was nearly banned due to scenes that depicted characters resembling Hibakusha, victims of the atomic bombings of Hiroshima and Nagasaki. The film was released directly to television in the United States in a shortened form. Retrospective reviews generally commented on how the film varied from Honda's other work, with its darker tone. Plot In a hospital in Tokyo, a university professor named Kenji Murai is visited by a man who asks him about the events that led him to the hospital. The story is about a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frankenstein Vs
''Frankenstein; or, The Modern Prometheus'' is an 1818 novel written by English author Mary Shelley. ''Frankenstein'' tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821. Shelley travelled through Europe in 1815, moving along the river Rhine in Germany, and stopping in Gernsheim, away from Frankenstein Castle, where, two centuries before, an alchemist had engaged in experiments.This seems to mean Johann Konrad Dippel (1673–1734), one century before (not two). For Dippel's experiments and the possibility of connection to ''Frankenstein'' see the Dippel article. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. Galvanism and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The War Of The Gargantuas
is a 1966 '' kaiju'' film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Referred by film historian Stuart Galbraith IV as a "quasi–sequel" to '' Frankenstein vs. Baragon'', the film was a Japanese-American co-production; it was the third and final collaboration between Toho Co., Ltd and Henry G. Saperstein. The film stars Russ Tamblyn, Kumi Mizuno and Kenji Sahara, with Yû Sekida as Sanda and Haruo Nakajima as Gaira. In the film, scientists investigate the sudden appearance of two giant hairy humanoid monsters that culminates in a battle in Tokyo. The script's final draft was submitted in April 1966. Tab Hunter was originally hired by Saperstein, choosing to replace Nick Adams. However, Hunter was replaced by Tamblyn during pre-production. Honda's contract was not renewed and had to seek employment by speaking to Tanaka on a film-by-film basis. Honda, Saperstein, and chief assistant Seiji Tani noted that Tamblyn was difficult to work with. Tamblyn did ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Kong Escapes
is a 1967 ''kaiju'' film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. The film was a Japanese– American co-production between Toho and Rankin/Bass, and stars Rhodes Reason, Linda Miller, Akira Takarada, Mie Hama, Eisei Amamoto, with Haruo Nakajima as King Kong and Hiroshi Sekita as Mechani-Kong and Gorosaurus. The film is loosely based on Rankin/Bass' series, ''The King Kong Show'', and was the second and final Toho-produced film featuring King Kong. ''King Kong Escapes'' was released in Japan on July 22, 1967, and released in the United States on June 19, 1968. It is the fourth entry in the ''King Kong'' franchise. Plot An evil genius named Dr. Who creates Mechani-Kong, a robot version of King Kong, to dig for the highly radioactive Element X, found only at the North Pole. Mechani-Kong enters an ice cave and begins to dig into a glacier, but the radiation destroys its brain circuits and the robot shuts down. Who then sets his sights on gettin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Destroy All Monsters
is a 1968 Japanese ''kaiju'' film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. The film, which was produced and distributed by Toho Co., Ltd, is the ninth film in the ''Godzilla'' franchise, and features eleven monster characters, including Godzilla, Mothra, Rodan, King Ghidorah, Anguirus, and Minilla. The film stars Akira Kubo, Jun Tazaki, Yukiko Kobayashi and Yoshio Tsuchiya. In the film, humans have achieved world peace by the year 1999, and various giant monsters are confined to an area known as Monsterland. The monsters are freed from the area and are mind-controlled by aliens known as Kilaaks, who send them to attack major cities. When the monsters are freed from the Kilaaks' influence, the aliens send King Ghidorah to challenge the other monsters. ''Destroy All Monsters'' was released theatrically in Japan on August 1, 1968. The film was released by American International Pictures with an English-language dub in the United States on May 23, 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Communist Party
The is a left-wing to far-left political party in Japan. With approximately 270,000 members belonging to 18,000 branches, it is one of the largest non-governing communist parties in the world. The party advocates the establishment of a democratic society based on scientific socialism and pacificism. It believes this objective can be achieved by working within an electoral framework while carrying out an extra-parliamentary struggle against " imperialism and its subordinate ally, monopoly capital". As such, the JCP does not advocate violent revolution and instead proposes a "democratic revolution" to achieve "democratic change in politics and the economy". A staunchly antimilitarist party, the JCP firmly supports Article 9 of the Japanese Constitution and aims to dissolve the Japan Self-Defense Forces. The party also opposes Japan's security alliance with the United States, viewing it as an unequal partnership and an infringement on Japanese national sovereignty. In the wak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinichi Sekizawa
was a Japanese screenwriter noted for his immense contributions to several films by Ishirō Honda, including several classic Godzilla films. He also contributed material to the original ''Ultraman (1966 TV series), Ultraman'' series and several Toei Animation, Tōei Dōga films such as ''Gulliver's Travels Beyond the Moon'' and ''Jack and the Witch''. His very first screenplay was for the independently produced film (though distributed by Shintoho Studios) ''Fearful Attack of the Flying Saucers'', which was also his sole directing credit. His scripts for kaiju films have been noted for their inventiveness and for having a more lightweight, "fun" tone than those written by Takeshi Kimura (aka Kaoru Mabuchi), another leading writer of kaiju films, whose scripts had a darker, more serious sensibility. Before embarking on his screenwriting career, he briefly attended an animation school with famed manga artist and animator Osamu Tezuka. Partial filmography :Note: The films listed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaiju
is a Japanese media genre that focuses on stories involving giant monsters. The word ''kaiju'' can also refer to the giant monsters themselves, which are usually depicted attacking major cities and battling either the military or other monsters. The ''kaiju'' genre is a subgenre of ''tokusatsu'' entertainment. The 1954 film ''Godzilla'' is commonly regarded as the first ''kaiju'' film. ''Kaiju'' characters are often somewhat metaphorical in nature; Godzilla, for example, serves as a metaphor for nuclear weapons, reflecting the fears of post-war Japan following the atomic bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident. Other notable examples of ''kaiju'' characters include Rodan, Mothra, King Ghidorah and Gamera. Etymology The Japanese word ''kaijū'' originally referred to monsters and creatures from ancient Japanese legends; it earlier appeared in the Chinese ''Classic of Mountains and Seas''. After ''sakoku'' had ended and Japan was opened to for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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