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Totentanz (Liszt)
''Totentanz'' ( en, Dance of the Dead): Paraphrase on ''Dies irae'', S.126, is the name of a work for solo piano and orchestra by Franz Liszt notable for being based on the Gregorian plainchant melody '' Dies irae'' as well as for stylistic innovations. It was first planned in 1838, completed and published in 1849, and revised in 1853 and 1859. Obsession with death Some of the titles of Liszt’s pieces, such as ''Totentanz'', ''Funérailles'', '' La lugubre gondola'' and '' Pensée des morts'', show the composer's fascination with death. In the young Liszt we can already observe manifestations of his obsession with death, with religion, and with heaven and hell. According to Alan Walker, Liszt frequented Parisian "hospitals, gambling casinos and asylums" in the early 1830s, and he even went down into prison dungeons in order to see those condemned to die. Sources of inspiration In the Romantic age, due to a fascination with everything Medieval, the aspect of fantast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By Franz Liszt (S
Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding. The primary cataloguing system for his compositions was developed by Humphrey Searle; it has been thoroughly revamped by Michael Short and Leslie Howard. Legend The table below gives the following information for works by Franz Liszt (where applicable): # S. — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). A number sign (#) signifies that a number is no longer in use. # LW. — numbering by R. Charnin Mueller and M. Eckhardt referenced in '' Grove Music Online'' (2010) # Title — normally following the New Liszt Edition' and Library of Congress', as well as other authoritative sources # Forces — the instrumentation used (seAbbreviations for Instruments # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonie Fantastique
' (''Fantastical Symphony: Episode in the Life of an Artist … in Five Sections'') Op. 14, is a program symphony written by the French composer Hector Berlioz in 1830. It is an important piece of the early Romantic period. The first performance was at the Paris Conservatoire on 5 December 1830. Franz Liszt made a piano transcription of the symphony in 1833 (S. 470). The American composer and conductor Leonard Bernstein described the symphony as the first musical expedition into psychedelia because of its hallucinatory and dream-like nature, and because history suggests Berlioz composed at least a portion of it under the influence of opium. According to Bernstein, "Berlioz tells it like it is. You take a trip, you wind up screaming at your own funeral." Berlioz put a great deal of emotion into the piece, exploring the extremities of many ends of the emotional spectrum. He wanted people to understand his intentions behind it as they were the driving factor behind each movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Von Bülow
Freiherr Hans Guido von Bülow (8 January 1830 – 12 February 1894) was a German conductor, virtuoso pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishing the successes of several major composers of the time, especially Richard Wagner and Johannes Brahms. Alongside Carl Tausig, Bülow was perhaps the most prominent of the early students of the Hungarian composer, virtuoso pianist and conductor Franz Liszt; he gave the first public performance of Liszt's Sonata in B minor in 1857. He became acquainted with, fell in love with and eventually married Liszt's daughter Cosima, who later left him for Wagner. Noted for his interpretation of the works of Ludwig van Beethoven, he was one of the earliest European musicians to tour the United States. Life and career Bülow was born in Dresden into an old and prominent House of Bülow. He was the son of novelist Karl Eduard von Bülow ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hague
The Hague ( ; nl, Den Haag or ) is a city and municipality of the Netherlands, situated on the west coast facing the North Sea. The Hague is the country's administrative centre and its seat of government, and while the official capital of the Netherlands is Amsterdam, The Hague has been described as the country's de facto capital. The Hague is also the capital of the province of South Holland, and the city hosts both the International Court of Justice and the International Criminal Court. With a population of over half a million, it is the third-largest city in the Netherlands, after Amsterdam and Rotterdam. The Hague is the core municipality of the Greater The Hague urban area, which comprises the city itself and its suburban municipalities, containing over 800,000 people, making it the third-largest urban area in the Netherlands, again after the urban areas of Amsterdam and Rotterdam. The Rotterdam–The Hague metropolitan area, with a population of approximately 2.6&n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie D'Agoult
Marie Cathérine Sophie, Comtesse d'Agoult (née de Flavigny; 31 December 18055 March 1876), was a Franco-German romantic author and historian, known also by her pen name, Daniel Stern. Life Marie was born in Frankfurt am Main, Germany, with the full name of Marie Cathérine Sophie de Flavigny, the daughter of Alexandre Victor François, Vicomte de Flavigny (1770–1819), a footloose émigré French aristocrat, and his wife Maria Elisabeth Bethmann (1772–1847), a German banker's daughter. The young Marie spent her early years in Germany and completed her education in a French convent after the Bourbon Restoration. She entered into an early marriage of convenience with Charles Louis Constant d'Agoult, Comte d'Agoult (1790–1875) on 16 May 1827, thereby becoming the Comtesse d'Agoult. They had two daughters, Louise (1828–1834) and Claire (1830–1912). Marie never divorced the count, even though she had left him for Franz Liszt. From 1835 to 1839, she lived with composer a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pisa
Pisa ( , or ) is a city and ''comune'' in Tuscany, central Italy, straddling the Arno just before it empties into the Ligurian Sea. It is the capital city of the Province of Pisa. Although Pisa is known worldwide for its leaning tower, the city contains more than twenty other historic churches, several medieval palaces, and bridges across the Arno. Much of the city's architecture was financed from its history as one of the Italian maritime republics. The city is also home to the University of Pisa, which has a history going back to the 12th century, the Scuola Normale Superiore di Pisa, founded by Napoleon in 1810, and its offshoot, the Sant'Anna School of Advanced Studies.Scuola Superiore Sant'Anna di Pisa Information statistics History ...
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Camposanto Monumentale
The Campo Santo, also known as Camposanto Monumentale ("monumental cemetery") or Camposanto Vecchio ("old cemetery"), is a historical edifice at the northern edge of the Cathedral Square in Pisa, Italy. "Campo Santo" can be literally translated as "holy field", because it is said to have been built around a shipload of sacred soil from Golgotha, brought back to Pisa from the Third Crusade by Ubaldo Lanfranchi, archbishop of Pisa in the 12th century. A legend claims that bodies buried in that ground will rot in just 24 hours. The burial ground lies over the ruins of the old baptistery of the church of Santa Reparata, the church that once stood where the cathedral now stands. The term "monumental" serves to differentiate it from the later-established urban cemetery in Pisa. History The building was the fourth and last one to be raised in the Cathedral Square. It dates from a century after the bringing of the soil from Golgotha, and was erected over the earlier burial ground. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buonamico Buffalmacco
Buonamico di Martino, otherwise known as Buonamico Buffalmacco (active c. 1315–1336), was an Italian Renaissance painter who worked in Florence, Bologna, and Pisa. Although none of his known work has survived, he is widely assumed to be the painter of a most influential fresco cycle preserved in the Campo Santo of Pisa, featuring ''The Three Dead and the Three Living'', the ''Triumph of Death'', the ''Last Judgement'', the ''Hell'', and the ''Thebais'' (several episodes from the lives of the Desert Fathers). Painted some ten years before the Black Death spread over medieval Europe in 1348, the cycle enjoyed an extraordinary success after that date, and was often imitated throughout Italy during the Renaissance. The youngsters' party enjoying themselves in a beautiful garden while Death piles mounds of corpses all around is likely to have inspired the setting of Giovanni Boccaccio's literary masterpiece ''The Decameron'', written a few years after the spread of the Black Dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Orcagna
Andrea di Cione di Arcangelo (c. 1308 – 25 August 1368), better known as Orcagna, was an Italian painter, sculptor, and architect active in Florence. He worked as a consultant at the Florence Cathedral and supervised the construction of the façade at the Orvieto Cathedral. His ''Strozzi Altarpiece'' (1354–57) is noted as defining a new role for Christ as a source of Catholic doctrine and papal authority. Works Orcagna's works include: * "Altarpiece of the Redeemer" (1354–57) in the ''Strozzi di Mantova'' Chapel at Santa Maria Novella, Florence * The tabernacle in Orsanmichele (finished 1359) which was regarded as "the most perfect work of its kind in Italian Gothic". * His fresco ''The Triumph of Death'' inspired Franz Liszt's masterwork ''Totentanz''. * His fresco ''Crucifixion'' with a multitude of angels surrounding the cross, portrayed on a dark background and a few fragments of the Last Supper (1365). The mosaic decoration and the rose window of the cathedral of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Traini
Francesco Traini was an Italian painter who was documented as working from 1321 to ''ca'' 1365 in Pisa and Bologna. He appears to have been a follower of Andrea Orcagna to judge by only one work known to be by Traini: in 1345 he signed and dated a polyptych of the Pisan church of S. Caterina, showing Saint Dominic and a predella showing eight hagiographic scenes from the saint's life, now in the Museo Nazionale, Pisa. Most scholars attribute many of the huge frescoes of the Camposanto Monumentale in Pisa to Traini, including the ''Last Judgement'', ''Inferno'', ''Legends of the Hermits'' and, the famous ''Il Trionfo della Morte'' (the Triumph of Death). There are Traini paintings at the Princeton University Art Museum, Ackland Art Museum, and an ''Allegorical Representation of Crucifixion with Saints Andrew and Paul'' at the Carnegie Art Museum. ''Triumph of Death'' Though other scholars attribute it to Buonamico Buffalmacco, the ''Trionfo della Morte'' was used by the art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variation (music)
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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