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Tolomeo Faccendi
Tolomeo Faccendi (8 November 1905 – 11 September 1970) was an Italian sculptor, active mainly in his native Tuscany. Biography He trained in the workshop of Ivo Pacini and became one of the prominent artists of the 20th-century artistic movement in Grosseto. Faccendi participated at the 21st Venice Biennale in 1938 and at the 4th Rome Quadriennale in 1943. He created various public sculptures in his hometown, including the '' puledro'' (1933), the '' cinghialino'' (1950), the ''buttero'' (1953), and the statue of ''saint Francis of Assisi'' (1965) next to the church of San Francesco. Faccendi sculpted the bronze religious decorations – the '' Christ the Redeemer'', the '' Four Evangelists'', the '' Via Crucis'', and a ''Pietà The Pietà (; meaning "pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture. The Pietà is a specific form ...
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Grosseto
Grosseto () is a city and ''comune'' in the central Italian region of Tuscany, the capital of the Province of Grosseto. The city lies from the Tyrrhenian Sea, in the Maremma, at the centre of an alluvial plain on the Ombrone river. It is the most populous city in Maremma, with 82,284 inhabitants. The comune of Grosseto includes the ''frazioni'' of Marina di Grosseto, the largest one, Roselle, Principina a Mare, Principina Terra, Montepescali, Braccagni, Istia d'Ombrone, Batignano, Alberese and Rispescia. History The origins of Grosseto can be traced back to the High Middle Ages. It was first mentioned in 803 as a fief of the Counts Aldobrandeschi, in a document recording the assignment of the church of St. George to Ildebrando degli Aldobrandeschi, whose successors were counts of the Grossetana Mark until the end of the 12th century. Grosseto steadily grew in importance, owing to the decline of Rusellae and Vetulonia until it was one of the principal Tuscan cities. In 1137 th ...
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1905 Births
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipk ...
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Sculptors From Tuscany
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ...
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Enrico Crispolti
Enrico Crispolti (18 April 1933 – 8 December 2018) was an Italian art critic, curator and art historian. From 1984 to 2005, he was professor of history of contemporary art at the Università degli Studi di Siena, and director of the school of specialisation in art history. He previously taught at the Accademia di Belle Arti in Rome (1966–1973) and at the Università degli Studi di Salerno (1973–1984). He was author of the ''catalogues raisonnés'' of the works of Enrico Baj, Lucio Fontana and Renato Guttuso. He died in Rome on 8 December 2018. Exhibitions Crispolti curated many contemporary art exhibitions and events, including four editions of ''Alternative Attuali'' in L'Aquila (1962, 1963, 1965, 1968), three editions of the Biennale of Metal and Ceramics in Gubbio (1973, 1974, 1975), the 5th and 6th Biennial of Sacred Art in San Gabriele (1992, 1994), the 9th International Sculpture Biennale of Carrara (1998), as well as sections of the Venice Biennale, including ''Am ...
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Basilica Of Sacro Cuore Di Gesù, Grosseto
Sacro Cuore di Gesù (Italian: ''Sacred Heart of Jesus'') is a minor basilica in Grosseto, Tuscany, Italy. The church was commissioned by the bishop of Grosseto Paolo Galeazzi, who intended to pay homage to the fallen in the 1943 Grosseto bombing., for more on the 1943 bombing, see Strategic bombing during World War II § Bombing in Italy On 26 April 1943, the day of Easter Monday, the city was bombed by the Americans, who concentrated on targeting civilians. 134 civilians died that day, especially children who were playing in a funfair set up outside the city walls. The monumental building was designed by engineer Ernesto Ganelli. Construction began in 1954 and was completed in four years. On 26 April 1958, anniversary of the bombing, bishop Paolo Galeazzi consecrated the church, which was elevated to minor basilica by pope Pius XII on 6 June. Sacro Cuore di Gesù is decorated with bronze sculptures by artist Tolomeo Faccendi. The decorations include the fourteen stations of t ...
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Pietà
The Pietà (; meaning "pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture. The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by the Virgin Mary alone. Context and development Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Stabat Mater (the mother was standing). The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist. The Pietà developed in Germany (where it is called the "Vesperbild") about 1300, reached Italy about 1400, and was especially popular in Central European Andachtsbilder. Many German and Polish 15th-century examples in wood greatly emphasise Christ's wounds. The Deposition of Christ and the Lamentation or Pietà form the 13th of th ...
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Via Crucis
The Stations of the Cross or the Way of the Cross, also known as the Way of Sorrows or the Via Crucis, refers to a series of images depicting Jesus Christ on the day of his crucifixion and accompanying prayers. The stations grew out of imitations of the Via Dolorosa in Jerusalem, which is a traditional processional route symbolising the actual path Jesus walked to Mount Calvary. The objective of the stations is to help the Christian faithful to make a spiritual pilgrimage through contemplation of the Passion of Christ. It has become one of the most popular devotions and the stations can be found in many Western Christian churches, including those in the Roman Catholic, Lutheran, Anglican, and Methodist traditions. Commonly, a series of 14 images will be arranged in numbered order along a path, along which worshippers—individually or in a procession—move in order, stopping at each station to say prayers and engage in reflections associated with that station. These devotions ...
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Redeemer (Christianity)
In Christian theology, Jesus in Christianity, Jesus is sometimes referred to by the title Redeemer. This refers to the Christian soteriology, salvation he accomplished, and is based on the metaphor of Redemption (theology)#In Christianity, redemption, or "buying back". In the New Testament, ''redemption'' is used to refer both to deliverance from sin and to freedom from captivity. Although the gospels do not use the title "Redeemer", redemption is used in several of Pauline epistles, Paul's letters. Leon Morris says that "Paul uses the concept of redemption primarily to speak of the saving significance of the death of Christ." Universality The New Testament speaks of Christ as the one Saviour for all people.On Christ's role as universal Saviour, cf. Gerald O'Collins, ''Salvation for All: God's Other Peoples'', OUP (2008). The First Epistle of John says that Jesus is "the propitiation for our sins and not for ours only but also for the sins of the world" (wikisource:Bible (Ameri ...
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Tuscany
Tuscany ( ; it, Toscana ) is a Regions of Italy, region in central Italy with an area of about and a population of about 3.8 million inhabitants. The regional capital is Florence (''Firenze''). Tuscany is known for its landscapes, history, artistic legacy, and its influence on high culture. It is regarded as the birthplace of the Italian Renaissance and of the foundations of the Italian language. The prestige established by the Tuscan dialect's use in literature by Dante Alighieri, Petrarch, Giovanni Boccaccio, Niccolò Machiavelli and Francesco Guicciardini led to its subsequent elaboration as the language of culture throughout Italy. It has been home to many figures influential in the history of art and science, and contains well-known museums such as the Uffizi and the Palazzo Pitti. Tuscany is also known for its wines, including Chianti, Vino Nobile di Montepulciano, Morellino di Scansano, Brunello di Montalcino and white Vernaccia di San Gimignano. Having a strong linguisti ...
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