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Tutti In Maschera
''Tutti in maschera'' (''Everyone in Disguise'') is an opera (called a ''commedia lirica'') by Carlo Pedrotti. The libretto is by Marco Marcelliano Marcello, based on the 1759 comedy ''L'impresario delle Smirne'' by Carlo Goldoni. It was premiered at the Teatro Nuovo, Verona, on 4 November 1856. Background and performance history ''Tutti in maschera'' was the twelfth of Pedrotti's eighteen operas and the tenth to be staged (the first two were never performed). Five of the previous eleven were opere serie (serious operas) and five were opere semiserie (operas combining drama and comedy). Only one, the one-act ''Il parrucchiere della reggenza'' (''The hairdresser of the Regency'') of 1852 was designated as a comic opera. After the premiere, ''Tutti in maschera'' was seen in Italy at the Teatro Regio di Parma in 1859, the Teatro Comunale di Bologna in 1860, the Teatro della Canobbiana in 1860 (with the famous baritone Antonio Cotogni as Abdalà) and the Teatro Comunale, Catania i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Pedrotti
Carlo Pedrotti (12 November 1817 – 16 October 1893) was an Italian conductor, administrator and composer, principally of opera. An associate of Giuseppe Verdi's, he also taught two internationally renowned Italian operatic tenors, Francesco Tamagno and Alessandro Bonci. Early life Pedrotti was born in Verona, where he studied music with the composer Domenico Foroni. He composed two operas which were never performed, but his opera semiseria ''Lina'' was successfully given at Foroni's Teatro Filarmonico in 1840, and his next opera, ''Clara di Mailand'', was performed there later that year. This was followed by four seasons as conductor of the Italian Opera in Amsterdam, where a further two operas were composed and premiered. Operatic success He returned to Verona in 1845. During the next 23 years, he taught, conducted at the Teatro Nuovo as well as the Teatro Filarmonico and composed a further 10 operas. ''Fiorina'' (1851), another opera semiseria, was a success in It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rovigo
Rovigo (, ; egl, Ruig) is a city and ''comune'' in the Veneto region of Northeast Italy, the capital of the eponymous province. Geography Rovigo stands on the low ground known as Polesine, by rail southwest of Venice and south-southwest of Padua, and on the Adigetto Canal. The ''comune'' of Rovigo extends between the rivers Adige and Canal Bianco, west of the Adriatic Sea, except the ''frazione'' of Fenil del Turco that extends south of the Canal Bianco. Polesine is the name of the low ground between the lower courses of the rivers Adige and Po and the sea; the derivation of the name is much discussed, generally applied only to the province of Rovigo, but is sometimes extended to the near towns of Adria and Ferrara. History Rovigo (both ''Rodigium'' and ''Rhodigium'' in Latin script) appears to be first mentioned in a document from Ravenna dating April 24, 838; the origin of the name is uncertain. In 920 it was selected as his temporary residence by the bishop of Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paolo Bordogna
Paolo Bordogna (born January 2, 1972) is an Italian operatic baritone and bass. He is particularly associated with ''buffo'' (comic) roles. Biography Bordogna studied singing with baritone Roberto Coviello. Since 2005, he has appeared often at the Rossini Opera Festival, Pesaro in such roles as Don Magnifico in ''La Cenerentola'', Bartolo in ''The Barber of Seville'' and numerous others. His career has taken him to Teatro Real, La Scala, Bayerische Staatsoper, the Paris Opera, The Royal Opera and many others of the world's leading opera houses. He has also performed the roles of Dandini in ''La cenerentola'' and Figaro in ''The Barber of Seville''. Over 50 roles in his wide repertory include the title role of Donizetti's ''Don Pasquale'' and Dr. Dulcamara in that composer's ''L'elisir d'amore''. In Mozart operas, he has performed as Figaro in ''Le nozze di Figaro'' at Opera Australia, Don Alfonso in ''Cosi fan Tutte'' at Teatro dell'Opera di Roma and Leperello in ''Don Giovann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damascus
)), is an adjective which means "spacious". , motto = , image_flag = Flag of Damascus.svg , image_seal = Emblem of Damascus.svg , seal_type = Seal , map_caption = , pushpin_map = Syria#Mediterranean east#Arab world#Asia , pushpin_label_position = right , pushpin_mapsize = , pushpin_map_caption = Location of Damascus within Syria , pushpin_relief = 1 , coordinates = , subdivision_type = Country , subdivision_name = , subdivision_type1 = Governorate , subdivision_name1 = Damascus Governorate, Capital City , government_footnotes = , government_type = , leader_title = Governor , leader_name = Mohammad Tariq Kreishati , parts_type = Municipalities , parts = 16 , established_title = , established_date ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Prima Donna
In opera or commedia dell'arte, a prima donna (; Italian for "first lady"; plural: ''prime donne'') is the leading female singer in the company, the person to whom the prime roles would be given. ''Prime donne'' often had grand off-stage personalities and were seen as demanding of their colleagues. From its original usage in opera, the term has spread in contemporary usage to refer to anyone behaving in a demanding or temperamental fashion, or having an inflated view of oneself and a self-centered attitude. The prima donna in opera was normally, but not necessarily, a soprano. The corresponding term for the male lead (usually a castrato in the 17th and 18th centuries, later a tenor) is primo uomo.H. Rosenthal, H. and J. Warrack, ''The Concise Oxford Dictionary of Opera'', 2nd Edition, Oxford University Press, 1979. p. 398. Opera In 19th-century Italy, the leading woman in an opera or commedia dell'arte company was known as the ''prima donna'', literally the "first lady". Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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