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Takemoto Gidayū
was a ''jōruri (music), jōruri''Though Japan's puppet theatre is more commonly known as "bunraku" in English, that term refers to a specific school of performance established nearly 200 years after Gidayū's time. chanter and the creator of a style of chanted narration for Japan's bunraku, puppet theatre which has been used ever since. The name "''gidayū''" has since become the term for all ''jōruri'' chanters. He was a close colleague of the famous playwright Chikamatsu Monzaemon, and founder and manager of the Takemoto-za puppet theatre. Originally known as Kiyomizu Gorōbei, he took on the name Takemoto Gidayū no Jō in 1701. Life and career Gidayū was originally from the Tennōji-ku, Osaka, Tennōji neighborhood of Osaka, performed originally in Kyoto, as apprentice to Uji Kaganojō. In 1684, he left Kaganojō and Kyoto, returning to Osaka and founding the Takemoto-za, Takemoto-za theatre. The year after his arrival saw a competition between Gidayū and Kaganojō for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jōruri (music)
is a form of traditional Japanese narrative music in which a sings to the accompaniment of a . accompanies , traditional Japanese puppet theater. As a form of storytelling, emphasizes the lyrics and narration rather than the music itself. According to Asai Ryōi, the first performer to have ever employed the during his storytelling, instead of the , was chanter Sawazumi. The story he narrated was , one of the many existing versions of the , which tells the tale of the tragic love between Minamoto no Yoshitsune was a military commander of the Minamoto clan of Japan in the late Heian and early Kamakura periods. During the Genpei War, he led a series of battles which toppled the Ise-Heishi branch of the Taira clan, helping his half-brother Yoritomo conso ... and Jōruri-hime. Following this event, every tale sung to the accompaniment of a became emblematic of the style. See also * Japanese styles of music Japanese traditional music Japanese words and phrases ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japan
Japan ( ja, 日本, or , and formally , ''Nihonkoku'') is an island country in East Asia. It is situated in the northwest Pacific Ocean, and is bordered on the west by the Sea of Japan, while extending from the Sea of Okhotsk in the north toward the East China Sea, Philippine Sea, and Taiwan in the south. Japan is a part of the Ring of Fire, and spans Japanese archipelago, an archipelago of List of islands of Japan, 6852 islands covering ; the five main islands are Hokkaido, Honshu (the "mainland"), Shikoku, Kyushu, and Okinawa Island, Okinawa. Tokyo is the Capital of Japan, nation's capital and largest city, followed by Yokohama, Osaka, Nagoya, Sapporo, Fukuoka, Kobe, and Kyoto. Japan is the List of countries and dependencies by population, eleventh most populous country in the world, as well as one of the List of countries and dependencies by population density, most densely populated and Urbanization by country, urbanized. About three-fourths of Geography of Japan, the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or ( puppeteers), the ( chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chikamatsu Monzaemon
was a Japanese dramatist of jōruri, the form of puppet theater that later came to be known as bunraku, and the live-actor drama, kabuki. The ''Encyclopædia Britannica'' has written that he is "widely regarded as the greatest Japanese dramatist". His most famous plays deal with double-suicides of honor bound lovers. Of his puppet plays, around 70 are ''jidaimono'' (時代物) (historical romances) and 24 are ''sewamono'' (世話物) (domestic tragedies). The domestic plays are today considered the core of his artistic achievement, particularly works such as ''The Courier for Hell'' (1711) and ''The Love Suicides at Amijima'' (1721). His histories are viewed less positively, though ''The Battles of Coxinga'' (1715) remains praised. Biography Chikamatsu was born Sugimori Nobumori. to a samurai family. There is disagreement about his birthplace. The most popular theory. suggests he was born in Echizen Province, but there are other plausible locations, including Hagi, Nagato Provi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Takemoto-za
The Takemoto-za (竹本座) was a ''bunraku'' theatre in Osaka, founded in 1684 by Takemoto Gidayū. Plays by many famous playwrights were performed there, including works by Chikamatsu Monzaemon, Namiki Sōsuke, and Takeda Izumo I. Many of the playwrights working at the Takemoto-za worked together, as a committee, as was the custom at the time. The Takemoto-za had a fierce rival in the Toyotake-za, built by one of Takemoto Gidayū's former disciples. Though ''bunraku'' remained exceptionally popular through 1764, at that time it began to be eclipsed by kabuki and to fall into decline. The Takemoto-za was forced to close in 1767, and though it opened once more after that, it soon afterwards closed again. References *Frederic, Louis (2002). "Japan Encyclopedia." Cambridge, Massachusetts: Harvard University Press.Kabuki Glossary at Kabuki21.com Accessed 14 September 2006. {{coord missing, Osaka Prefecture Buildings and structures completed in 1684 1767 disestablishments Bunrak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tennōji-ku, Osaka
is one of 24 wards of Osaka, Japan. It is named after the ''Shitennō-ji'' (Temple of the Four Heavenly Kings), which is located in the ward. General information Tennōji Station is the city's main southeastern rail terminal with Osaka Municipal Subway's Tennōji Station Midōsuji Line and Tanimachi Line, JR Tennōji as the terminus of the JR Hanwa Line (and a major stop on the Kyoto Line, Osaka Loop Line, Yamatoji Line and Kansai Airport Line) and the Kintetsu Abenobashi Station, directly across the street from Tennōji station is the terminus of the Minami Osaka Line. As a result of its being a major railway hub, it has become a major built up area in southern Osaka. The buildings around the station include, the Kintetsu department store, Mio, Station Plaza, and Hoop shopping malls, Apollo Movie Theater and Lucias shopping mall, as well as the more recent Q's Mall. In addition, there are several shopping streets in the area including Abenobashisuji. The Kintetsu Abeno Haruka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osaka
is a designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous city in Osaka Prefecture, and the third most populous city in Japan, following Special wards of Tokyo and Yokohama. With a population of 2.7 million in the 2020 census, it is also the largest component of the Keihanshin Metropolitan Area, which is the second-largest metropolitan area in Japan and the 10th largest urban area in the world with more than 19 million inhabitants. Osaka was traditionally considered Japan's economic hub. By the Kofun period (300–538) it had developed into an important regional port, and in the 7th and 8th centuries, it served briefly as the imperial capital. Osaka continued to flourish during the Edo period (1603–1867) and became known as a center of Japanese culture. Following the Meiji Restoration, Osaka greatly expanded in size and underwent rapid industrialization. In 1889, Osaka was officially established as a municipality. The construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoto
Kyoto (; Japanese: , ''Kyōto'' ), officially , is the capital city of Kyoto Prefecture in Japan. Located in the Kansai region on the island of Honshu, Kyoto forms a part of the Keihanshin metropolitan area along with Osaka and Kobe. , the city had a population of 1.46 million. The city is the cultural anchor of a substantially larger metropolitan area known as Greater Kyoto, a metropolitan statistical area (MSA) home to a census-estimated 3.8 million people. Kyoto is one of the oldest municipalities in Japan, having been chosen in 794 as the new seat of Japan's imperial court by Emperor Kanmu. The original city, named Heian-kyō, was arranged in accordance with traditional Chinese feng shui following the model of the ancient Chinese capital of Chang'an/Luoyang. The emperors of Japan ruled from Kyoto in the following eleven centuries until 1869. It was the scene of several key events of the Muromachi period, Sengoku period, and the Boshin War, such as the Ōnin War, the Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jōkyō
was a after ''Tenna'' and before ''Genroku.'' This period spanned the years from February 1684 through September 1688. The reigning emperors were and .Titsingh, Isaac. (1834). ''Annales des empereurs du japon'' p. 415./ref> Change of era * 1684 : The new era of ''Jōkyō'' (meaning "Taking Righteousness") was created to mark the start of a new cycle of the Chinese zodiac. The previous era ended and the new one commenced in ''Tenna'' 4, on the 21st day of the 2nd month. Subsequently, the power to create a calendar shifted to the shogunate and the authority of the Imperial calendar was diminished after 1684. In that year, the astrology bureau of the Tokugawa bakufu created a "Japanese" calendar which was independent of Chinese almanacs. Events of the ''Jōkyō'' era * 1684 (''Jōkyō 1''): A fire burned the Kyoto Imperial Palace to ashes. The reconstruction took a year.Ponsonby-Fane, Richard. (1956). ''Kyoto: The Old Capital of Japan, 794–1869'', p. 342. * 1684 (''Jōkyō 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zeami Motokiyo
(c. 1363 – c. 1443), also called , was a Japanese aesthetician, actor, and playwright. His father, Kan'ami Kiyotsugu, introduced him to Noh theater performance at a young age, and found that he was a skilled actor. Kan'ami was also skilled in acting and formed a family theater ensemble. As it grew in popularity, Zeami had the opportunity to perform in front of the Shōgun, Ashikaga Yoshimitsu. The Shōgun was impressed by the young actor and began to compose a love affair with him. Zeami was introduced to Yoshimitsu's court and was provided with an education in classical literature and philosophy while continuing to act. In 1374, Zeami received patronage and made acting his career. After the death of his father in 1385, he led the family troupe, a role in which he found greater success. Zeami mixed a variety of Classical and Modern themes in his writing, and made use of Japanese and Chinese traditions. He incorporated numerous themes of Zen Buddhism into his works and lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michiyuki
is the term for a journey scene in Japanese theatre, which shows the characters dancing or conversing while travelling. The term , in its generic sense of ''michi wo yuku'' "to go on a road", is used in lyrical descriptions of journeys from the 8th century. It was also a term for the music in bugaku dances of the Heian period, played while a dancer was moving onto the stage. As a technical term in Noh and Kabuki theatre, ''michiyuki'' is used from the 16th century. In Noh, the michiyuki customarily takes the function of a prologue, the characters introducing the play while travelling to the location where the main action will take place. In Kabuki, by contrast, the michiyuki often takes place in the last act. The michiyuki is performed by the travelling characters moving about in a steady pace either on the main stage or on the hanamichi (a walkway or "corridor" attached to the main stage). References *Martina Schönbein, ''Die Michiyuki-Passagen in den Sewa-Jōruri des Dramat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
